Kirkus In 1993, 16 year-old Maggie and her family move from Chicago to small-town Ireland with the latest of her mother's romantic partners. Moving to Bray, Maggie leaves behind warm, practical Nanny Ei and beloved Uncle Kevin, a 26-year-old who plays in a band, sneaks her into grunge rock concerts and makes himself responsible for Maggie's musical education. Arriving in Ireland, Maggie finds that she's no better at fitting in with the girls of St. Brigid's than she had been at her old school. Instead, she forms a loose web of connections with local figures: Dan Sean, a Bray legend at 99, whose home becomes a refuge for Maggie in times of family conflict; Ane, the bookish classmate with whom Maggie reluctantly goes on double dates; and Eoin, the gentle boy with whom Maggie falls in love. The narrative subtly and carefully interweaves peer and family dramamuch of it involving troubled Uncle Kevinwith the highs and lows of the grunge music scene, from the transformative glory of a Nirvana concert to the outpouring of grief around the death of Kurt Cobain. Every character, every place comes alive with crisp, precise detail: Maggie's heartbroken mother "howling along in an off-key soprano" to Joni Mitchell's Blue, Dan Sean welcoming Maggie with a Cossack's hat and a hefty glass of port. Powerfully evocative. (Historical fiction. 14 up) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list It's the eve of 1994, and the grunge movement has reached its fevered height. On Ireland's east coast, 16-year-old Maggie, disgruntled and displaced from her native Chicago, after her flighty mother's recent marriage, listens to Nirvana and misses the uncle in America who snuck her into rock concerts. Her plan is to keep her head down and wait for her mother's relationship to implode, but she finds herself drawn into her new town of Bray and its generations of inhabitants. When her first real loss comes on the heels of her first love, she undertakes a pilgrimage to the mecca of grunge music: a Nirvana concert in Rome. Rock-savvy readers might recognize the time line as the story hurtles towards that infamous April of 1994, but, with or without that knowledge, they will be drawn into the sometimes seedy, sometimes madcap atmosphere of this first novel. A mostly fleshed-out cast of supporting characters and rich storytelling make this appealing both to teens and to the contingent that still has copies of Nevermind on vinyl.--Reagan, Maggie Copyright 2015 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 9 Up-This promising debut, set in the heyday of grunge, tells the story of Maggie Lynch, a displaced Chicagoan and grunge music fan, living in a quiet town (Bray) on the Irish Sea. Maggie was uprooted from her friends, her music scene, and her beloved Uncle Kevin when her romantically fickle mother married her latest boyfriend, resulting in a move to his hometown. During her time of difficult adjustment to Ireland, Maggie falls in love with Eion the very moment a devastating loss hits her family, leading to rebellion and a journey to Rome to see Nirvana and fulfill Uncle Kevin's wish for her. Foley sets the scene vividly, writing that Bray has a "soggy sort of grandeur" and weaving in the tiny cultural differences that Maggie has to navigate as an American. The narrative voice is clear and compelling, but Maggie often makes decisions that feel incongruous to her character. She has an independent spirit, but Eion only joins her on the journey because she needs a rescue. A self-professed Nirvana fan, which is critical to the plot, she never seems to like the band as much as she is trying to impress Uncle Kevin. However, the secondary characters are complex and sympathetic: Foley has also populated Bray with a host of quirky, loving, and memorable background characters, which enriches the story. Recommended for teens who enjoy travelogue romance stories or novels about rock music.- Susannah Goldstein, Convent of the Sacred Heart, New York City (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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School Library Journal Gr 9 Up-When 16-year-old Maggie's mother decides to marry someone she just met and move the family from Chicago to Ireland, Maggie is unsure what to expect. Leaving behind her beloved Uncle Kevin and grandmother, Maggie is slow to make friends in the rural town of Bray, though her eight-year-old sister quickly assimilates. Maggie finds refuge with a 99-year-old neighbor and falls for a boy who works in the local pub her mother and stepfather frequent. When Uncle Kevin suddenly dies, Maggie runs away in order to fulfill her uncle's dying bequest to attend a Nirvana concert in Rome. Music is a pervasive theme; it's 1993 and Kurt Cobain, Nirvana, and the grunge movement play key roles in the story. Erin Moon perfectly captures the lilting Irish dialects while clearly differentiating among voices. Portions of Irish folksongs are performed beautifully. -VERDICT The themes of dysfunctional families, moving, first (and awful) sexual experiences, and rebellious music will resonate with teens. Give this to fans of This Song Will Save Your Life by Leila Sales (Farrar, 2013). ["Promising debut": SLJ 9/14 review of the Elephant Rock book.]-Julie Paladino, formerly of East Chapel Hill High School, NC © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus This wordless story details the developing friendship between a homeless dog and a kind, patient young woman.The scruffy dog has floppy ears and long, reddish hair, and the light-skinned woman has long hair of the same auburn shade. The story is set in a modern city and a nearby park with a huge tree and a wooden bench that serves as the only shelter for the dog at night. When the woman comes to read on the bench, she spots the shy dog, gradually befriending the appealing canine over several visits by playing with a tennis ball. One night the dog follows the woman to her apartment building, waiting outside in the rain for her to reappear even as the woman goes back to the park in the pelting rain to search for the dog. In an emotionally satisfying reunion they find each other outside the apartment, and the woman takes the dog into her home. The heartwarming conclusion shows the dog sleeping on the end of the woman's bed as morning sunlight streams in the windows. Skillfully composed illustrations in a muted palette alternate between small panels in rows and full-page spreads with dramatic effects in mood and lighting. The narrative is conveyed so capably through the compelling illustrations that not a word is needed.A touching tale about the strong emotional connection between dog and human. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Accomplished panel artwork by Guojing (The Only Child) tells a wordless story about a young woman who spots a shaggy stray in a park. The dog stays behind when she leaves, and it’s there when she returns; she’s determined to lure it closer, but it won’t approach. Guojing’s panels convey the young woman’s patience as she uses a ball to build a bond with the stray. As the day ends, the light shifts from silvery cloudiness to golden rays of sunset. Readers see the dog trail the woman home, carrying its ball, then, in one of the story’s heart-tugging moments, sit in front of her apartment gazing up at her window. That night, a storm drives the hound into a discarded box as the woman dashes back to the park. A series of tense crosscut panels depict her frantic search amid sheets of rain, her downcast return, and the moment she spies the pup. From then on, warmth and love enter the dog’s life—and the woman’s. Guojing paces the story to rock emotionally between the dog’s lonely existence and the woman’s offer of love, building all the way to a joyful conclusion. Ages 3–7. Agent: Isabel Atherton, Creative Authors. (Sept.)

