Publishers Weekly: A clever concept drives Riordan's highly charged children's book debut (the first in a series): the Greek Gods still rule, though now from a Mt. Olympus on the 600th floor of the Empire State Building, and their offspring, demigods, live among human beings. Narrator Percy Jackson thinks he's just another troubled 12-year-old, until he vaporizes his math teacher, learns his best friend, Grover, is a satyr and narrowly escapes a minotaur to arrive at Camp Half-Blood. After a humorous stint at camp, Percy learns he's the son of Poseidon and embarks on a quest to the Underworld with Grover and Annabeth (a daughter of Athena) to resolve a battle between Zeus and Poseidon over Zeus's stolen "master" lightning bolt. Without sacrificing plot or pacing, Riordan integrates a great deal of mythology into the tale and believably places mythical characters into modern times, often with hilarious results (such as Hades ranting about the problem of "sprawl," or population explosion). However, on emotional notes the novel proves less strong (for example, Percy's grief for his mother rings hollow; readers will likely spot the "friend" who betrays the hero, as foretold by the Oracle of Delphi, before Percy does) and their ultimate confrontation proves a bit anticlimactic. Still, this swift and humorous adventure will leave many readers eager for the next installment. Ages 10-up. (July)

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School Library Journal: Starred Review. Gr 5-9–An adventure-quest with a hip edge. At first glance, Perseus Jackson seems like a loser (readers meet him at a boarding school for troubled youth), but he's really the son of Poseidon and a mortal woman. As he discovers his heritage, he also loses that mother and falls into mortal danger. The gods (still very active in the 21st-century world) are about to go to war over a lost thunderbolt, so Percy and sidekicks Grover (a young satyr) and Annabeth (daughter of Athena) set out to retrieve it. Many close calls and monster-attacks later, they enter Hades's realm (via L.A.). A virtuoso description of the Underworld is matched by a later account of Olympus (hovering 600 floors above Manhattan). There's lots of zippy review of Greek myth and legend, and characters like Medusa, Procrustes, Charon, and the Eumenides get updates. Some of the Labors of Heracles or Odysseus's adventures are recycled, but nothing seems stale, and the breakneck pace keeps the action from being too predictable. Percy is an ADHD, wise-cracking, first-person narrator. Naturally, his real quest is for his own identity. Along the way, such topics as family, trust, war, the environment, dreams, and perceptions are raised. There is subtle social critique for sophisticated readers who can see it. Although the novel ends with a satisfying conclusion (and at least one surprise), it is clear that the story isn't over. The 12-year-old has matured and is ready for another quest, and the villain is at large. Readers will be eager to follow the young protagonist's next move.–Patricia D. Lothrop, St. George's School, Newport, RI

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Publishers Weekly: In the first volume in Paolini's planned Inheritance trilogy, 15-year-old Eragon discovers an odd blue gemstone while exploring an infamous stretch of forest. It is a dragon egg, fated to hatch in his care. Eragon quickly develops a psychic connection with the female dragon that emerges, whom he names Saphira ("His emotions were completely open to her mind, and she understood him better than anyone else"). Eragon narrowly escapes doom with Saphira's help, but the uncle who raised him is killed, setting up a robust revenge/adventure tale. The scope quickly expands: Eragon turns out to be the first of a new generation of Riders, a lodge of legendary dragon-riding warriors killed by the evil King Galbatorix. As a result, he becomes the focal point in a war between Galbatorix's forces and the resistance efforts of the Varden. Paolini, who was 15 years old himself when he began this book, takes the near-archetypes of fantasy fiction and makes them fresh and enjoyable, chiefly through a crisp narrative and a likable hero. He carries a substantial Tolkien influence-fanciful spellings of geographical names, the use of landscape as character, as well as the scale and structure of the story itself. But his use of language dispenses with the floral, pastoral touch in favor of more direct prose. The likeness does not end there: the volume opens with a detailed map of Paolini's world, and ends with a glossary and pronunciation guide for his invented language. An auspicious beginning to both career and series. Ages 12-up.

