School Library Journal Gr 9 Up-Smith takes readers inside the mind of Ryan Dean West, nicknamed Winger for his position on the rugby team of his tony private school. He's brilliant, immature (a 14-year-old junior), and anxious to prove himself to his teammates and especially to his crush, 16-year-old Annie. "You push things too far" advises his best friend and teammate Joey, who is gay and accepted for his honesty about it and his status as team captain. With only Joey, Annie, and the Tao of rugby to guide him, it's no wonder Ryan Dean has more than his share of missteps while trying to reinvent himself. Some are painfully awkward, and some are laugh-out-loud hysterical, especially his sponge bath by a hot nurse. The team's on-field camaraderie deteriorates into simmering hostility off the field, rife with drinking, crudeness, profanity, and constant verbal slurs. Still, readers will be shocked by a climactic violent act against Joey that leaves Ryan Dean changed forever. Smith's understanding of teen males is evident; nuances add depth and authenticity to characters that could have been cliches. However, Annie feels a bit idealized: one wonders what she sees in Ryan Dean. The pace moves quickly and holds readers' interest, punctuated by Bosma's charts and graphic-novel pages that cleverly depict the boy's hilarious inner turmoil. Readers don't need to know anything about rugby to appreciate this moving, funny coming-of-age novel.-M. Kozikowski, Sachem Public Library, Holbrook, NY (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly This brutally honest coming-of-age novel from Smith (Passenger) unfolds through the eyes of Ryan Dean West, a 14-year-old, rugby-playing junior at the exclusive Pine Mountain school. He's two years younger than his classmates, hopelessly in love with his best friend Annie, and stuck in Opportunity Hall, the residence reserved for the worst rule-breakers. As Ryan Dean struggles with football-team bullies, late-night escapades, academic pressures, and girl troubles, he also discovers his own strengths. Like puberty itself, this tale is alternately hilarious and painful, awkward and enlightening; Bosma's occasional comics add another layer of whimsy and emotion, representing Ryan Dean's own artistic bent. The characters and situations are profane and crass, reveling in talk of bodily functions and sexual innuendo, and the story is a cross between the films Lucas and Porky's, with all the charm and gross-out moments that dichotomy suggests. That's what makes the tragedy near the very end all the more shocking and sudden, changing the entire mood and impact of Ryan Dean's journey. The last-minute twist may leave readers confused, angry, and heartbroken, but this remains an excellent, challenging read. Ages 12-up. Agent: Laura Rennert, Andrew Brown Literary Agency. (May) (c) Copyright PWxyz, LLC. All rights reserved.

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Book list *Starred Review* After he opened a vein in YA lit with The Marbury Lens (2010) and then went completely nutso in Passenger (2012), about the only thing that Smith could do to surprise would be a hornball boarding-school romantic romp. Surprise! Well, sort of. At 14, Ryan Dean West is a couple years younger (and scrawnier) than the rest of the juniors at Pine Mountain. He is a plucky kid despite a tendency to punctuate his every thought with I am such a loser who stars in the rugby team due to his speed and tenacity. The rail ties of his single-track mind, though, are his exploits (or lack thereof) with the opposite sex, particularly his best friend Annie, who thinks he is adorable. In short, Ryan Dean is a slightly pervy but likable teen. He rates the hotness of every female in sight but also drops surprising bombs of personal depth on a friend's homosexuality, the poisonous rivalries that can ruin friendships, and his own highly unstable mix of insecurity and evolving self-confidence. Much of the story seems preoccupied with the base-level joys and torments of being a teenager, content to float along with occasional bursts of levity from some nonessential but fun minicomics by Bosma. But at its heart, it is more in line with Dead Poets Society, and by the end this deceptively lightweight novel packs an unexpectedly ferocious punch.--Chipman, Ian Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book The biggest mistake Pokko's parents ever made was giving her a drum," begins this story about a young frog musician's path to creative fulfillment, benevolent (mostly) leadership, and satisfying self-expression. After that attention-grabbing opening line, the well-paced text builds anticipatory humor by backing up to describe earlier gifts Pokko's parents regretted: a slingshot, a llama, and a balloon, all shown in uncluttered spreads featuring the game but poker-faced Pokko. Then comes the drum: Pokko's face lights up and she reaches toward her instrument, her now-constant companion. She practices inside the house; her parents send her out. She goes to the forest, where her playing attracts a banjo-strumming raccoon, a trumpet-blowing rabbit, and more; soon she's trailed by a parade of like-minded, music-making creatures (minus the rabbit, who gets eaten by a wolf: "No more eating band members or you're out of the band," deadpans Pokko). There are lots of visual nods and references in Forsythe's textured, painterly watercolor, gouache, and colored-pencil illustrations--Rousseau, Sendak, Lobel, Ungerer, Keats, Klassen--but, like his amphibian protagonist, this idiosyncratic author/illustrator/animator (The Brilliant Deep, rev. 7/18; Warning: Do Not Open This Book!; the Adventure Time television series) marches to his own beat. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal PreS-Gr 1—An omniscient narrator explains the story's central problem on the first page: "The biggest mistake Pokko's parents ever made was giving her a drum." It was, apparently, not an isolated error in judgment by these amphibians. Readers observe the young frog positioning herself in a slingshot, riding a llama in the living room, borne aloft by a balloon. The apron-wearing father keeps lamenting their latest purchase to his constantly reading wife, who can't hear anything due to the din. Forsythe's watercolor, gouache, and colored pencil compositions employ a warm palette of browns, oranges, reds, yellows, and greens. Polka-dot, patchwork, and striped patterns against cream-colored backgrounds create a cozy environment. When her father encourages drumming outside their homey mushroom, Pokko enters a lush forest with Matisse-like flora—but soon a reddish-yellow light permeates the page, and the eerie quiet causes her to start tapping "just to keep herself company." She is soon followed by a banjo-playing raccoon, a trumpet-wielding rabbit, a host of other instrumentalists, and an appreciative audience. Children may identify some characters from rhymes and folk tales. In addition to being a talented musician (something the father comes to recognize), the protagonist also proves to be an effective band leader. Faced with unsavory behavior from a wolf, she confronts him and earns a sincere apology; the show goes on. VERDICT Creative design and painterly scenes portray a heroine who takes risks and follows her heart into experiences that bring a little danger, but also joy and satisfaction.—Wendy Lukehart, District of Columbia Public Library

