Reviews for Three fates
Library Journal
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On May 7, 1915 the lives of two people change forever. Henry Wyley is a wealthy man enjoying a cruise, on the way, he hopes, to purchasing the second of three figurines called the Fates, a trio of priceless, long-separated silver statues. Felix Greenfield, a petty thief on the run from the law in New York, decides to rob Wyley's stateroom and comes across the statue. They are sailing on the Lusitania when a torpedo hits; Wyley is killed, but Greenfield helps to rescue a passenger and survives. While recovering, he meets the woman who becomes his wife and begins to move toward redemption. Eighty-seven years later Greenfield's heirs work to recover the Three Fates. There is lots of action, intrigue, and wonderful dialog here. Bernadette Quigley does an exceptional job as reader, providing interesting characterizations. The story does plod some in the middle but reaches a satisfying conclusion. For libraries where Roberts is popular.-Danna Bell-Russel, Library of Congress (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly
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Acts of thievery ultimately lead to justice in the wildly prolific Roberts's latest romantic suspense novel. The little silver statues representing Greek mythology's Three Fates are an art collector's dream: they're extremely valuable individually, but priceless as a trio and legend has it that when put together, they endow their owner with power over destiny. When a German U-boat torpedoes the Lusitania in 1915, petty burglar Felix Greenfield is in the midst of purloining one of the Fates from a first-class stateroom. Felix survives the ship's sinking and vows to reform. Flash to the present, in which three of Felix's descendants calculating Malachi, slick Gideon and intelligent Rebecca Sullivan have just had their Fate stolen by Anita Gaye, a ruthless and menacing antiques dealer. Vowing to recover Felix's statue, the three siblings depart Ireland to search the globe, finding love along the way with a pan-phobic Greek scholar, a stripper and a security expert. Like the Three Fates, the six principals learn that they will only be powerful enough to defeat Anita if they can operate as a single unit. Though it's a slick, snappy read, this character-heavy sudser is far from Roberts's best. She uses the words "three" and "fate" so often that the repetition becomes comic, the siblings' exotic globe-trotting amounts to little more than location name-dropping and Anita, a villainess of Cruella de Vil proportions, is a caricature rather than a character. But Roberts has been so popular, and for so long, that her legion of fans will undoubtedly forgive her for this one while eagerly awaiting her next. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal
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Legendary in the art world, three small silver statues depicting the Greek Fates were said to possess incredible powers, and if ever found would be worth a fortune. One, thought to have sunk with the Lusitania, winds up as an Irish family heirloom, but when a treacherous American gallery owner steals it from Malachi Sullivan, Mal, together with his brother, Gideon, and his sister, Rebecca, sets out to get it back and beat the dealer to the other two statues. Malachi's search sends him to author Tia Marsh, a respected authority on mythology who, along with stripper Cleo Toliver and securities expert Jack Burdett, holds the keys to the missing statues. Roberts's latest is another of her patented blends of passion and danger seasoned with tart wit. Watching prim, neurotic, scholarly Tia develop a taste for adventure is just one of the joys in reading this marvelously entertaining romance. A member of the Romance Writers of America Hall of Fame, Roberts lives in Keedysville, MD. John Charles, Scottsdale P.L., AZ (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publishers Weekly
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This book Roberts's fifth new one released this year features all the romance, drama and intrigue that fans have come to expect from the bestselling writer. It also offers a bit more: clichd characters (e.g., a rough-talking, street-smart stripper; a reclusive alcoholic brainiac) and well-trod ground (e.g., a grand-scale shipwreck and the international art scene). Despite a predictable plot involving the Sullivan family and their quest to find a small silver figurine that belonged to their ancestors and narrowly escaped sinking with the Lusitania in 1915 reader Quigley triumphs to make this a winning production. Her performance rings with subtle nuances, accents ranging from Czech to Irish, and theatrical crescendos and decrescendos. The story opens just before the Lusitania meets its fate, and Quigley draws listeners round with an ominous "happily unaware he'd be dead in 23 minutes, Henry W. Wiley imagined pinching the nicely rounded rump of the young blonde who was directly in his line of sight." In this scene and throughout the story, she puts herself inside each character, giving each one a unique mannerism, tone and feeling no matter how formulaically Roberts may have drawn them. Quigley's presentation is captivating; Roberts's story, regrettably, is not quite. Simultaneous release with the Putnam hardcover (Forecasts, Apr.1). (Apr.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
When the Lusitania sinks, a chastened thief onboard takes one last prize a silver statue. But when the statue is stolen in turn from his heirs, they are out for blood. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.