Publishers Weekly When Reza, a closeted teen, moves from Toronto to New York City ("by way of Tehran") in 1989, the city feels like the epicenter of the AIDS crisis. In a heart-wrenching and bittersweet unfolding of events, he gravitates toward Art, the only openly gay student at his school, and to Art's best friend, Judy, who represents everything he feels that he should desire. Though Reza tries his hardest to keep his attractions secret, dating Judy despite his chemistry with Art, he finds that he can't live a lie, whatever that might cost him. A first-person narrative moves among the three characters as they discover their inner truths at a time that sometimes feels apocalyptic for their community and loved ones. Under the nurturing guidance of Judy's gay activist uncle, the characters subtly investigate different family dynamics. The intense and nuanced emotions evoked by the characters' journeys help to give this powerful novel by Nazemian (The Authentics) a timeless relevance. Ages 13-up. Agent: Curtis Brown, Curtis Brown Ltd. (June) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Kirkus At the height of the 1980s AIDS crisis, three teens grapple with love and friendship.Raised in Tehran, then Toronto, Reza is living in New York City with his mother and new stepfather and stepbrother. Though he is attracted to men, he is paralyzingly afraid of AIDS, equating being gay with death. Judy, who loves fashion, is best friends with Art, the only out student at their school, and both are bullied by fat-shaming, homophobic peers. United in their love for Judy's uncle Stephen, who is gay and has AIDSand whom Art sees as a father figurethey become involved in AIDS advocacy. After meeting Reza, the duo find that they are both attracted to him, their friendship strained when Reza and Judy start datingdespite Art and Reza's undeniable chemistry. In a tribute to gay culture icons, the book depicts the social and political climate of the time in vivid detail, capturing the dichotomy between fear and love and, finally, acceptance. The lack of clinical trials for women and people of color, safe sex, and heteronormativity are highlighted in a nondidactic way along with the legacy of the 1980s gay community, the devastation of HIV/AIDS, present-day joy, and continued violence toward the queer community. Reza and his family are Persian, and Art, Judy, and their families are assumed white. Despite an abrupt ending, a truly lovely romance to cherish.Deeply moving. (author's note) (Historical fiction. 13-18) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Judy and Art are best friends. That means Judy is always in his corner when their homophobic classmates harass him and Art would never do anything to hurt her. Which is why things get very complicated when he starts to fall for her new boyfriend, Reza. And they get even more complicated when Reza admits he's fallen for Art, too. This is a beautifully written exploration of first love's fragility in the face of a world full of hate and fear. But just as compelling is its look into a friendship that isn't shattered by a betrayal; instead, its cracks are revealed as two friends grow into the people they're meant to be. Nazemian (The Authentics, 2017) paints a picture of late '80s queer life in New York City that's neither romanticized nor viewed as only tragic. Judy's relationship with her uncle, who is living with AIDS, is important but it's his relationship with Art, as a person who can give him the love and acceptance he doesn't find at home, as well as an education in what it means to be part of the LGBTQ community, that is truly powerful. Nazemian's latest will remind readers that first love is isolating and unifying, exhilarating and terrifying, and every paradox in between.--Molly Horan Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Book list In this charming, beautifully illustrated collection, arranged by season, Salas employs a form she calls riddle-ku, a first-person haiku that hints at the speaker, inviting readers to guess its identity, typically an object or being associated with a season. For example, Spring opens with I am a wind bird, / sky skipper, diamond dipper, / DANCING on your string, and López's accompanying illustration depicts a soaring, large, red, bird-shaped kite guided by a boy holding the string below. Summer showcases fireflies, baseball, and fireworks. Fall features a school building ( my first-day outfit / is fresh paint and polished floors / here come my new friends! ), apple picking, and jack-o'-lanterns, while Winter includes snow, ice skates, and a hibernating animal: In fur coat and cave / I exhale white clouds of breath, / DREAM of sun . . . green . . . spring. The eloquent language ranges from philosophical to whimsical, and that tone is reflected in the colorful acrylic paintings, which nicely combine realism and abstract touches and provide visual clues. An author's note offers the inspiration behind her riddle-ku, with encouragement for readers to create their own; an answer key; and a further-reading list. While the riddles' mystique may wane once little ones solve them, the wonderfully evocative, vivid imagery in text and art also make this a welcome addition for poetry classroom units.