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School Library Journal: Gr 5 Up-Eragon, 15, is hunting for wild game when he witnesses a mysterious explosion. At the center of the blast radius he finds a polished blue stone marked with white veins. Brom, the village storyteller, has shown interest in it, so it is to him that Eragon turns when it starts squeaking, then wobbling, and then hatches into a majestic sapphire blue dragon. His decision to keep and raise Saphira starts him on an epic journey of Tolkienesque proportions that is only partially told in the 500 pages of this book. Eragon learns that the Empire's cruel and oppressive king will stop at nothing to get Eragon and Saphira to serve him. Training and traveling with Brom, the teen and dragon learn to work together in war and peace, using a combination of traditional fighting arts and magic. They encounter massive humanoid warriors with savage intentions and are befriended by Murtagh, a human warrior with mysterious ties to the Varden and the Empire. Eventually, they seek refuge with dwarves who harbor the Varden, who exist to free the Empire. Eragon does not approach the depth, uniqueness, or mastery of J. R. R. Tolkien's works, and sometimes the magic solutions are just too convenient for getting out of difficult situations. However, the empathetic characters and interesting plot twists will appeal to the legions of readers who have been captivated by the "Lord of the Rings" trilogy and are looking for more books like it.-Susan L. Rogers, Chestnut Hill Academy, PA

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Publishers Weekly : With a Florida setting and proenvironment, antidevelopment message, Hiaasen (Sick Puppy) returns to familiar turf for his first novel for young readers. Characteristically quirky characters and comic twists will surely gain the author new fans, though their attention may wander during his narrative's intermittently protracted focus on several adults, among them a policeman and the manager of a construction site for a new franchise of a pancake restaurant chain. Both men are on a quest to discover who is sabotaging the site at night, including such pranks as uprooting survey stakes, spray-painting the police cruiser's windows while the officer sleeps within and filling the portable potties with alligators. The story's most intriguing character is the boy behind the mischief, a runaway on a mission to protect the miniature owls that live in burrows underneath the site. Roy, who has recently moved to Florida from Montana, befriends the homeless boy (nicknamed Mullet Fingers) and takes up his cause, as does the runaway's stepsister. Though readers will have few doubts about the success of the kids' campaign, several suspenseful scenes build to the denouement involving the sitcom-like unraveling of a muckity-muck at the pancake house. These, along with dollops of humor, help make the novel quite a hoot indeed. Ages 10-up.

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School Library Journal : Gr 6-9-Packed with quirky characters and improbable plot twists, Hiaasen's first novel for young readers is entertaining but ultimately not very memorable. Fans of the author's adult novels will find trademark elements-including environmental destruction, corrupt politicians, humorous situations, and a Florida setting-all viewed through the eyes of a middle-school student. Roy Eberhardt has just moved with his family to Coconut Cove. He immediately becomes the target of a particularly dense bully who tries to strangle him on the school bus. Roy seems more concerned, however, with discovering the identity of a running, barefoot boy he spots through the window of the bus. Meanwhile, plans to build a pancake house on a vacant lot are derailed when someone vandalizes the construction site. The two story lines come together when Roy discovers that the runaway boy is disrupting the construction to save a group of burrowing owls. Roy must help his new friend, nicknamed Mullet Fingers, as well as fend off the bully and adapt to life in Florida. The story is silly at times but rarely laugh-out-loud funny, and there are several highly unlikely scenes. Also, it wraps up a little too neatly-Roy's classmates join him to protest the construction project, his father finds the missing environmental impact report, and the owls are saved. While Roy is a sympathetic protagonist, few of the other characters are well developed. Students looking for humorous, offbeat characters and situations will probably prefer Louis Sachar's Holes (Farrar, 1998) or books by Daniel Pinkwater.-Miranda Doyle, San Francisco Public Library

