Kirkus In 1993, 16 year-old Maggie and her family move from Chicago to small-town Ireland with the latest of her mother's romantic partners. Moving to Bray, Maggie leaves behind warm, practical Nanny Ei and beloved Uncle Kevin, a 26-year-old who plays in a band, sneaks her into grunge rock concerts and makes himself responsible for Maggie's musical education. Arriving in Ireland, Maggie finds that she's no better at fitting in with the girls of St. Brigid's than she had been at her old school. Instead, she forms a loose web of connections with local figures: Dan Sean, a Bray legend at 99, whose home becomes a refuge for Maggie in times of family conflict; Ane, the bookish classmate with whom Maggie reluctantly goes on double dates; and Eoin, the gentle boy with whom Maggie falls in love. The narrative subtly and carefully interweaves peer and family dramamuch of it involving troubled Uncle Kevinwith the highs and lows of the grunge music scene, from the transformative glory of a Nirvana concert to the outpouring of grief around the death of Kurt Cobain. Every character, every place comes alive with crisp, precise detail: Maggie's heartbroken mother "howling along in an off-key soprano" to Joni Mitchell's Blue, Dan Sean welcoming Maggie with a Cossack's hat and a hefty glass of port. Powerfully evocative. (Historical fiction. 14 up) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list It's the eve of 1994, and the grunge movement has reached its fevered height. On Ireland's east coast, 16-year-old Maggie, disgruntled and displaced from her native Chicago, after her flighty mother's recent marriage, listens to Nirvana and misses the uncle in America who snuck her into rock concerts. Her plan is to keep her head down and wait for her mother's relationship to implode, but she finds herself drawn into her new town of Bray and its generations of inhabitants. When her first real loss comes on the heels of her first love, she undertakes a pilgrimage to the mecca of grunge music: a Nirvana concert in Rome. Rock-savvy readers might recognize the time line as the story hurtles towards that infamous April of 1994, but, with or without that knowledge, they will be drawn into the sometimes seedy, sometimes madcap atmosphere of this first novel. A mostly fleshed-out cast of supporting characters and rich storytelling make this appealing both to teens and to the contingent that still has copies of Nevermind on vinyl.--Reagan, Maggie Copyright 2015 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 9 Up-This promising debut, set in the heyday of grunge, tells the story of Maggie Lynch, a displaced Chicagoan and grunge music fan, living in a quiet town (Bray) on the Irish Sea. Maggie was uprooted from her friends, her music scene, and her beloved Uncle Kevin when her romantically fickle mother married her latest boyfriend, resulting in a move to his hometown. During her time of difficult adjustment to Ireland, Maggie falls in love with Eion the very moment a devastating loss hits her family, leading to rebellion and a journey to Rome to see Nirvana and fulfill Uncle Kevin's wish for her. Foley sets the scene vividly, writing that Bray has a "soggy sort of grandeur" and weaving in the tiny cultural differences that Maggie has to navigate as an American. The narrative voice is clear and compelling, but Maggie often makes decisions that feel incongruous to her character. She has an independent spirit, but Eion only joins her on the journey because she needs a rescue. A self-professed Nirvana fan, which is critical to the plot, she never seems to like the band as much as she is trying to impress Uncle Kevin. However, the secondary characters are complex and sympathetic: Foley has also populated Bray with a host of quirky, loving, and memorable background characters, which enriches the story. Recommended for teens who enjoy travelogue romance stories or novels about rock music.- Susannah Goldstein, Convent of the Sacred Heart, New York City (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 9 Up-When 16-year-old Maggie's mother decides to marry someone she just met and move the family from Chicago to Ireland, Maggie is unsure what to expect. Leaving behind her beloved Uncle Kevin and grandmother, Maggie is slow to make friends in the rural town of Bray, though her eight-year-old sister quickly assimilates. Maggie finds refuge with a 99-year-old neighbor and falls for a boy who works in the local pub her mother and stepfather frequent. When Uncle Kevin suddenly dies, Maggie runs away in order to fulfill her uncle's dying bequest to attend a Nirvana concert in Rome. Music is a pervasive theme; it's 1993 and Kurt Cobain, Nirvana, and the grunge movement play key roles in the story. Erin Moon perfectly captures the lilting Irish dialects while clearly differentiating among voices. Portions of Irish folksongs are performed beautifully. -VERDICT The themes of dysfunctional families, moving, first (and awful) sexual experiences, and rebellious music will resonate with teens. Give this to fans of This Song Will Save Your Life by Leila Sales (Farrar, 2013). ["Promising debut": SLJ 9/14 review of the Elephant Rock book.]