School Library Journal Gr 7 Up-Fourteen-year-old Sparrow Cooke is believed to have nearly taken her own life on her school's roof. She begins to see a therapist. The teen refuses to open up during her initial sessions with Dr. Katz, but the therapist slowly gets through to Sparrow by introducing her to rock music. However, Sparrow wants to fly away from dealing with issues, such as the death of her favorite school librarian Mrs. Wexler, the loss of her kindergarten best friend Chocolate, popular mean girls like Monique, nearly flunking the eighth grade, her inability to socialize with other kids, and her distance from her mom. Their relationship becomes more strained after a parent-teacher conference with Sparrow's teachers. With Dr. Katz's help, the girl's world is opened up and she gets the opportunity to attend the Gertrude Nix Rock Camp for Girls for the summer. She reluctantly leaves her comfort zone and befriends three unlikely dorm mates. Readers will quickly identify with this protagonist; Sparrow speaks to those who may have difficulty dealing with loss, making friends, and feeling alienated. Librarians will appreciate the nod to the Brooklyn Public Library and the significant role Mrs. Wexler played in Sparrow's life. Moon brilliantly weaves the intersections of race, class, sexual orientation, body image and women's contributions to rock and pop music histories into the narrative. Rock music fans will love the homage to the diverse artists, musicians, and bands within the genre. VERDICT This novel will inspire readers to find their own voices through literary and musical expression. A good choice for most YA collections.-Donald Peebles, Brooklyn Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list When eighth-grader Sparrow wakes up in the hospital, she can't convince the doctors or her mother that she wasn't attempting suicide on the roof of her school. Once she starts seeing her therapist, she reveals that when she experiences anxiety, she becomes a real sparrow and flies with other birds. Moon's debut novel deftly normalizes therapy and prioritizing one's mental health. In lyrical, minimalist prose that resounds with authenticity, Moon tracks Sparrow's relatable experience with trauma and anxiety. The recurring therapy sessions never come across as manufactured or heavy-handed, nor do they present a singular, correct way to cope with anxiety. After opening up to her therapist, Sparrow takes a brave step and enrolls in a month-long music camp. There she finds unexpected validation and a community of women who build her up. An elegantly told and important novel about learning to cope, live, and be happy with depression and anxiety.--Kling, Caitlin Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal K-Gr 2—Bell (El Deafo; I Yam a Donkey!; "Rabbit & Robot") returns with another story about grammar, miscommunication, and odd couple friends. In this graphic novel send-up of the "Dick and Jane" primers, Brain, clad only in heart-patterned boxers and sporting either an external brain or a gray hairdo that resembles one, is trying to convince a politeness-obsessed chick to smell his foot. Chick criticizes Brain's phrasing ("I will not smell your foot until you say PLEASE") and intelligence ("Brain, you look very smart…But you are not very smart"). This focus on manners at the expense of kindness almost causes Chick to miss out on what turns out to be Brain's truly alluring foot odor. When Spot the dog wanders by, sniffs Chick's foot, and invites the oblivious bird to lunch (as the intended main course), Brain comes to Chick's rescue by knocking Spot out with the aroma from his (apparently stinky) other foot. New readers may be thrown by the beats of Chick and Brain's dialogue, since the humor relies on unexpected responses (as in the opening exchange: "HELLO, BRAIN." "Yeah, I know. I am Brain.") and discussion of conversational norms. However, the short length and engagingly goofy art—reminiscent of James Proimos's "Johnny Mutton" series—will be a draw for kids who love quirky characters and the amusing premise. VERDICT Although not as successful as Bell's best work, and potentially confusing for some new readers, this hilariously wacky tale will resonate with many children.–Miriam DesHarnais, Towson University, MD

