School Library Journal Gr 9 Up-A trio of high-born, determined, and wildly charismatic teenagers get more than they bargained for in this rollicking 18th-century Grand Tour of the Continent gone awry. Endearing rake Lord Henry Montague (or Monty) and his biracial best friend (and unrequited love), the infinitely patient Percy, leave England to drop Monty's fiercely intelligent sister Felicity off at finishing school. The friends then spend a year traveling. After the Grand Tour, Monty will return home to help his demanding father run their estate and Percy will go to Holland to law school. If Monty's dad catches wind of him still "mucking around with boys," Monty will be cut off from the family. The trip is intended to be a cultural experience. However, no one could have predicted that one seemingly petty theft would set off an adventure involving highwaymen, stowaways, pirates, a sinking island, an alchemical heart, tomb-raiding, and a secret illness. From the start, readers will be drawn in by Monty's charm, and Felicity and Percy come alive as the narrative unfolds. The fast-paced plot is complicated, but Lee's masterly writing makes it all seem effortless. The journey forces Monty and friends to confront issues of racism, gender expectations, sexuality, disability, family, and independence, with Monty in particular learning to examine his many privileges. Their exploits bring to light the secret doubts, pains, and ambitions all three are hiding. This is a witty, romantic, and exceedingly smart look at discovering one's place in the world. VERDICT A stunning powerhouse of a story for every collection.-Amanda MacGregor, formerly at Great River Regional Library, Saint Cloud, MN © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list *Starred Review* Henry Montague is the son of a lord, and as such, his behavior is entirely inappropriate. A lover of vice and hedonism, Monty prefers to spend his time drinking (acceptable) and trysting, both with girls and boys (decidedly not acceptable). Still, Monty is in high spirits as he prepares for his grand tour of the Continent. At his side is his best friend: polite, gentlemanly Percy is the orphaned product of an English lord and a woman from Barbados. Monty, of course, is hopelessly in love with him and plans to make the most of the tour, until his distinct flair for trouble gets in the way. Several miscommunications, one truly terrible party, and an act of petty thievery later, Monty and Percy find themselves on the run across Europe with Monty's sister Felicity in tow. Tongue-in-cheek, wildly entertaining, and anachronistic in only the most delightful ways, this is a gleeful romp through history. Monty is a hero worthy of Oscar Wilde (What's the use of temptations if we don't yield to them?), his sister Felicity is a practical, science-inclined wonder, and his relationship with Percy sings. Modern-minded as this may be, Lee has clearly done invaluable research on society, politics, and the reality of same-sex relationships in the eighteenth century. Add in a handful of pirates and a touch of alchemy for an adventure that's an undeniable joy.--Reagan, Maggie Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus An 18th-century Grand Tour goes exquisitely wrong. Eighteen-year-old white viscount Henry "Monty" Montague is as known for his dashing looks as his penchant for boozeand boys. Before his abusive father grooms him to run the estate, he and his mixed-race best friend, Percy, orphan son of a British colonist and a Barbadian woman, are sent on a yearlong Grand Tourafter which he and Percy will likely be separated forever. Adding insult, their Tour begins under the proviso that, after Monty's sister is delivered to school in Marseille, Monty will remain on the sober straight and narrow or else risk loss of title and fortune. Monty wastes no time in demolishing this agreement in Paris when he gets hammered, offends Percy, insults a duke, ends up naked at Versailles, and steals an objet from the palace in a fit of childish rage. The theft ignites an adventure that illuminates a side of life the trio wouldn't have otherwise seen. Issues of same-sex romance walk in stride with those of race as Monty and Percy find their footing amorously, sexually, and socially. Their realized attraction could mean imprisonment or death, and their relationship is often misconstrued as lord and valet due to Percy's brown skin. The book's exquisite, bygone meter and vernacular sit comfortably on a contemporary shelf. And the friction of racism, tyrannical entitled politicians, and misguided disapproval of homosexuality also have a relevance rooted in current culture's xeno- and homophobia. Austen, Wilde, and Indiana Jones converge in this deliciously anachronistic bonbon. (Historical fiction. 12-18) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Horn Book Eighteen-year-old Monty, spoiled heir to a wealthy estate in eighteenth-century Britain, is determined to retrieve an alchemical panacea and cure his lifelong best friend Percy (with whom Monty is hopelessly in love) of his epilepsy. Mayhem, adventure, and a swoon-worthy emotional roller coaster of a romance ensue. A genre tribute, satire, and exemplar in one: trope-filled in the most gleeful way. (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Eighteen-year-old Henry "Monty" Montague-scandal prone, acid tongued, and a bit too fond of boys, girls, and gin-is embarking on a grand tour of Europe, a last hurrah before taking up the mantle of lordship. The tour quickly veers off course for Monty, his longtime friend (and not-so-secret crush) Percy, and his headstrong sister Felicity when Monty and a young lady are caught in a compromising situation at Versailles, after which Monty absconds with a small trinket. Pursued by the Duke of Bourbon, Monty learns that the object may hold the key to unlocking powerful alchemical secrets. Without funds or connections, the three haphazardly make their way across the continent, crossing paths with secretive Spanish siblings, an inexperienced pirate crew, and others. It's a gloriously swashbuckling affair, but Lee (This Monstrous Thing) doesn't shy from addressing the era's overt racism, sexism, homophobia, and prejudice regarding illness. Percy, a biracial epileptic, and Felicity, a young woman dreaming of medical school, are well-rounded and fascinating supporting characters, and the romantic relationship that develops between Monty and Percy is sure to leave readers happily starry-eyed. Ages 13-up. Agent: Rebecca Podos, Rees Literary. (June) © Copyright PWxyz, LLC. All rights reserved.

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School Library Journal K-Gr 3-A picture book biography of one of the most significant and inspiring figures in library history. Pura Belpré, the first Puerto Rican librarian in New York City, initially arrived in Manhattan to attend her sister's wedding. Intrigued perhaps by the "hustle and bustle" of this "new island," she decided to stay, finding temporary work as a seamstress. Belpré truly found her calling when she took a position as a bilingual assistant (the text notes that was she was, in fact, trilingual) at a neighborhood library, and went on to transform library services through culturally diverse storytelling, published books, and targeted outreach. Denise sprinkles her lyrical verse with Spanish, and emphasizes Belpré's love of stories, plucking the title of the book from her desire "to be like Johnny Appleseed...plant my story seeds across the land." Escobar's warm illustrations enliven the subject and carry the motif by depicting Belpré in impeccably stylish outfits and accessories detailed with floral patterns. Because of the composition style, readers are given only brief depictions of significant moments in Belpré's personal and professional life, but Denise provides a detailed author's note, summarizing Belpré's lasting impact, and includes a great amount of back matter. VERDICT An appealing tribute and successful remedy to the lack of titles about the groundbreaking librarian. This book pairs nicely with Lucia Gonzalez's The -Storyteller's Candle, and is a must-have for all libraries.-Jessica Agudelo, New York Public Library © Copyright 2018. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus A warm introduction to Pura Belpr, the first Puerto Rican librarian in the New York Public Library.In 1921, Belpr left her island home of Puerto Rico for New York City. There, she started work as a bilingual assistant in the public library. But where were the stories of her native land? "How lucky for the library that Pura has story seeds ready to plant and grow." Eventually, not only did Belpr hold a popular bilingual story program, but also, finding there were no books available for children in Spanish, she wrote them. Traveling "from branch to branch, classroom to classroom, to churches and community centers," Belpr planted "her story seeds in the hearts and minds of children new to this island who wish to remember la lengua y los colores of home." Belpr's story is told in rhythmic language with a good dose of (unitalicized) Spanish sprinkled throughout. Escobar's vibrant illustrations are filled with details that help bring to life the story of this remarkable librarian. Belpr is portrayed with light brown skin. A closing note explains that today, the American Library Association honors her by presenting an annual award that bears her name to a Latinx writer and illustrator whose works celebrate the Latino cultural experience. Read together with The Storyteller's Candle / La velita de los cuentos, by Luca Gonzlez and illustrated by Lulu Delacre (2008).In Belpr, children will find an affirmation of the importance of seeing their own culture in books. (bibliography, further reading) (Picture book/biography. 4-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Denise and Escobar pay tribute to the legacy of librarian Pura Belpré in this vibrant picture-book biography. Adults familiar with Belpré's story will immediately compare this book to The Storyteller's Candle (2008), by Lucía González, but this version adds a contemporary feel through the brilliantly detailed, brightly colored, whimsical illustrations and smoothly integrated linguistic code-switching. Here readers watch as Pura arrives in New York in 1921, just for a visit, filled with the stories her abuela told her in Puerto Rico. She stays, however, and finds work as a seamstress but yearns to do something else. As luck would have it, her chance comes when the public library needs a bilingual assistant. Thus begins Pura Belpré's career as the storyteller with puppets and a candle, around whose feet children sat listening to stories of Puerto Rico, including ones Pura writes herself. Planting Stories is a glossy immigration tale of dreams coming true, and the lyrical language lends itself to being read aloud.--Amina Chaudhri Copyright 2018 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Readers may know Pura BelprAc as the name of an award given to books about the Latin American cultural experience. But who was BelprAc herself? Denise (Starring Carmen!) celebrates the first Latina New York City librarian, born in 1899, who seeds the folktales of her native Puerto Rico in her new home. As a library assistant, BelprAc makes puppets to enhance her storytelling performances, which introduce the elegant cockroach Martina, the dashing mouse PAcrez, and other beloved characters from Puerto Rican folklore, then goes on to publish the tales for wider distribution. Colombian illustrator Escobar represents the biography's central image of "planting" story seeds in detailed, retro-style spreads with flowers that float around Belpre as she weaves her tales ("Her eyes dance! Her voice sings!"). Sepia tones contribute a feeling of age and a sense of warmth. Denise plants an idea of her own-that telling stories is a crucial activity for keeping culture alive. Ages 4-8. Author's agent: Emily van Beek, Folio Jr./Folio Literary Management. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