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School Library Journal Gr 1–4—Guojing's wordless picture book follow-up to The Only Child is a story of patience and building trust in new relationships. A small, stray dog lives under a park bench and is visited by a young woman who repeatedly tries to connect with the pup, eventually using the element of play and the lure of playing ball. After one day of ball, without the woman knowing, the dog follows her home and that night a storm eventually brings the two permanently together. On the surface this is a simple story, but Guojing's artistic techniques draw readers in to each quiet, tender, fearful moment and allows them to understand the trauma that comes from living in insecurity. Using pencil and watercolor, her emotive use of light shows the sense of loneliness and isolation that happens in the shadows. Pages move from panels to full spreads that offer pacing and pauses to match the ebbs and flows of the building relationship. Just like the young woman gives the dog the space it needs, Guojing gives readers moments to stop and feel the emotion. VERDICT This beautifully illustrated book will appeal to a wide range of ages, can spark conversations around houselessness and insecurity, or just be enjoyed as a tale of a dog finding a "forever home."—Danielle Jones, Multnomah County Library, OR

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Book list A small, curly-haired dog huddles alone under a park bench. When a young woman sits down, she is drawn to the stray, who runs away. The next day, she returns with a ball. As the two interact from a distance, the cautious dog slowly warms up, never coming too close. After the third day, as the woman walks back to her apartment, she doesn't see the dog follow her home. A terrible thunderstorm strikes that night, and while the dog shivers in a box near her doorway, the woman hurries off to the park on a rescue mission. When she returns home dejected, she finally notices the frightened, dripping stray and takes her new friend inside. Guojing (The Only Child, 2015) presents this wordless story in clean-cut panels interspersed with full-bleed spreads. Evocative pencil-and-watercolor images use a soft color palette sepia tones in daylight, grays and blues at night to emphasize the warmth developing between the woman and dog. The dramatic, elegantly designed illustrations bring an astounding power to an otherwise simple story, capturing nuanced emotion through movement, posture, and color. Brimming with golden-hued love, this is a book that successfully appeals to our most basic human sentiment, perfect for anyone who appreciates Guojing's accomplished visual style as well as for dog-lovers of all ages.--Lucinda Whitehurst Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

