Library Journal
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Having caught everyone's attention with his short stories, D!az offers a debut novel starring ghetto geek Oscar, whose family labors under a Fuk# (or curse) that delivers prison, tragic accidents, and, worst of all, bad luck in love. With a national tour. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly
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Matthew Sharpe is the author of the novels Jamestown and The Sleeping Father. He teaches at Wesleyan University. (c) Copyright PWxyz, LLC. All rights reserved

Book list
From Booklist, Copyright © American Library Association. Used with permission.

"*Starred Review* Díaz's gutsy short story collection Drown (1996) made the young Dominican American a literary star. Readers who have had to wait a decade for his first novel are now spectacularly rewarded. Paralleling his own experiences growing up in the Dominican Republic and New Jersey, he has choreographed a family saga at once sanguinary and sexy that confronts the horrific brutality at loose during the reign of the dictator Trujillo. Díaz's besieged characters look to the supernatural for explanations and hope, from fukú, the curse unleashed when Europeans arrived on Hispaniola, to the forces dramatized in the works of science fiction and fantasy so beloved by the chubby ghetto nerd Oscar Wao, the brilliantly realized boy of conscience at the center of this whirlwind tale. Writing in a combustible mix of slang and lyricism, Díaz loops back and forth in time and place, generating sly and lascivious humor in counterpoint to tyranny and sorrow. And his characters Oscar, the hopeless romantic; Lola, his no-nonsense sister; their heartbroken mother; and the irresistible homeboy narrator cling to life with the magical strength of superheroes, yet how vibrantly human they are. Propelled by compassion, Díaz's novel is intrepid and radiant."--"Seaman, Donna" Copyright 2007 Booklist

Kirkus
Copyright © Kirkus Reviews, used with permission.

A rich, impassioned vision of the Dominican Republic and its diaspora, filtered through the destiny of a single family. After a noted debut volume of short stories (Drown, 1996), D"az pens a first novel that bursts alive in an ironic, confiding, exuberant voice. Its wider focus is an indictment of the terrible Trujillo regime and its aftermath, but the approach is oblique, traced backwards via the children (Oscar and Lola) of a larger-than-life but ruined Dominican matriarch, Beli. In earthy, streetwise, Spanish-interlaced prose, D"az links overweight, nerdy fantasist Oscar, his combative, majestic sister and their once Amazonian mother to the island of their ancestry. There, an aunt, La Inca, with strange, possibly supernatural powers, heals and saves Beli after her involvement with one of Trujillo's minor henchman, who was married to the dictator's sister. Beli, at age14, had naively hoped this affair would lead to marriage and family, but instead her pregnancy incurred a near-fatal beating, after which she fled to New Jersey to a life of drudgery, single parenting and illness. By placing sad, lovelorn, virginal Oscar at the book's heart, D"az softens the horrors visited on his antecedents, which began when Trujillo cast his predatory eye on wealthy Abelard Cabral's beautiful daughter. Was the heap of catastrophes that ensued fukú (accursed fate), D"az asks repeatedly, and can there be counterbalancing zafa (blessing)? The story comes full circle with Oscar's death in Santo Domingo's fateful cornfields, himself the victim of a post-Trujillo petty tyrant, but it's redeemed by the power of love. Despite a less sure-footed conclusion, D"az's reverse family saga, crossed with withering political satire, makes for a compelling, sex-fueled, 21st-century tragi-comedy with a magical twist. Copyright ©Kirkus Reviews, used with permission.