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Kirkus A comedic duo stars in their first comica playful homage to the Dick and Jane books. Brain certainly looks smart. But, by Chick's assessment, Brain's social ineptitude says otherwise. Chick minds their p's and q's, modeling proper behavior for Brain to emulate. Brain takes Chick's repeat-after-me lessons a bit too literally, however. Instead of copying, Brain responds directlyoften hilariously off-script. In exchange after exchange, the pair's silly chemistry peaks with the human and the bird smelling each other's feet. Soon, a dog named Spot arrives on the scene, adding their nose to the mix. All that foot sniffingspecifically, yummy chicken foot sniffingprompts Spot to invite Chick over for an exclusive lunch. Will Chick see through Spot's politeness before winding up on the menu? In this first series entry, Bell flips the repetitive primer structure on its head and transforms it into a winning oddball comedy. With a limited vocabulary of around 120 wordsexclusively presented through dialoguethe four-chapter story is a careful blend of verbal and visual humor. The comic-book format, with usually one to four panels per page, heightens the silly factor with well-placed punchlines. Bell's highly expressive watercolor and ink cartoon illustrations set characters against sparse backgrounds. It's up to readers to decide whether the wrinkly gray mass atop white-presenting Brain's head is tightly curled gray hair or an exposed brain. Fragrant fun for first readers. (Graphic early reader. 4-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly The title says it all: this early reader comic by Newbery Honor author Bell features plenty of bonkers humor. Four vignettes pair Chick, a dainty yellow bird, with a clonking human called Brain, who possesses an exposed brain, a pair of heart-printed boxer shorts, and huge feet. Chick wants Brain to be polite: “No, Brain, no. I say Hello, Brain. Then you say Hello, Chick.” Brain does not want to be polite, and he does not mind when Chick indicates he is not very smart. Instead, he says, “Smell my foot!” Weirdly, Brain’s foot smells great. Bell’s ink-and-wash panel artwork zeroes in on the characters’ faces and gestures. In the second tale, Spot the dog appears. He likes chicken and invites Chick for lunch. For lunch? Comic tension mounts as Chick, oblivious to danger, lectures the dog: “You did not say thank you for the salt.” Spot’s eyes narrow. “GRRRR,” he says. “THANK.” “YOU. “FOR.” “THE.” “SALT.” Thank goodness for Brain, whose secret weapon neutralizes Spot. Simple vocabulary packed with tension and humor keeps readers’ interest high. Ages 4–8. (Sept.)

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Book list You would not expect a book called Smell My Foot to be about good manners. Pleases and thank-yous are at a high premium, though, as Chick (a baby chicken) instructs his friend Brain (a large underwear-clad human with an exposed brain) in social niceties. In contention: the smelling of Brain's foot, which he claims has a great aroma. Chick, however, won't come near it without a polite greeting and formal invitation. The shoe is on the other foot, so to speak, when Spot (a hungry dog) joins in and his attempt to eat Chick can only by foiled by Brain's secret weapon: his other foot. It's as silly as it sounds, just the way budding readers like it, and the word and sentence repetition are good for literacy development as well as remembering your manners. Boisterous art matches the situations with goofy figures in hyperbolic positions, and young readers will love seeing the danger coming before the characters do. A viable Elephant & Piggie alternative for slightly more advanced readers.--Jesse Karp Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

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School Library Journal : Pre-Gr 3-A book bursting at the seams with ingenuity and creative spirit. When Joseph's overcoat becomes "old and worn," he snips off the patches and turns it into a jacket. When his jacket is beyond repair, he makes a vest. Joseph recycles his garments until he has nothing left. But by trading in his scissors for a pen and paintbrush he creates a story, showing "you can always make something out of nothing." Clever die-cut holes provide clues as to what Joseph will make next: windowpanes in one scene become a scarf upon turning the page. Striking gouache, watercolor, and collage illustrations are chock-full of witty details-letters to read, proverbs on the walls, even a fiddler on the roof. Taback adapted this tale from a Yiddish folk song and the music and English lyrics are appended. The rhythm and repetition make it a perfect storytime read-aloud.-Linda Ludke, London Public Library, Ontario, Canada

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Publishers Weekly Bestseller Grisham (The Exchange) teams up with Centurion Ministries founder McCloskey (When the Truth Is All You Have), whose nonprofit works to exonerate wrongly accused individuals, to tell 10 such stories in this gripping account. In alternating chapters, Grisham and McCloskey cover cases with a variety of stakes and backgrounds—some involve forced confessions, others faulty forensics. Most chilling is the case of Cameron Todd Willingham, a Texas man convicted of killing his three daughters by setting fire to their house, who was executed in 2004, just before a new forensics report went public, confirming that the lethal fire wasn’t arson. Not all the stories are so bleak: Grisham opens with a detailed account of the “Norfolk Four,” Navy sailors who were given nearly $5 million by the Virginia government in 2017 after their wrongful convictions for a rape and murder. Elsewhere, McCloskey traces the decades-long saga of soldier Mark Jones and his friends, who were exonerated of a murder that took place on the night of Jones’s 1992 bachelor party. Grisham’s narrative gifts come in handy—his chapters are slightly more propulsive than Jones’s—but both men deliver a series of thoroughly researched spellbinders. The results are equal parts fascinating and infuriating. Agent: David Gernert, Gernert Co. (Oct.)