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School Library Journal : K-Gr 6-As this story opens, French funambulist Philippe Petit is dancing across a tightrope tied between two trees to the delight of the passersby in Lower Manhattan. Gerstein places him in the middle of a balancing act, framed by the two unfinished World Trade Center towers when the idea hits: "He looked not at the towers, but at the space between them and thought, what a wonderful place to stretch a rope-." On August 7, 1974, Petit and three friends, posing as construction workers, began their evening ascent from the elevators to the remaining stairs with a 440-pound cable and equipment, prepared to carry out their clever but dangerous scheme to secure the wire. The pacing of the narrative is as masterful as the placement and quality of the oil-and-ink paintings. The interplay of a single sentence or view with a sequence of thoughts or panels builds to a riveting climax. A small, framed close-up of Petit's foot on the wire yields to two three-page foldouts of the walk. One captures his progress from above, the other from the perspective of a pedestrian. The vertiginous views paint the New York skyline in twinkling starlight and at breathtaking sunrise. Gerstein captures his subject's incredible determination, profound skill, and sheer joy. The final scene depicts transparent, cloud-filled skyscrapers, a man in their midst. With its graceful majesty and mythic overtones, this unique and uplifting book is at once a portrait of a larger-than-life individual and a memorial to the towers and the lives associated with them.-Wendy Lukehart, Washington DC Public Library

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Book list Revered for her deeply empathetic and perceptive approach, Strout creates existentially complex interior worlds for seemingly simple characters. Like so many of her protagonists, Artie Dam is a salt-of-the-earth husband, father, and teacher who leads a notably mundane life. When his 27-year-old son, Rob, reveals that Reginald, an old family friend, has sent him a deathbed confessional letter claiming that he, not Artie, is Rob’s biological father, Artie rightfully questions everything he has ever believed about the people he loves most. Not only has his wife, Evie, deceived him their entire marriage, long-valued friends and colleagues no longer appear as reliably supportive as they once were. Artie withdraws into himself, an understandable act of self-preservation in the face of betrayal and disappointment, and struggles to reconcile the fact that people hold “within themselves a vast, unknowable universe.” But Strout knows this universe. It’s the same one where Lucy Barton and Olive Kitteridge dwell, and she populates this new colony with equally complicated citizens. Tantalizingly perceptive and compassionate glimpses into the backstories of the key contributors to Artie’s crisis of the soul will give readers hope that these indelible individuals will one day appear in a trademark Strout spin-off of their own.HIGH-DEMAND BACKSTORY: Strout fans will flock to her latest, thrilled to meet new characters in her always compelling fictional universe.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus A diverting midlife story plucks at the secrets good people carry to the grave. As a reader, Artie Dam—the protagonist of Strout’s 11th book—encounters Olive Kitteridge, “a crotchety old woman from Maine” and Strout’s most celebrated fictional character. Artie picked up the Pulitzer-anointed book centered on Olive after his wife, Evie, loved it, “oh, years ago now.” Strout is having a bit of fun—that “oh” is a trademark—even though she marbles her latest novel with marital infidelity, political anxiety, and suicide. Indeed, it is the fact that Olive’s father died by suicide that Artie, 57 and gaining a paunch, recalls now in his own dismalness. As the story begins, he is pondering the most discreet way to die, despite having been Massachusetts’ Teacher of the Year five years earlier. Artie seems the inverse of irascible Olive: beloved by his students; by his grown son, Rob; and by the English teacher, Anne, who quietly pines for him. But like Olive, Artie has distressing impulses—he steals a comb, then some expensive shirts. Much of the text bobs along on Artie’s stocktaking memories, chunked out in short, occasionally abrupt paragraphs. Strout’s storytelling is thinning a bit, like middle-aged hair. Then, midbook, she clobbers Artie with a brutal existential shock. In its wake, Strout surfs the nature of loneliness, corrosive secrets, and the convulsions of the 2024 presidential election. Hers is an unremittingly Blue State book, although Artie has one friend who, unbeknownst to him, supported Donald Trump. On the day after the election, Artie somberly concludes that his “country was committing suicide.” This is the first novel in which Strout entirely vacates Maine for another setting. But she sticks with Artie and, on the final pages, delivers him a satisfying finale. Vivid characters are set adrift in a “ripped from the headlines” tableau that complicates the story, and the storytelling. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly A married high school teacher confronts his despair and isolation in this insightful outing from Strout (Tell Me Everything). Artie Dam, 57, has a beautiful home on the Massachusetts coast, a long and stable partnership with his wife, Evie, and a job he loves, but he can’t shake his “accretion of loneliness,” nor can he bring himself to reveal it to anyone. Recalling the suicide of a character in a novel he read, Artie is reminded that “people do die of loneliness” and decides to end his life. After he nearly drowns in a sailing accident, his brush with mortality renews his desire to live, but he’s rocked again when his 27-year-old son, Rob, confides in him that a DNA test showed he’s not Artie’s biological child. As father and son reimagine their bond, Artie must decide whether to jeopardize his marriage by telling Evie what he’s learned. Some of the episodes feel a bit random, but Strout masterfully explores her central themes (after a “lunatic” former president is reelected, a clear reference to Trump, Artie feels like the “country was committing suicide”) and offers timeless observations, suggesting, for example, that her characters feel distant from those they love most because “to say anything real was to say things that nobody wanted to know.” This will stay with readers. (May)

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School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

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Copyright 1996 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms