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Click to search this book in our catalog Patron Saints of Nothing
by Randy Ribay

Publishers Weekly Passionately and fearlessly, Ribay (After the Shot Drops) delves into matters of justice, grief, and identity in this glimpse into the life and death of a fictional victim of President Duterte's war on drugs in the Philippines. In Michigan, Filipino-American high school senior Jay Reguero is struggling to decide what to do with his life when the sudden death of his cousin Jun raises painful questions about the violent drug war, and an unknown Instagram user convinces Jay that his cousin was wrongly executed. Sick of his relatives' refusal to discuss Jun's death and guilty that he let their once-close pen pal friendship lapse, Jay convinces his parents to send him to the Philippines to reconnect with his extended family and-unbeknownst to them-look into the mystery surrounding Jun's death. There, Jay connects with a culture he barely remembers from childhood visits and uncovers secrets that his cousin kept and his relatives are determined to forget. Ribay employs a delicate touch in portraying the tension inherent in growing up the child of two cultures, Filipino and American. Jay is a compelling character whose journey from sheltered and self-centered to mature, though clearly a work in progress, is well earned. Ages 14-up. Agent: Beth Phelan, Gallt & Zacker Literary Agency. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 10 Up—Integrating snippets of Tagalog and Bikol, author Ribay displays a deep friendship between two 17-year-old cousins: Jay, born in the Philippines but raised in the United States since infancy, and Jun, born and raised in a gated community in Manila. Jay, considered white in an all-white school, is starting to get acceptances (and rejections) from colleges and finds out while playing video games that Jun, with whom he corresponded for years via "actual letters—not email or texts or DMs," is dead. His Filipino father doesn't want to talk about it, but his North American mother reveals that Jun was using drugs. Jay blames his uncle, a police chief, for his murder after researching the dictatorship of Rodrigo Duterte (the book includes a handy author's note and a list of articles and websites), who has sanctioned and perpetrated the killing of between 12,000 and 20,000 drug addicts by police and vigilantes since 2016. Jay, armed with his stack of letters, returns to Manila to search for the truth. Ribay weaves in Jun's letters so readers witness Jun's questions and his attempts to reconcile the inequity around him with his faith. Jay follows Jun's footsteps into the slums of Manila, the small house of his activist aunts, and the Catholic parish of his uncle, a village priest, and learns painful truths about his family, his home country, and himself. VERDICT Part mystery, part elegy, part coming of age, this novel is a perfect convergence of authentic voice and an emphasis on inner dialogue around equity, purpose, and reclaiming one's lost cultural identity.—Sara Lissa Paulson, City-As-School High School, New York City

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Seventeen-year-old Jay Reguero searches for the truth about his cousin's death amid President's Rodrigo Duterte's war on drugs while on an epic trip back to his native Philippines.Shocked out of his senioritis slumber when his beloved cousin Jun is killed by the police in the Philippines for presumably using drugs, Jay makes a radical move to spend his spring break in the Philippines to find out the whole story. Once pen pals, Jay hasn't corresponded with Jun in years and is wracked by guilt at ghosting his cousin. A mixed heritage (his mother is white) Filipino immigrant who grew up in suburban Michigan, Jay's connection to current-day Philippines has dulled from assimilation. His internal tensions around culture, identity, and languagesas "a spoiled American"are realistic. Told through a mix of first-person narration, Jun's letters to Jay, and believable dialogue among a strong, full cast of characters, the result is a deeply emotional story about family ties, addiction, and the complexity of truth. The tender relationship between Jay and Jun is especially notableas is the underlying commentary about the challenges and nuances between young men and their uncles, fathers, male friends, and male cousins.Part coming-of-age story and part expos of Duterte's problematic policies, this powerful and courageous story offers readers a refreshingly emotional depiction of a young man of color with an earnest desire for the truth. (author's note, recommended reading) (Fiction. 14-18) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book Senior year, Filipino American teen Jay Reguero learns of his pen-pal cousin Jun's untimely death in the Philippines. Haunted by the lack of information, Jay goes to the Philippines to investigate and eventually connects Jun's death with President Duterte's (real-life) draconian war on drugs. Ribay brings this coming-of-age story to vivid life through themes of addiction, complex family dynamics, and the experiences of children of immigrants. Bib. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list After finding out about his cousin Jun's violent death, Jay Reguero travels from America to the Philippines to uncover how such a gentle person met such a grim end. He finds that the place that he remembers the place of his birth has changed in the face of a sweeping drug war initiated by President Rodrigo Duterte, a war that Jun's father, Tito Maning, enthusiastically endorses. Jay digs into the circumstances of Jun's death, while navigating the sinuous history between family members, including the schism created by his own father's decision to raise his children in America. Jay's investigations are an intriguing setup for what is actually a deep, nuanced, and painfully real family drama. Jay himself is a relatable character for biracial readers straddling two different cultures. This dynamic comes into play both when he tries to convey his feelings to his American friends and when he travels abroad and is treated like an outsider by other Filipinos despite looking the same. Ribay's focus, however, is on showing the current-day war on drugs ravaging Filipino society, characterized by extrajudicial vigilante killings endorsed by the highest levels of government. By deftly weaving key details into Jay's quest for the truth, Ribay provides a much-needed window for young people of the West to better understand the Filipino history of colonization, occupation, and revolution.--Reinhardt Suarez Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