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Horn Book As a bilingual assistant at Nueva York's public library in 1921, Pura Belpri retells the folk stories of her native Puerto Rico at storytimes and eventually writes them down for publication. Descriptive language moves between English and Spanish seamlessly. Both text and expressive, warm illustrations carry the metaphor of planting seeds, so that readers see the seeds of Belpri's stories bloom as the biographical details unfold. Also available in Spanish. Reading list. Bib. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal PreS-Gr 1-The window in Nanna and Poppy's kitchen is no ordinary window-it is the place where love and magic happens. It's where the girl and her doting grandparents watch stars, play games, and, most importantly, say hello and goodbye. The first-person text is both simple and sophisticated, conjuring a perfectly child-centered world. Sentences such as "When I get tired I come in and take my nap and nothing happens until I get up" typify the girl's happy, imaginative world. While the language is bouncy and fun, it is the visual interpretation of this sweet story that sings. Using a bright rainbow palette of saturated color, Raschka's impressionistic, mixed-media illustrations portray a loving, mixed-race family. The artwork is at once lively and energetic, without crowding the story or the words on the page; the simple lines and squiggles of color suggest a child's own drawings, but this is the art of a masterful hand. Perfect for lap-sharing, this book will find favor with children and adults alike.-Angela J. Reynolds, Washington County Cooperative Library Services, Hillsboro, OR Copyright 2005 Reed Business Information.

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Publishers Weekly Juster (The Phantom Tollbooth) crafts a cozy portrait of a grandchild and her grandparents in this endearing book, illustrated in paintbox colors by Raschka (Be Boy Buzz). A curly haired girl-who dances with wiggly energy in Raschka's lush paintings-describes playful visits to her Nanna and Poppy, whose kitchen window provides the perfect venue to say hello and goodbye. "You can climb up on the flower barrel and tap," she says, "then duck down and they won't know who did it." Her grandparents welcome her into a sunlit, spacious kitchen filled with plants, where she doodles and listens to Poppy play "Oh, Susannah" on the harmonica. At night, the "Hello, Goodbye Window" functions as a mirror, and the girl jokes about being outside looking in: "Poppy says, `What are you doing out there? You come right in and have your dinner.' And I say, `But I'm here with you, Poppy,' and then he looks at me in his funny way." Juster departs from the over-the-top punning of his earlier works to create a gently humorous account of a family's conversations and games, all centered on the special window. Raschka warms the pages with glowing yellow, emerald, sapphire and golden brown, and he pictures the garden and trees in emphatic midsummer greens. The characters smile at one another with a doting twinkle in their eyes, and grandparents especially will be charmed by this relaxed account of how a child's visit occasions everyday magic. Ages 2-up. (Apr.) Copyright 2005 Reed Business Information.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book list PreS-Gr. 2. Two well-known names come together in a book that speaks to the real lives of children and their experiences. The young narrator visits her grandparents, Nanna and Poppy, in their big house. They explore Nanna's garden, and Poppy plays his harmonica. The narrator rides her bike and takes a nap, and nothing happens till I get up. Looking out the picture window, the hello, goodbye window, she sees the pizza guy, and, more fancifully, a dinosaur. She also spots her parents coming to pick her up. The curly-haired girl is happy to see them, but sad because it means the end of the visit. The window imagery is less important than the title would make it seem. More intrinsic is Juster's honest portrayal of a child's perceptions (a striped cat in the yard is a tiger) and emotions (being happy and sad at the same time just happens that way sometimes ). Raschka's swirling lines, swaths, and dabs of fruity colors seem especially vibrant, particularly in the double-page spreads, which have ample room to capture both the tender moments between members of the interracial family and the exuberance of spending time in the pulsating outdoors, all flowers, grass, and sky. --Ilene Cooper Copyright 2005 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Book list Beloved book-club favorite Haig (The Life Impossible, 2024) returns with a novel that looks back on one man’s life and how it might have gone wrong—or right. After he dies at 81, Wilbur Budd finds himself at a mysterious train station just after midnight. He encounters Agnes Bagdale, the proprietor of a bookshop where he spent his young life reading. Agnes tells him he’s on his way to eternity, but he must relive his life through the train’s windows. The train stops at important spots so he can join his younger self as a Ghost. Wilbur regrets many things, from the death of his brother to his obsession with work, but he most regrets losing his wife, Maggie. While stopped at their honeymoon in Venice, the Ghost wonders if there is a way to save their relationship, even if it means he will cease to exist. While this is not a direct sequel to The Midnight Library (2020), it is a sequel in spirit: written in the space between life and death, both novels consider the impossible ways a person might start over.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus An elderly man’s posthumous journey back through his life has unexpected consequences for several people, and lessons for everyone. It is a truth universally acknowledged that readers adore any novel set in a reading group, bookshop, or library, from the terribly sad (The Guernsey Literary and Potato Peel Pie Society, 2008) to the puzzle-heavy (Mr. Penumbra’s 24-Hour Bookstore, 2012) to the downright clever (The Uncommon Reader by Alan Bennett, 2007). Haig, who’s already writtenThe Midnight Library (2020), mines a similar vein in this novel centered on a bookseller named Wilbur Budd; place this one in the seriously sentimental category. Wilbur dies at 81 just after receiving a call from his ex-wife, Maggie. He finds himself on a classic steam-train carriage, accompanied by a younger version of the woman who founded the bookstore he turned into a global conglomerate. As Mrs. Agnes Bagdale explains, he’s on a trip to significant places and events from his life, but he’s forbidden from interfering in them, thus possibly changing the course of other people’s lives. True to his maverick tendencies, Wilbur struggles with the three rules of the train (“You get on and off the train as required. You never try and speak to yourself. And you mustnever be there when you fall asleep”) and struggles even more mightily as he realizes that Maggie was his true love and lifelong lodestar. While some moments verge on maudlin, as when Wilbur and Maggie goggle at Venice during their honeymoon, these are tempered by quieter observations, as when Wilbur’s oldest friend, Charlie, tells him frankly during lunch at a trendy restaurant that his constant ambition is a failing. This isn’t a subtle book and it’s not trying to be; it’s urging readers to think about their own choices, wherever they find themselves. A shaky balance between saccharine and sage will nevertheless appeal to the author’s fans and readers seeking balm. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Haig offers a touching companion piece to his 2020 novel The Midnight Library, this time following an 81-year-old bookstore chain owner who finds a second chance in the afterlife. Wilbur Budd has devoted himself to his business for decades, which caused him to neglect his wife, Maggie, and lose her many years earlier. She surprises him with a phone call, in which she expresses a desire to become friends again. Shortly after, he collapses and dies. In the afterlife, he finds himself at a train station and realizes he’s the same age as when he and Maggie honeymooned in Venice. The train that arrives is the full-size version of a toy train he had as a child. Aboard it is Agnes Bagdale, who owned the bookstore Wilbur frequented as a young boy. Agnes then leads him on a tour of his past, stressing that he must not try to speak to his younger self. However, he breaks the rule when the train brings him to his honeymoon. Haig occasionally slips into platitudes (“It only takes a moment to die, but a whole lifetime to learn how to live”), but he authentically evokes Wilbur’s fears and regrets over the course of a life marked by sacrifice. This will please the author’s fans. Agent: Clare Conville, C&W Agency. (May)

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School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

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Reba Leiding, James Madison Univ., Harrisonburg, VA Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: This powerfully written but bleak narrative is a mesmerizing tale of the American Dream gone terribly awry. Massoud Amir Behrani, a former colonel in the Iranian Air Force under the Shah, now lives in exile with his wife and teenage son near San Francisco. Working on a road crew as a "garbage soldier" by day and as a deli clerk by night, Behrani is obsessed with restoring his family to the position of glittering wealth and prestige it once enjoyed. At a county auction, he sinks his savings into a bungalow seized for non-payment of taxes, and quickly moves his family into it, planning to resell the house at a sizable profit. But when the house's previous occupant, recovering coke addict Kathy Lazaro, resurfaces with valid claims for repossession, Behrani's plan begins to unravel, and with it his tightly controlled facade of composure. Tensions between Lazaro and Behrani quickly escalate into violence, as Lazaro's lover, a married police officer with a weak spot for lost causes, decides to take matters into his own hands. The book's horrifying denouement offers readers a searing study in the wages of pride. Dubus (Bluesman) writes with an authority regarding the American lower middle class that is reminiscent of Russell Banks and Richard Ford, and his limber imagination is capable of drawing the inner lives of three very different main characters with such compassion that readers will find their sympathies hopelessly divided. If the tragedy that he so skillfully orchestrates cries out to be leavened with a little less desperation and some quiet glimpse of hope, the keenly perceptive and moving narrative is proof that the son and namesake of one of our most talented writers has embarked on a dazzling career in his own right.

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