-Julie Paladino, formerly of East Chapel Hill High School, NC © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly As they did in Baby Goes to Market, Atinuke and Brooksbank include readers in the book's antics while leaving out the characters who surround Baby. Pictures tell the story alongside minimal text that introduces B words (baby, beads, basket). After Baby tumbles into a basket of bananas bound for Baba's bungalow, Brother, plugged into his headphones, replaces the basket's cover and loads it onto his bicycle, oblivious to its additional cargo. Subtle visual foreshadowing gives kids a peek at upcoming words as the boy pedals along: one of the birds seen perched in a baobab tree appears at close range on the following spread ("B is for Beautiful"), which also displays a baboon-filled tree in the background ("B is for Baboon"). A page later, one of the monkeys snags the top off the basket, exposing its stowaway passenger and paving the way for the big reveal to a shocked Brother and thrilled Baba. Featuring loose lines and an earth-toned backdrop, Brooksbank's energetic mixed-media art showcases the brilliant colors of African vegetation and clothing, and infuses Atinuke's sweet phrases with warmth and humor. Ages 3-7. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list This clever story puts the focus on the letter B. In fact, it's the key element that moves the text. In an unspecified African village, we meet a baby whose mother is putting beads in her hair. B is also for basket; this woven one is to be brought to Baba by Brother, filled with bananas for this grandfather's breakfast. But what readers see, and Brother does not, thanks to his headphones blocking out any sounds as he rides to Baba's, is that Baby has crawled into the basket secured on the rear of his bike. Along the way, Baby spies birds and butterflies and gets a biscuit when finally discovered by a surprised grandfather. A miniature panorama on the final page shows the trip home. The children's mom doesn't seem pleased by the adventure. Each page displays one terse sentence, such as "B is for beautiful." The colorful mixed-media art, however, is expansive, whether showing a single image of a curious baby playing with her toe, or detailing the lush surroundings. This one's a charmer.--Ilene Cooper Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book From Atinuke and Brooksbank (Baby Goes to Market), another tenderly funny story set in an unspecified African village and starring a winsome baby girl. B is not only for baby but also for an intriguing basket with a lid; when the little girl peeks inside, a sequence of pictures shows her overbalancing into the basket and then settling in happily. Brooksbank's mixed-media illustrations use warm colors on spacious off-white pages. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Toddler-PreS-"B is for Baby" is the first and last line of this entertaining story of a baby girl, her brother, a bicycle, some bananas, and a big surprise. Highlighting words that begin with the letter "B," and with only four words per page-except for one spread-a simple story emerges that will engage small children and be accessible, with a little help, to early readers. In an unspecified African village, a mother gets her very young daughter dressed and ready for the day. She sends her son off with a basket filled with bananas to share with his grandfather. Unbeknownst to the boy, his little sister has fallen into the basket and is along for the ride to Baba's bungalow. The tale takes readers forward and then reverses the steps as the boy returns to his mother with his sister in tow. Illustrations in mixed media are large and bright with a white background. Animals, trees, flowers, and the inhabitants' dress reveal a bit of village life. VERDICT This tale offers eye-catching colors and a clever and fun way to introduce the "B" sound while telling a story.-Maryann H. Owen, Oak Creek Public Library WI © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A circular tale of family love with visual rewards for sharp-eyed listeners. In this story that looks like an alphabet book but focuses exclusively on the letter B, a smiling woman, probably mama, stands in a yard, holding Baby cheek-to-cheek, as another woman chats with four children under the awning of a small tin-roofed house in the background. Many visual details hint at this book's African (probably Nigerian) setting. After Mama Beads Baby's hair, Brother loads a Basket of Bananas onto his Bicycle while bopping to the beat of what's playing through his headphones, oblivious to everything elseespecially the fact that Baby climbed into the Basket to have a Banana for Breakfast. On the road, he passes a Baobab tree, Birds, a Butterfly, Baboons, a Bus brimming over with brown-skinned riders crossing a Bridge, and more sightsfew of which Brother notices. Nothing, however, escapes the keen eyes of Baby. Only when Brother lifts the Bananas from the Bicycle rack does anyone discover the stowaway. A surprised Baba happily welcomes both grandchildren, who join him for Biscuits and bottles of something bubbly. Brooksbank effectively avoids stereotypes while adding humor and cultural specificity to the story with her detailed and lively, colorful, mixed-media images. Safety-conscious caregivers may suck their teeth, but there's no denying the joy in this book.Atinuke has bottled the delightful energy of the Anna Hibiscus books and poured it into this treat for younger readers. (Picture book. 3-6) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Kirkus A tradwife influencer wakes up to find herself living the old-style life she’s been peddling. To her millions of followers, Natalie Heller Mills’ life appears perfect: Married to the handsome son of a wealthy, family-values-touting U.S. senator, she spends her days posting content of herself churning butter, baking, and crafting in her impeccable farmhouse kitchen; tending to the chickens and other livestock; and posing with her ever-expanding brood against the picturesque barn and rolling fields of her newly acquired Idaho farm, catchily dubbed “Yesteryear.” But the women who follow her don’t know about the nannies and other modern-day cheats that make the farm and family run. They don’t know Natalie’s husband is soft, shiftless, and perhaps not the sharpest tool in the shed. And they certainly don’t know that Natalie is not even close to being the “flawless Christian woman” she projects. “The mother every woman wanted to be, and the wife every man wanted to come home to”? Yeah, that’s just for Instagram. When Shannon, the producer Natalie hires to broaden her reach, exposes the disconnect between Online Natalie and Offline Natalie, the influencer’s perfect facade begins to crumble and her dream life becomes a nightmare. After an indeterminate amount of time—“Was it a day, a week, a month?”