ALA Notable Books for Children
Click to search this book in our catalog Moth
by Isabel Thomas

Book list Over Egnéus' truly engrossing collage illustrations, Thomas takes the complicated concept of evolution and distills it for young readers, using the ongoing story of the peppered moth. There are two variations of this moth one charcoal dark, the other paler and lightly speckled. Once, the speckled moths were more common; it was more difficult for the charcoal moths to camouflage themselves against the light-colored trees, and they were eaten by birds more frequently and did not survive to pass along their genes. But as the world became more industrial, pollution began to darken trees; now the charcoal moths blended in, and the speckled moths stood out. Charcoal moths grew in number, and the speckled moths almost disappeared. But the story continues, ending on a hopeful note: slowly, cities began to burn less coal, and the air grew cleaner. Trees grew less sooty. And the speckled moth population rebounded. Today, both kinds of moth can be found, and their species continues to adapt. From its striking silver-plated cover on, this is a stunner. The text, both poetic and informational, tells an evolution story while transmitting a gentle environmental message, and the artwork is detailed, at times alarming, and always captivating. Back matter provides further information on the moths and natural selection. A gorgeous blend of text and illustrations and a wonderfully successful introduction to nonfiction for younger readers.--Maggie Reagan Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Silvery, incandescent cover art will entice readers to this story of adaptation and the peppered moths of England. Thomas (the Little Guides to Great Lives series) introduces natural selection through a lyrical telling of the moth's history from the early 19th century on. The narrative recounts how the population of light peppered moths thrived, able to rest "on lichen-covered branches" until the Industrial Revolution, when dark peppered moths increased, owing to their ability to camouflage against polluted landscapes. ("A bird went hunting for a snack./ Now the world was darker./ Which moths were disguised?/ Which moths would survive?") Today, thanks to cleaner forms of energy, both variations "find places to hide and survive." Mixed media and digital illustrations by Egnéus (These Are Animals) show the mottled, wispy figures-the wing patterns resemble intricate tree silhouettes-against bold splashes of color and patterns. The elegant moth images can seem slightly at odds with the cartoonlike depictions of people and environs, but an evolving color palette (from light to dark and back to light) and dynamic juxtaposing of hues create a sophisticated effect. Back matter further defines the concepts presented in this eye-catching introduction to Darwinian evolution. Ages 6-10. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Horn Book In a shadowy (pre-industrial) wood, a peppered moth--its "speckled, freckled" patterns wonderfully detailed in Egnius's gorgeous mixed-media illustrations--attempts to survive; all-black moths stand out and are quickly eaten. But things change: with soot from nineteenth-century industrialization, the black moths are now hidden. Thomas deftly builds an easily understandable explanation of natural selection into the well-paced narrative. Back matter shows both variations of the peppered moth. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Thomas presents the peppered moth as an emblem of natural selection, tracking its adaptations during the Industrial Revolution and beyond.The moth's striking salt-and-pepper scales, which enhanced its camouflage during daytime rests on lichen, became an impediment as late-19th-century industrial pollution prevailed. As lichens died and industrial soot blackened tree bark, the species' occasional dark moth's advantages resulted in an adaptation. With the light, speckled moths more easily spotted and eaten by prey, surviving dark moths procreated, dominating the species within a 50-year time span. In turn, the answering trend toward pollution mitigation swung the pendulum back. Lichens reappeared, soot-stained bark fell away, and the light moths' camouflage value reasserted itself, with both dark and light moths seen today. Thomas narrates this biological success story in past tense and simple, declarative prose. Egnus' lovely illustrationsin traditional mixed media and Photoshopprovide a stylized overview of the moth's adaptive journey. The bilateral symmetry of the peppered moth's wing coloration is ignored in favor of exquisite, dark umber-and-gray montages evoking dry-brushed ink blots and sun-dappled botanical silhouettes. Forest tableaux yield to industrialization's coal-powered factories and locomotives, Egnus' palette morphs from natural hues to rust-red and soot-blackand back, to today's tentative, hopeful blues. (Depicted humans are light-skinned and red-nosed.) An inspired choice for text type (Tom's New Roman) and a gorgeous, silver-embellished cover enhance the package. A fascinating story with striking visuals. (author's note) (Informational picture book. 5-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal PreS-Gr 1—Thomas and Egnéus show how adaptation and natural selection work in the evolutionary process in order to change a species. In Great Britain, when industry heavily relied on coal, environmental factors affected the survival rates of the peppered moth, because predators could now see what was once camouflaged. The text and illustrations are clear and move at a steady pace with a summary in the back matter, which solidifies the content. Despite the lack of source material, the value of this text is high. Children will understand how the environment can change an animal's survival rate and the passing of its genetic information. Moths as a subject do not usually garner high circulation rates, but if this book is placed in a display, the cover will attract attention. The illustrations throughout are mixed media, but the cover literally shines: silvery moths against a night sky is an attention grabber. Originally published in Great Britain in 2018, this text will enhance any juvenile nonfiction collection. VERDICT Buy this title for its clear presentation.—Nancy Call, formerly at Santa Cruz Public Libraries, Aptos, CA