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Kirkus Ten cases of egregious miscarriages of justice and their aftermaths. Bestselling novelist Grisham teams up with McCloskey, the founder of an organization that works to free the wrongfully convicted, to spotlight 10 cases in which innocent people were falsely accused of a crime, went through trials marked by various sorts of bias and misconduct, and were unjustly incarcerated. Grisham and McCloskey alternate the book’s 10 chapters to show guiltless suspects being victimized by corrupt police officers and detectives, dishonest government officials, racist and/or unsympathetic jurors, untrustworthy witnesses, incompetent doctors, and underprepared lawyers. Grisham’s cases include the story of the Norfolk Four, Navy sailors browbeaten by detectives into confessing to a rape/murder in 1997, and the ordeal of three men convicted of killing a 70-year-old woman, based on the testimony of a police informant saving himself from doing time and despite all three being exonerated by DNA testing. McCloskey’s chapters profile individuals he has worked with, among them Clarence Brandley, a Black janitor convicted by an all-white jury of murdering a white 16-year-old volleyball player; and Ellen Reasonover, a witness who became a suspect in the murder of a gas station attendant when the police basically pressured two women to testify that she had confessed to them. Many of these cases were brought in front of judges based on police hunches, which they buttressed by manipulating uneducated and impressionable witnesses and defendants, suppressing evidence, and in some cases coercing confessions. The list of perpetuated wrongs is endless, and the co-authors are empathetic to the plight of people who had nothing to do with the crimes they were accused of committing. The truth eventually came out in these cases, but that does little to lessen the impact of this sobering look at what happens when we turn a blind eye to injustice. A powerful and infuriating must-read about ineptitude and injustice in America’s legal system. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Framed, which looks at ten miscarriages of justice involving a total of 21 defendants, is cowritten by Grisham and Jim McCloskey, the founder of Centurion, which since the early 1980s has been dedicated to freeing people who have been wrongly convicted. The authors relate stories that utterly boggle the mind. In the book’s first essay, the police, lacking hard evidence, keep adding suspects until they’re claiming seven men (some of whom don’t know each other) committed the crime together. The authors spend little time on the processes that eventually freed the wrongly convicted people; they focus instead on the processes by which the police railroaded the defendants—lying to them, coercing confessions, manufacturing proof of guilt where none actually existed. For regular readers of crime nonfiction, the book confirms what the reader already knows: people are sometimes deliberately put behind bars for crimes they didn’t commit. Readers unfamiliar with the genre—those, perhaps, picking up the book because Grisham’s name is on the cover—will be shocked and outraged, which is precisely the response the authors were looking for.HIGH-DEMAND BACKSTORY: Legal-thriller star Grisham is the hook, but the true-crime topic will also be a big draw.

From Booklist, Copyright © American Library Association. Used with permission.

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School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

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Publisher's Weekly: Elegiac and urgent in tone, Oates's wrenching 26th novel (after Zombie) is a profound and darkly realistic chronicle of one family's hubristic heyday and its fall from grace. The wealthy, socially elite Mulvaneys live on historic High Point Farm, near the small upstate town of Mt. Ephraim, N.Y. Before the act of violence that forever destroys it, an idyllic incandescence bathes life on the farm. Hard-working and proud, Michael Mulvaney owns a successful roofing company. His wife, Corinne, who makes a halfhearted attempt at running an antique business, adores her husband and four children, feeling "privileged by God." Narrator Judd looks up to his older brothers, athletic Mike Jr. ("Mule") and intellectual Patrick ("Pinch"), and his sister, radiant Marianne, a popular cheerleader who is 17 in 1976 when she is raped by a classmate after a prom. Though the incident is hushed up, everyone in the family becomes a casualty. Guilty and shamed by his reaction to his daughter's defilement, Mike Sr. can't bear to look at Marianne, and she is banished from her home, sent to live with a distant relative. The family begins to disintegrate. Mike loses his business and, later, the homestead. The boys and Corinne register their frustration and sadness in different, destructive ways. Valiant, tainted Marianne runs from love and commitment. More than a decade later, there is a surprising denouement, in which Oates accommodates a guardedly optimistic vision of the future. Each family member is complexly rendered and seen against the background of social and cultural conditioning. As with much of Oates's work, the prose is sometimes prolix, but the very rush of narrative, in which flashbacks capture the same urgency of tone as the present, gives this moving tale its emotional power. 75,000 first printing; author tour.

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