—Natalie wakes up to find herself in a hardscrabble, early-19th-century version of Yesteryear, with children she doesn’t recognize though they insist they’re hers and a husband who looks, but doesn’t act, like her spouse. How did Natalie get here? Is it a prank, a reality show, time travel? In Natalie, Burke has given us an absolutely riveting character—bitchy, narcissistic, and uncaring, yet also incongruously relatable and wickedly entertaining. As it sends up both MAGA and online culture, this deliciously funny, topical, and fiercely intelligent debut also probes deeper questions about authenticity, ambition, kindness, celebrity, consumerism, and what it means to be a woman in America today. It’s also a propulsive page turner, impossible to put down. A remarkable debut—both a book for the moment and one that will endure. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly A tradwife influencer gets trapped inside the harsh life of an early-19th-century homesteader in Burke’s crafty and cutting debut. To her millions of Instagram followers, Natalie Heller Mills is a “flawless Christian woman” leading an idyllic life on the self-sustaining Yesteryear Ranch with her hardworking husband, Caleb, and their five kids. In reality, the family’s remote Idaho farm is a money pit, Caleb is an internet-addicted conspiracist, and nannies raise the children while a live-in producer curates Natalie’s content, which pays the bills. When Natalie wakes one morning in a rustic facsimile of her home with a family that resembles hers but isn’t, it appears that she has traveled back in time to 1805. Is she a kidnapping victim, an unconsenting reality show contestant, or something more bizarre? All she knows for sure is that the bear traps and boredom of the early 19th century might kill her before she finds out (“Tomorrow, I will not have to shit in a rickety old shed outside”). Burke’s scathing satire of the conservative media complex unfolds from Natalie’s increasingly delusional first-person perspective as the action ping-pongs back and forth in time. Though the big reveal undercuts some of the book’s bite, the narrative is plenty riveting. Burke is off to an auspicious start. Agent: Lisa Grubka, UTA. (Apr.)

(c) Copyright PWxyz, LLC. All rights reserved

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms

Copyright 1994 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: Booksellers should send up three cheers of greeting for this haunting second novel by the author of The Book of Ruth , a beautifully developed and written story reminiscent of the work of Sue Miller and Jane Smiley. A piercing picture of domestic relationships under the pressure of calamitous circumstances, it poignantly addresses the capricious turns of fate and the unyielding grip of regret. Alice and Howard Goodwin and their two young daughters live on the last remaining dairy farm on the outskirts of Racine, Wisc. The farm is Howard's dream, realized with infusions of money from his disapproving mother; but Alice, who is disorganized, skittery and emotionally volatile, is constitutionally unsuited to be a farmer's wife. Her solace is her best friend Theresa, who also has two little girls for whom they alternate days of babysitting. One hot, dry June morning, in the middle of a soul-parching drought, Alice daydreams for a few, crucial minutes while the four girls play. She has rediscovered the map of the world that she made after her own mother died when she was eight; it was an attempt to imagine a place where she would always feel safe and secure. In that short time, one of Theresa's daughters drowns in the Goodwins' pond. As outsiders from the city, the Goodwins have never been accepted in their small community, which now closes forces against them. Still grieving and filled with remorse, Alice, a school nurse, is accused by an opportunistic mother of sexually molesting her son. She is arrested, and since Howard cannot raise bail, she remains in jail, where she suffers but also learns a great deal about human frailty and solidarity. Meanwhile, Howard and the girls undergo their own crucible of fire. Among Hamilton's gifts is a perfect ear for the interchanges of domestic life. The voices of Alice and Howard, who narrate the tale, have an elegiac, yet compelling tone as they look back on the events that swept them into a horrifying nightmare. In counterpoint to the shocks that transform their existence, the drudgery of the daily routine of farm life has rarely been conveyed with such fidelity. Fittingly, however, the death of their hopes as a family coincides with Howard's realization that the farmer's way of life is disappearing as well. The last third of the book, detailing Alice's incarceration among mainly black inmates, is astonishingly perceptive and credible, opening new dimensions in the narrative. One wants to read this powerful novel at one sitting, mesmerized by a story that has universal implications. BOMC and QPB selection.

Copyright 1994 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms