Reviews for Like mother, like mother
Kirkus
Copyright © Kirkus Reviews, used with permission.
A vibrant portrait of a modern family shaped by a significant missing piece. Rieger starts her latest with the untimely death of her powerhouse central character: Lila Pereira, the recently retired executive editor of a major Washington newspaper. Among those left with regrets is her youngest daughter, Grace, who recently published a novel that was a fictionalized version of Lila's life, including more than one troublesome variation from the official story. Whereas Lila's violently abusive father, Aldo, told his children that their mother, Zelda, died in the mental institution he packed her off to when Lila was 2, in Grace's version, "Zelina" didn't die, but escaped to start another life. Grace has also managed to wound her father, Joe, by giving the fictional mother a long-running affair with a colleague. There's one thing they all agree on, though: The IRL Lila was a washout as a mother, completely and explicitly leaving the parenting to Joe while she pursued her career. She had grown up fine without a mother; why shouldn't they? The story ping-pongs between past and present to develop these themes, with brisk storytelling and sharp dialogue making the pages fly. Rieger manages a very large cast without undue confusion: In addition to three generations of Lila and Joe's family, Grace's best friend, Ruth, is at the center of another group of characters. As in her previous book,The Heirs (2017), DNA testing eventually plays a key role. Fans of Cynthia D'Aprix Sweeney'sThe Nest, Jenny Jackson'sPineapple Street, and Taffy Brodesser-Akner'sLong Island Compromise will enjoy the complex interaction of sibling relationships, inherited money, and inherited trauma, and like the authors of those books, Rieger doesn't let the darker parts of her story get in the way of her vivacious storytelling. Both snappy and sprawling, this psychologically sharp novel gets the details right on culture and politics, too. A fun read. Copyright © Kirkus Reviews, used with permission.