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Publishers Weekly : Readers will cheer for Alex Rider, the 14-year-old hero of British author Horowitz's spy thriller (the first in a projected series). When his guardian and uncle, Ian, is mysteriously killed, Alex discovers that his uncle was not the bank vice-president he purported to be, but rather a spy for the British government. Now the government wants Alex to take over his uncle's mission: investigating Sayle Enterprises, the makers of a revolutionary computer called Stormbreaker. The company's head plans to donate one to every secondary school in England, but his dealings with unfriendly countries and Ian Rider's murder have brought him under suspicion. Posing as a teenage computer whiz who's won a Stormbreaker promotional contest, Alex enters the factory and immediately finds clues from his uncle. Satirical names abound (e.g., Mr. Grin, Mr. Sayle's brutish butler, is so named for the scars he received from a circus knife-throwing act gone wrong) and the hard-boiled language is equally outrageous ("It was a soft gray night with a half-moon forming a perfect D in the sky. D for what, Alex wondered. Danger? Discovery? Or disaster?"). These exaggerations only add to the fun, as do the creative gadgets that Alex uses, including a metal-munching cream described as "Zit-Clean. For Healthier Skin." The ultimate mystery may be a bit of a letdown, but that won't stop readers from racing through Alex's adventures, from a high-speed bike chase to a death-defying dance with a Portuguese man-of-war. The audience will stay tuned for his next assignment, Point Blanc, due out spring 2002. Ages 10-up.

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School Library Journal : Gr 5-9-Alex Rider's world is turned upside down when he discovers that his uncle and guardian has been murdered. The 14-year-old makes one discovery after another until he is sucked into his uncle's undercover world. The Special Operations Division of M16, his uncle's real employer, blackmails the teen into serving England. After two short weeks of training, Alex is equipped with several special toys like a Game Boy with unique cartridges that allow it to scan, fax, and emit smoke bombs. Alex's mission is to complete his uncle's last assignment, to discover the secret that Herod Sayle is hiding behind his generous donation of one of his supercomputers to every school in the country. When Alex enters Sayle's compound in Port Tallon, he discovers a strange world of secrets and villains including Mr. Grin, an ex-circus knife catcher, and Yassen Gregorovich, professional hit man. The novel provides bang after bang as Alex experiences and survives unbelievably dangerous episodes and eventually crashes through the roof of the Science Museum to save the day. Alex is a strong, smart hero. If readers consider luck the ruling factor in his universe, they will love this James Bond-style adventure. With short cliff-hanger chapters and its breathless pace, it is an excellent choice for reluctant readers. Warning: Suspend reality.-Lynn Bryant, formerly at Navarre High School, FL

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Publishers Weekly : This wry and loopy novel about a camp for juvenile delinquents in a dry Texas desert (once the largest lake in the state) by the author of There's a Boy in the Girls' Bathroom and the Wayside School series has some serious undercurrents. Stanley Yelnats (appropriately enough for a story about reversals, the protagonist's name is a palindrome) gets sent to Camp Green Lake to do penance, "a camp for bad boys." Never mind that Stanley didn't commit the crime he has been convicted of--he blames his bad luck on his "no-good-dirty-rotten-pig-stealing-great-great-grandfather." He digs five-foot-deep holes with all the other "bad" boys under the baleful direction of the Warden, perhaps the most terrifying female since Big Nurse. Just when it seems as though this is going to be a weird YA cross between One Flew Over the Cuckoo's Nest and Cool Hand Luke, the story takes off--along with Stanley, who flees camp after his buddy Zero--in a wholly unexpected direction to become a dazzling blend of social commentary, tall tale and magic realism. Readers (especially boys) will likely delight in the larger-than-life (truly Texas-style) manner in which Sachar fills in all the holes, as he ties together seemingly disparate story threads to dispel ghosts from the past and give everyone their just deserts. Ages 12-up.

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School Library Journal : Gr 5-8-Stanley Yelnats IV has been wrongly accused of stealing a famous baseball player's valued sneakers and is sent to Camp Green Lake, a juvenile detention home where the boys dig holes, five feet deep by five feet across, in the miserable Texas heat. It's just one more piece of bad luck that's befallen Stanley's family for generations as a result of the infamous curse of Madame Zeroni. Overweight Stanley, his hands bloodied from digging, figures that at the end of his sentence, he'll "...either be in great physical condition or else dead." Overcome by the useless work and his own feelings of futility, fellow inmate Zero runs away into the arid, desolate surroundings and Stanley, acting on impulse, embarks on a risky mission to save him. He unwittingly lays Madame Zeroni's curse to rest, finds buried treasure, survives yellow-spotted lizards, and gains wisdom and inner strength from the quirky turns of fate. In the almost mystical progress of their ascent of the rock edifice known as "Big Thumb," they discover their own invaluable worth and unwavering friendship. Each of the boys is painted as a distinct individual through Sachar's deftly chosen words. The author's ability to knit Stanley and Zero's compelling story in and out of a history of intriguing ancestors is captivating. Stanley's wit, integrity, faith, and wistful innocence will charm readers. A multitude of colorful characters coupled with the skillful braiding of ethnic folklore, American legend, and contemporary issues is a brilliant achievement. There is no question, kids will love Holes.-Alison Follos, North Country School, Lake Placid, NY

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Publishers Weekly : Levine's artful debut novel features a spunky heroine whose trials, all faced with admirable steadiness, give new twists to the classic Cinderella story. Ella is burdened with a curse (she cannot disobey a command), bestowed at birth as a gift from an addled fairy and this--plus the loss of her beloved mother--causes all sorts of troubles. Before her death, Ella's mother commands her daughter to keep the curse a secret--only the cook, Mandy, who is also a fairy, knows the truth. Although Mandy won't use what she calls "big magic," she does give Ella a magical book that, through glimpses of other people's correspondence, lets her see what is going on in the lives of her new friend, Prince Charmont, her soon-to-be stepsisters and her greedy father. Levine ably creates tension between the good and evil characters, throwing in an assortment of ogres, elves and gnomes. Young readers will be charmed by the budding romance between Ella and her prince and touched by her crippling fear of hurting the prince via the curse. After a humorous and inventive re-enactment of Cinderella's three appearances at the royal ball, the action concludes with a slightly skewed but happy ending. Although the pace of the story flags in spots, and the author never wholly engages a suspension of disbelief (Ella's escapes often come too easily--for example, when she tames ogres who want to make a meal of her), Levine provides a winning combination of memorable characters and an alluring fantasy realm that will leave readers with hopes of future tales of Ella and Prince Char. Ages 8-12.

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School Library Journal : Gr 5-8--Cinderella meets Goody Two-shoes in this tale about a girl cursed by the "gift" of obedience. Ella is, nonetheless, a take-charge, intuitive heroine who, despite her love for Prince Char, learns how to just say, "no."

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Publisher's Weekly : Always one step ahead of his teachers, Nick not only can "feel a homework assignment coming the way a farmer can feel a rainstorm" but can dream up a distraction to prevent the assignment from being given. In fifth grade, however, he meets his match in tough language-arts teacher Mrs. Granger. Just to get under her skin--and despite her loud protests--he invents the word "frindle" and convinces the whole school to use it instead of the word "pen." The word spreads to the city, nation and world, and Clements (Big Al) fast-forwards the story by 10 years to show that "frindle" has made it into the dictionary. With this coup Nick gets a big surprise: the proof that Mrs. Granger was rooting for "frindle" all along. Like the Velveteen Rabbit, his well-worn word has become real. Dictionary lovers will cotton to this mild classroom fantasy, while readers who have a hard time believing that one person could invent a word out of thin air will be surprised to learn that the word "quiz" was invented the same way. Ages 8-12.

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School Library Journal : Gr 4-6--Nicholas Allen, a sharp, creative, independent thinker starts fifth grade looking for a way to sabotage his Language Arts class. The teacher, Mrs. Granger, is a legend, and he believes her when she states that it is the people who decide what words go into the dictionary. Picking up a dropped pen triggers a brilliant idea. He coins a new word for pen-frindle. It's all for fun, but frindle catches on and Nick finds himself on the "Late Show" and "Good Morning America" explaining his new word. Readers will chuckle from beginning to end as they recognize themselves and their classrooms in the cast of characters. A remarkable teacher's belief in the power of words shines through the entire story, as does a young man's tenacity in proving his point. Outstanding and witty.