--Shelle Rosenfeld Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus In this spirited collaboration, Salas and Lpez present 24 suggestive poetic snapshots chronicling the cycle of a year. Highlighting season-appropriate objects for spring, fall, summer, and winter, Salas magnifies the spareness of the haiku form by turning each concentrated first-person portrait into a riddle as she tantalizingly omits naming the subject describing itself. Meanwhile Lpez offers young and pre-readers florid visual hints, depicting in deft brush strokes and lush colors the author's hidden subjects. Combined, these artists render objects gentle as summer's fireflies ("fire in our bellies / we FLICKER-FLASH in twilight / rich meadow of stars") or winter's snowflakes ("I'm cold confetti / falling from a crystal sky, / blanketing the town," here shown as a white-roofed town in a snow globe painted against a wintry verdigris sky spackled with haphazard white blots) or bold as a fall jack-o'-lantern ("I perch on the porch, / spooky face frozen in place, / fire BURNING inside"glowering large with flaming orange eyes as the finger of a ghostly trick-or-treater rings the doorbell in the background). What sets this volume apart from similar haiku explorations of the seasons is the tight synthesis of visual object and oblique verbal depiction, making for both wonderfully contemplative experiences of each illustrated poem and the seamless progression of nature's cycle through the year.Richly rewarding and clever: a visually arresting, inventive treatment of a popular subject. (Picture book/poetry. 5-10) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Organized in four sections beginning with spring, Salas's lovely haiku are written in the voices of animals and organic or inanimate objects related to the seasons. "Fire in our bellies,/ we FLICKER-FLASH in twilight-/ rich meadow of stars," speak the summer's fireflies. Each haiku contains a riddle element-readers must guess the narrator (in an author's note, Salas refers to the form as a "riddle-ku"). It's not always clear who, or what, is speaking, but LA3pez's evocative acrylics visually communicate the imagery within the poems. "I'm a WRIGGLING tube,/ soft underground tunneler-/ I fear early birds," one announces. The small bird hovering over a hole clues readers in to the speaker's identity: a worm. The book's meditative tone and resonant images invite readers to embrace new ways of seeing the world around them. Ages 5-9. (Apr.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Horn Book Divided into four sections by season, these "riddle-ku" poems use innovative language to represent something traditionally associated with each one. (For back-to-school in fall, for example: what is "a yellow train / carrying thoughts from your brain / to the waiting page?" A pencil.) In addition to helping readers solve the puzzles, the supporting acrylic and digital illustrations capture movement and texture through strong lines and seasonal hues. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 1-4-A sleek bird kite flown by a child in springtime kicks off this poetic collection of seasonal objects, animals, and activities. Six poems per season invite audience observation and enjoyment. First-time readers may not realize that each haiku is also a riddle with a list of answers found at the end of the book. Only in her concluding author's note does Salas describe the structure she calls "riddle-ku." Readers are meant to guess the identity of the non-human narrator in each poem. She also notes that the non-human voices make these "mask poems." Simple instructions then encourage readers to compose their own riddle-ku. The expansive acrylic scenes featuring children, animals and/or objects offer visual cues about the narrators. For instance, the leaves talk as a child happily bounces in a pile of them. Salas often sets a playful tone and is adept with language. Her diction and syntax are simple and fun. Paired with other seasonal materials, this book offers ample discussion and teaching opportunities with individual readers or groups. VERDICT This well-crafted work contains versatile possibilities for classrooms and libraries.-Margaret Bush, Simmons College, Boston © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : K-Gr 6-As this story opens, French funambulist Philippe Petit is dancing across a tightrope tied between two trees to the delight of the passersby in Lower Manhattan. Gerstein places him in the middle of a balancing act, framed by the two unfinished World Trade Center towers when the idea hits: "He looked not at the towers, but at the space between them and thought, what a wonderful place to stretch a rope-." On August 7, 1974, Petit and three friends, posing as construction workers, began their evening ascent from the elevators to the remaining stairs with a 440-pound cable and equipment, prepared to carry out their clever but dangerous scheme to secure the wire. The pacing of the narrative is as masterful as the placement and quality of the oil-and-ink paintings. The interplay of a single sentence or view with a sequence of thoughts or panels builds to a riveting climax. A small, framed close-up of Petit's foot on the wire yields to two three-page foldouts of the walk. One captures his progress from above, the other from the perspective of a pedestrian. The vertiginous views paint the New York skyline in twinkling starlight and at breathtaking sunrise. Gerstein captures his subject's incredible determination, profound skill, and sheer joy. The final scene depicts transparent, cloud-filled skyscrapers, a man in their midst. With its graceful majesty and mythic overtones, this unique and uplifting book is at once a portrait of a larger-than-life individual and a memorial to the towers and the lives associated with them.-Wendy Lukehart, Washington DC Public Library