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

New York Times Bestsellers
Click to search this book in our catalog The Familiar
by Leigh Bardugo

Kirkus In 16th-century Madrid, a crypto-Jew with a talent for casting spells tries to steer clear of the Inquisition. Luzia Cotado, a scullion and an orphan, has secrets to keep: “It was a game she and her mother had played, saying one thing and thinking another, the bits and pieces of Hebrew handed down like chipped plates.” Also handed down are “refranes”—proverbs—in “not quite Spanish, just as Luzia was not quite Spanish.” When Luzia sings the refranes, they take on power. “Aboltar cazal, aboltar mazal” (“A change of scene, a change of fortune”) can mend a torn gown or turn burnt bread into a perfect loaf; “Quien no risica, no rosica” (“Whoever doesn’t laugh, doesn’t bloom”) can summon a riot of foliage in the depths of winter. The Inquisition hangs over the story like Chekhov’s famous gun on the wall. When Luzia’s employer catches her using magic, the ambitions of both mistress and servant catapult her into fame and danger. A new, even more ambitious patron instructs his supernatural servant, Guillén Santángel, to train Luzia for a magical contest. Santángel, not Luzia, is the familiar of the title; he has been tricked into trading his freedom and luck to his master’s family in exchange for something he no longer craves but can’t give up. The novel comes up against an issue common in fantasy fiction: Why don’t the characters just use their magic to solve all their problems? Bardugo has clearly given it some thought, but her solutions aren’t quite convincing, especially toward the end of the book. These small faults would be harder to forgive if she weren’t such a beautiful writer. Part fairy tale, part political thriller, part romance, the novel unfolds like a winter tree bursting into unnatural bloom in response to one of Luzia’s refranes, as she and Santángel learn about power, trust, betrayal, and love. Lush, gorgeous, precise language and propulsive plotting sweep readers into a story as intelligent as it is atmospheric. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Two people with magical powers and sketchy pasts plot their escape from the Spanish Inquisition in this poignant romantic fantasy from bestseller Bardugo (Hell Bent). After Luzia Cotado, a housemaid hiding her Jewish heritage, allows her ambitious employer a glimpse of her ability to cast spells using “refranes” (Hebrew-Spanish proverbs), he enters her into a competition for royal miracle workers. Sponsored by Víctor de Paredes, a wealthy social climber, Luzia is trained by his “familiar,” Guillén Santángel, an undying retainer who long ago traded away his luck and freedom for immortality. Despite being initially suspicious of each other, Luzia and Santángel find that among the competition’s fake psychics, dangerous real magicians, and even more deadly patrons, they can only rely on their own powers and their growing mutual attraction. Bardugo puts an earthy spin on heavenly miracles, with much attention given to the mundane drudgery of daily life that is not erased—even with magic that can unburn bread. Luzia’s pursuit of her powers, even at risk of burning at the stake, comes across as both empowering and practical compared to a life of unrewarding toil, making it easy to root for her through the competition. The sharp realism mixes with a genuine feeling of enchantment to create a top tier historical fantasy. Agent: Joanna Volpe, New Leaf Literary. (Apr.)Correction: An earlier version of this review misspelled the name of one of the characters.