Pamela K. Bomboy, Chesterfield County Public Schools, VA Distributed by Syndetic Solutions Inc. Terms

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Publishers Weekly : "I don't want to make you cry. I just want to tell you about Mick. But I thought you should know right up front that he's not here anymore. I just thought that would be fair." Phoebe, the eighth-grade narrator of Park's (Buddies; Don't Make Me Smile) heart-wrenching novel, weaves together diverting anecdotes about her endearingly eccentric brother with her reactions, and those of her parents, to his death in a bicycle accident at the age of 12. The genius of this novel is Park's ability to make the events excruciatingly real while entirely avoiding the mawkish; likable Phoebe's frank, at times even funny narration will leave readers feeling as though they've known the girl-and Mick-for a very long time. Park's ability to convey so affectingly both the individual and collective pain of this family's members is remarkable. She focuses on small moments-the father closing the door to Mick's room upon returning from the hospital; the mother covering her ears because she cannot bear Phoebe's talk about her brother. But the novel has another crucial dimension in that it stresses the importance of wearing bike helmets. Midway through the story, in response to Phoebe's misplaced sense of guilt, Phoebe's father introduces the subject: "He heaved a God-awful sigh and whispered, `If only I had made him wear his helmet.'" The message is skillfully reprised toward the conclusion, in a powerful scene in which Phoebe overcomes her own pain and anger to participate in a school assembly on bicycle safety. An author's note at the end reinforces the message. To Park's great credit, the lesson never dominates-the story reads not as a cautionary tale, but as a full-fledged and fully convincing drama. Ages 8-12.

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School Library Journal : Thirteen-year-old Phoebe works through raw grief and depression after her younger brother, Mick, is killed in a bicycle accident. A loving family, a sense of humor, and memories of mischievous Mick give Phoebe the strength she needs to speak about her brother at a school assembly.

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Publishers Weekly : The many readers who have laughed out loud at Robinson's uproarious 1972 novel, The Best Christmas Pageant Ever , will enthusiastically welcome the return of the six cigar-smoking Herdman kids. These six waste no time bending rules: they break them outright. While the original story centered on the church Christmas pageant, the sequel has a broader focus, paving the way for more varied misadventures, virtually all of which the Herdmans craftily orchestrate. Among the dastardly deeds are the siblings' kidnapping of a bald baby, whose head they ``tattoo'' and show to other kids for a fee; their attempt to wash their cat (which is ``missing one eye and part of an ear and most of its tail and all of whatever good nature it ever had'') in a laundromat machine; and their ingenious sabotage of the school's Fire Safety Day observance. In one of the funniest scenes, cunning Imogene Herdman comes to the rescue of a boy whose head (thanks to Imogene's brother) is stuck in a bike rack: she flattens his prominent ears with Scotch tape and slathers his head with margarine so it slides through the bars. If this novel doesn't have quite the consistently razor-sharp repartee of its predecessor, it comes very, very close. Ages 8-up. 50,000 first printing.

Copyright 1994 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 3-6-The long-awaited sequel to the popular The Best Christmas Pageant Ever (HarperCollins, 1972). A dangerous, shifty, fearless, cigar-smoking family of thieves and fight-instigators, the horrible Herdmans are distributed one per grade at Woodrow Wilson Elementary School, and it is unclear whether junior high or jail will be their next step. Sixth-grader Beth Bradley, the narrator, has the misfortune of drawing Imogene Herdman's name for a class project in which students must think of ``Compliments for Classmates'' at the end of the year. How will she find something good to say about Imogene? Just as the Herdmans discover something about the meaning of Christmas in the first book, Beth and her classmates realize that there is good in everyone-even in Imogene Herdman. While Beth's vignettes of the school year are hilarious, this story lacks the tension of the earlier novel, created by the build-up to the climactic event of the pageant. Nevertheless, this book is certain to be a hit with fans old and new.-Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME

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Publishers Weekly : In the ``ideal'' world into which Jonas was born, everybody has sensibly agreed that well-matched married couples will raise exactly two offspring, one boy and one girl. These children's adolescent sexual impulses will be stifled with specially prescribed drugs; at age 12 they will receive an appropriate career assignment, sensibly chosen by the community's Elders. This is a world in which the old live in group homes and are ``released''--to great celebration--at the proper time; the few infants who do not develop according to schedule are also ``released,'' but with no fanfare. Lowry's development of this civilization is so deft that her readers, like the community's citizens, will be easily seduced by the chimera of this ordered, pain-free society. Until the time that Jonah begins training for his job assignment--the rigorous and prestigious position of Receiver of Memory--he, too, is a complacent model citizen. But as his near-mystical training progresses, and he is weighed down and enriched with society's collective memories of a world as stimulating as it was flawed, Jonas grows increasingly aware of the hypocrisy that rules his world. With a storyline that hints at Christian allegory and an eerie futuristic setting, this intriguing novel calls to mind John Christopher's Tripods trilogy and Hans Christian Andersen's The Little Match Girl. Lowry is once again in top form--raising many questions while answering few, and unwinding a tale fit for the most adventurous readers. Ages 12-14.

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School Library Journal : Gr 6-9-- In a complete departure from her other novels, Lowry has written an intriguing story set in a society that is uniformly run by a Committee of Elders. Twelve-year-old Jonas's confidence in his comfortable ``normal'' existence as a member of this well-ordered community is shaken when he is assigned his life's work as the Receiver. The Giver, who passes on to Jonas the burden of being the holder for the community of all memory ``back and back and back,'' teaches him the cost of living in an environment that is ``without color, pain, or past.'' The tension leading up to the Ceremony, in which children are promoted not to another grade but to another stage in their life, and the drama and responsibility of the sessions with The Giver are gripping. The final flight for survival is as riveting as it is inevitable. The author makes real abstract concepts, such as the meaning of a life in which there are virtually no choices to be made and no experiences with deep feelings. This tightly plotted story and its believable characters will stay with readers for a long time. --Amy Kellman, The Carnegie Library of Pittsburgh

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Publishers Weekly : Using her trademark lightning pace, Cooney depicts the drama and human interest inherent in disaster. A full 747 jetliner crashes late one Saturday night in the tiny upstate New York town of Nearing Falls. The rescue crew, including teen ambulance drivers and paramedics, must battle prejudice, resentment and fear to discover their own brand of bravery. Cooney ( Don't Blame the Music ) captures the lives of both rescuers and passengers with a facile but not unpleasant touch. Her cast includes several conventionally troubled youths, including two brothers en route to their father's second wedding, a spoiled and glamorous rich kid and a runaway on her way home. The author's fluid command of action and suspense, however, redeems these stylistic shortcomings. Like The Poseidon Adventure and Airport , this story will keep even the least bookish readers glued to their seats. Ages 12-up.

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School Library Journal : Gr 7-10-- Patrick, 17, finds it ironic that he needs to request hall passes to go to the library, while as an emergency medical technician he can deliver babies and save lives without such childish restrictions. Wealthy Heidi longs to feel competent at something and close to someone. Daniel, 15, must escort his younger brother to a wedding he desperately hopes won't take place. Spoiled Darienne can only focus on the small, insignificant negatives of life. All of these disparate personalities and more are thrown together by the cataclysmic crash of a 747 on Heidi's rural estate. Don't expect the unity or finely brushed characterization of Cooney's Don't Blame the Music (Putnam, 1986). This time, her third-person narration and rapidly shifting viewpoints have awkward results, much like a shooting sequence for an action-packed TV movie. However, it is these very qualities that may engage the attention of unsophisticated or reluctant readers. The author has done her research on emergency rescue; the crash scene and its evolving confusion are vividly detailed, and a great deal of information is conveyed. Human frailty and strengths are counterpoised. For every overdone character flaw (even the dogs don't like Darienne), there are rewarding bits and the importance of being loved and contributing to the welfare of others is reaffirmed. Sure to be popular.