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Kirkus Pokko's parents give her a drumbiggest mistake everand she makes a thoroughgoing racket.Her father suggests taking her drum outside. "But don't make too much noise. We're just a little frog family that lives in a mushroom, and we don't like drawing attention to ourselves." Pokko sets off quietly into the too-quiet forest. She taps her drum "just to keep herself company." When a banjo-playing raccoon follows her, she plays louder. A trumpet-playing rabbit's next, then a wolf, ostensibly there for the music. In a plot twist evocative of Jon Klassen, the wolf eats the rabbit, earning Pokko's stern rebuke: "No more eating band members or you're out of the band." Soon, many animalssome making music, others enjoying itare following Pokko. When her father calls her to dinner, he hears faint music, growing louder. The crowds sweep in, carrying off Pokko's parents. (Comically, her mother's still engrossed in the book she's been reading throughout.) Her father thinks he spies Pokko down in front. "And you know what?I think she's pretty good!" Pokko's a self-possessed marvel, brave enough to walk alone, face down a wolf, and lead a band. Forsythe's smudgily glowing paintings alternate Rousseau-esque forest forms with cozy interiors; stripes and harlequin diamonds decorate clothing.Celebrating both community and individuality, this droll, funny offering will tickle kids and adults alike. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly “The biggest mistake Pokko’s parents ever made was giving her a drum,” begins this dark, hilarious tale by Forsythe (The Brilliant Deep). As Pokko marches across the colorful bed the frog family shares, her sticks poised for big blows, her father expresses deep misgivings. The next day, he prevails upon her to head outside—“We’re just a little frog family that lives in a mushroom, and we don’t like drawing attention to ourselves”— and she does, venturing into the surrounding woods alone. After Pokko resists the forest’s silence, “tapping on her drum,” a banjo-playing raccoon falls in behind her; as Pokko plays louder, a rabbit with a trumpet appears. An eager wolf joins, too, with less-than-musical results (“No more eating band members or you’re out of the band,” Pokko orders). As the drummer plays, the parade grows, and pretty soon, it’s a throng, joined even by her noise-averse dad. Forsythe’s tapestrylike spreads give the tense, funny sequences a lush elegance marked by amusing visual asides, painterly interiors, and a triumphant parade. In embracing one’s own beat, Pokko discovers, extraordinary things can happen—surprising things, upsetting things, and glorious things, too. Ages 4–8. Agent: Judith Hansen, Hansen Literary. (Oct.)

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Book list The frog family lives a quiet, out-of-the-way existence in a peaceful forest peaceful, that is, until they present their daughter, Pokko, with a drum. It's a big mistake, they realize even bigger than their previous gifts of a slingshot and llama. We don't like drawing attention to ourselves, her father says, and Pokko agrees to take her drum-banging out into the woods, giving her patient parents some peace. As she walks about, drumming, different forest critters join her, their own instruments in tow, and form a boisterous musical parade. In one dicey moment, a wolf joins the throng. No more eating band members or you're out of the band, Pokko admonishes the apologetic predator. The joyful cacophony resumes, eventually convincing even her quiet parents that perhaps the drum wasn't such a mistake after all. Forsythe's coy, playful writing is a wonder on its own, but the lush watercolor, gouache, and colored-pencil illustrations beautifully elevate the tale, creating a warm and wonderful world that any woodland creature (or small child) would long to inhabit. There is something inspirational about Pokko's determined drumming and steadfast leadership, subtly providing a delightful lesson on the importance of quite literally marching to the beat of your own drum. Sometimes making noise is the only way to be heard.--Emily Graham Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Becker develops concepts for film studios, and his wordless picture book debut reads like a cinematic tribute to Harold and the Purple Crayon. Drab sepia drawings introduce a lonely girl whose afternoon is jolted into life (and full color) when she uses a piece of red chalk to draw a door on her wall, walking through it into a lantern-lit forest with a winding river. Drawing a red boat, she drifts toward a breathtaking castle city whose gleaming turrets and domes promise adventure and intrigue. Yet she does not linger-she draws a hot-air balloon, takes to the air, and encounters a squadron of magnificent, steampunk-style airships manned by soldiers who have trapped a phoenix-like bird. Her release of the bird earns the ire of the airmen, the bird in turn rescues her, and a clever resolution leads the girl to a friend with his own magic chalk. Wonder mixes with longing as the myriad possibilities offered by Becker's stunning settings dwarf what actually happens in the story. Readers will be both dazzled and spurred on imagined travels of their own. Ages 4-8. Agent: Linda Pratt, Wernick & Pratt. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.

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