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Servant Luzia Cotado hides her talent for milagritos (little miracles) in fear that their discovery would also uncover her Jewish roots and the Ladino spells she uses to fix burnt bread and broken glasses, bringing the Inquisition to her door. But when her magic is discovered, it attracts the attention of a patron who’s desperate for the favor of the king—and she’s quickly tossed into a contest of miracles that is at the center of the politics of a struggling Spain. As she begins lessons under the mysterious, dark force of nature Santángel, she realizes that survival is not enough for her; Luzia wants to show the world what she’s capable of. The Familiar highlights all of the things that make Bardugo (Hell Bent, 2023) so well loved: a romance with maddening chemistry, an artfully built world, side characters with their own deep backstories, and a plot full of dark twists and spiderweb connections. The Sephardic Jewish representation is intricate and lovely. Luzia is reminiscent of many favorite YA heroines—Katniss Everdeen comes to mind—and the historical fantasy built around her is vivid. Fans of historical fantasy, tortured love interests, and Bardugo’s Grishaverse will fall hard for this new novel. HIGH-DEMAND BACKSTORY: A new Bardugo is a major event for adult and teen readers alike, and this historical fantasy is sure to dazzle.

From Booklist, Copyright © American Library Association. Used with permission.

Library Journal In Madrid, under the reigns of the king and the Catholic Church, during the time of the Inquisition, lives a scullion maid named Luzia who is hiding her ability to create little miracles such as restoring burned bread to new and stitching torn dresses. Luzia is hiding not only her abilities but also her Jewish lineage, both of which could get her executed for heresy. When Luzia's mistress discovers the scullion maid's abilities, she uses them to gain social power, only to have Luzia discovered by the wealthy Víctor de Paredes. Víctor is looking for someone to submit into a tournament for the king's holy champion, as being the patron of the king's champion would give him a chance to obtain even more power. Víctor provides Luzia with a mentor—his immortal familiar, Guillén Santángel—to improve her chances of winning the tournament. Santángel has been bonded with Víctor's family for generations, but Víctor offers to release him from service if Luzia succeeds. Soon, Santángel's feelings for Luzia complicate things. VERDICT Bardugo (Hell Bent) masterfully weaves magical realism with historical fiction and romance, which makes this book impossible to put down. Great for fans of Rebecca Ross, Heather Fawcett, and Holly Black.—Leigh Verburg

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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