Cindy Darling Codell, Clark Middle School, Winchester, KY Distributed by Syndetic Solutions Inc. Terms

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Publishers Weekly : In the tradition of Sounder and Where the Red Fern Grows comes this boy-and-his-dog story set in rural West Virginia. When he finds a mistreated beagle pup, 11-year-old Marty knows that the animal should be returned to its rightful owner. But he also realizes that the dog will only be further abused. So he doesn't tell his parents about his discovery, sneaks food for the dog and gets himself into a moral dilemma in trying to do the right thing. Without breaking new ground, Marty's tale is well told, with a strong emphasis on family and religious values. This heartwarming novel should win new fans for the popular Naylor. Ages 8-12.

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School Library Journal : Gr 4-6-- Marty Preston, 11, is a country boy who learns that things are often not what they seem, and that adults are not always ``fair'' in their dealings with other people. Marty finds a stray dog that seems to be abused and is determined to keep it at all costs. Because his family is very poor, without money to feed another mouth, his parents don't want any pets. Subsequently, there is a lot of conflict over the animal within the family and between Marty and Judd Travers, the dog's owner. Honesty and personal relations are both mixed into the story. Naylor has again written a warm, appealing book. However, readers may have difficulty understanding some of the first-person narration as it is written in rural West Virginian dialect. Marty's father is a postman--usually one of the better paying positions in rural areas--yet the family is extremely poor. There seems to be an inconsistency here. This title is not up to Naylor's usual high quality. --Kenneth E. Kowen, Atascocita Middle School Library, Humble, TX

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Publishers Weekly : In this modern-day tall tale, Spinelli ( Dump Days ; Jason and Marceline ) presents a humorous yet poignant look at the issue of race relations, a rare topic for a work aimed at middle readers. Orphaned as an infant, Jerry Magee is reared by his feuding aunt and uncle until he runs away at age eight. He finds his way to Two Mills, Pa., where the legend of ``Maniac'' Magee begins after he scores major upsets against Brian Denehy, the star high school football player, and Little League tough guy, John McNab. In racially divided Two Mills, the Beales, a black family, take Maniac in, but despite his local fame, community pressure forces him out and he returns to living at the zoo. Park groundskeeper Grayson next cares for the boy, but the old man dies and Maniac moves into the squalid home of the McNabs, who are convinced a race war is imminent. After a showdown with his nemesis, Mars Bar, Maniac bridges the gap between the two sides of town and finally finds a home. Full of snappy street-talk cadences, this off-the-wall yarn will give readers of all colors plenty of food for thought. Ages 8-12.

Copyright 1990 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 6-10-- Warning: this interesting book is a mythical story about racism. It should not be read as reality. Legend springs up about Jeffrey ``Maniac'' Magee, a white boy who runs faster and hits balls farther than anyone, who lives on his own with amazing grace, and is innocent as to racial affairs. After running away from a loveless home, he encounters several families, in and around Two Mills, a town sharply divided into the black East End and the white West End. Black, feisty Amanda Beale and her family lovingly open their home to Maniac, and tough, smart-talking ``Mars Bar'' Thompson and other characters are all, to varying degrees, full of prejudices and unaware of their own racism. Racial epithets are sprinkled throught the book; Mars Bar calls Maniac ``fishbelly,'' and blacks are described by a white character as being ``today's Indians.'' In the final, disjointed section of the book, Maniac confronts the hatred that perpetuates ignorance by bringing Mars Bar to meet the Pickwells--``the best the West End had to offer.'' In the feel-good ending, Mars and Maniac resolve their differences; Maniac gets a home and there is hope for at least improved racial relations. Unreal? Yes. It's a cop-out for Spinelli to have framed this story as a legend--it frees him from having to make it real, or even possible. Nevertheless, the book will stimulate thinking about racism, and it might help educate those readers who, like so many students, have no first-hand knowledge of people of other races. Pathos and compassion inform a short, relatively easy-to-read story with broad appeal, which suggests that to solve problems of racism, people must first know each other as individuals. --Joel Shoemaker, Tilford Middle School, Vinton, IA

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School Library Journal : Gr 3-7--The gripping story of a ten-year-old Danish girl and her family's courageous efforts to smuggle Jews out of their Nazi-occupied homeland to safety in Sweden. Readers are taken to the very heart of Annemarie's experience, and, through her eyes, come to understand the true meaning of bravery.

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Publishers Weekly : Matilda is an extraordinarily gifted four-year-old whose parentsa crass, dishonest used-car dealer and a self-centered, blowsy bingo addictregard her as ``nothing more than a scab.'' Life with her beastly parents is bearable only because Matilda teaches herself to read, finds the public library, and discovers literature. Also, Matilda loves using her lively intelligence to perpetrate daring acts of revenge on her father. This pastime she further develops when she enrolls in Crunchem Hall Primary School, whose headmistress, Miss Trunchbull, is ``a fierce tyrannical monster . . . .'' Adults may cringe at Dahl's excesses in describing the cruel Miss Trunchbull, as well as his reliance on overextended characterization at the expense of plot development. Children, however, with their keenly developed sense of justice, will relish the absolutes of stupidity, greed, evil and might versus intelligence, courage and goodness. They also will sail happily through the contrived, implausible ending. Dahl's phenomenal popularity among children speaks for his breathless storytelling charms; his fans won't be disappointed by Matilda. Blake's droll pen-and-ink sketches extend the exaggerated humor. Ages 9-11.

Copyright 1988 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 4-6 Dahl's latest piece of madcap mayhem is a story filled with the elements that his fans cravesardonic humor, the evilest of villians, the most virtuous of heroines, and children who eventually defeat those big bad grown-ups. In this book, Matilda isn't just smart, she is ``extra-ordinary. . .sensitive and brilliant,'' reading Great Expectations as a four year old. Unfortunately, her TV-addict parents neither recognize nor appreciate their daughter's genius. Neglected Matilda finds mentors in librarian Mrs. Phelps and teacher Miss Honey, a woman as sweet as her name implies. Miss Honey, Matilda, and other students are tormented by the child-hating headmistress Trunchbull. Trunchbull has also cheated orphaned niece Miss Honey out of her rightful inheritance, leaving the teacher in extreme poverty. Having practiced revenge techniques on her father, Matilda now applies her untapped mental powers to rid the school of Trunchbull and restore Miss Honey's financial security. If the conclusion is a bit too rapid, the transitions between Matilda's home and school life a bit choppy, and the writing style not as even as in some of Dahl's earlier titles, young readers won't mind. Dahl has written another fun and funny book with a child's perspective on an adult world. As usual, Blake's comical sketches are the perfect complement to the satirical humor. This may not be a teacher's or principal's first choice as a classroom read-aloud, but children will be waiting in line to read it. Heide Piehler, Shorewood Public Lib . , Wis.

Copyright 1988 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

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School Library Journal : Gr 4-7 Ghost story fans have a spooky treat in store with Hahn's eerie new novel. Molly, the 12-year-old narrator, and her brother Michael dislike their bratty 5-year-old stepsister Heather and resent the family move to an isolated converted church in the country. The adjourning graveyard frightens Molly, but Heather seems drawn to it. Molly discovers that the ghost of a child (Helen) who died in a fire a century ago wants to lure Heather to her doom. Molly determines to save her stepsister. In so doing, she learns that Heather's strange behavior stems from her feelings of guilt at having accidentally caused her mother's death by playing near a stove and starting a fire. Eventually, Molly wrests Heather from Helen's arms as the ghost attempts to drown them. The girls discover the skeletons of Helen's parents, and their burial finally puts to rest Helen's spirit. This is a powerful, convincing, and frightening tale. The details of everyday life quickly give way to terror. The pace never slackens. Characterization is strong, and descriptive passages set a mood of suspense. There should be a heavy demand from readers who are not ``faint at heart.'' Judy Greenfield, Rye Free Reading Room, N.Y.

Copyright 1986 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

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