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

Book list Basgiath War College trains healers, scribes, infantry, or dragon riders to protect Navarre from violent invasion attempts from the kingdom of Poromiel and their gryphon riders. Violet has trained her whole life to enter the Scribe Quadrant, just like her father did. Dedicating her life to recording the war history of Navarre, rather than participating in it, fits well with her intelligence, short stature, and overly flexible joints, which leave her prone to injury. But upon her father’s death, her mother, a decorated Navarrian officer, forces Violet to follow in her footsteps, and that of Violet’s siblings, and join the Riders Quadrant. Once bonded, riders channel powers through their dragons, greatly increasing the likelihood of success both in the college and at war. If that wasn’t challenging enough, Violet is being hunted by Xaden, a third-year cadet whose father was a rebellion leader executed at the hand of Violet’s mother. Hatred will draw him close to her, but will something more powerful and alluring make separating impossible? Suspenseful, sexy, and with incredibly entertaining storytelling, the first in Yarros' Empyrean series will delight fans of romantic, adventure-filled fantasy.

From Booklist, Copyright © American Library Association. Used with permission.

Library Journal Violet Sorrengail wanted to be a scribe rather than join her siblings as dragon riders defending Navarre's borders, but her mother, a decorated general, had other ideas. She's forced Violet to enlist as a rider cadet in the Basgiath War College, even though Violet's hypermobility—a disorder that destabilizes her joints and leaves her easily injured—puts her at a disadvantage. To make matters worse, Violet has been assigned to the Fourth Wing, led by Xaden Riorson, the son of a rebel leader whom her mother executed. Surrounded by dangers in a school designed to weed out the weak, Violet must use her wits and skill to overcome brutal challenges and vicious opponents. The bonds Violet forms with her fellow cadets offset the college's constant violence, and her slowly developing enemies-to-lovers relationship with Xaden will appeal to fans of the trope. Violet's hypermobility gives her a unique way of moving through the world, and Yarros (The Things We Leave Unfinished) uses characters' reactions to thoughtfully explore the ways in which others respond to the lived realities of people with disabilities. VERDICT A good selection for fans of Naomi Novik's "Scholomance" series; will fly off the shelves.—Erin Niederberger

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Romance author Yarros (The Things We Leave Unfinished) blends the epic tale of a reluctant dragon rider’s coming-of-age with a sexy dark academia aesthetic in her astounding debut fantasy. Fearsome General Sorrengail demands that her children follow in her footsteps as dragon riders—even her youngest, Violet, who has trained her whole life to be a scribe like her late father. Forced to join a deadly war academy, Violet is unprepared to perform the fatal tasks all cadets must complete to become dragon riders. The odds are stacked against her due both to her delicate stature and to her mother’s reputation: it was Sorrengail who gave the order to execute all separatists in the last rebellion. The rebels’ orphaned children have all been conscripted to the academy, putting a target on Violet’s back. Worse, her own brooding but handsome wing leader, third-year student Xaden Riorson, is the son of the separatists’ leader. Meanwhile, the wards that protect the city are failing, but as danger draws nearer, clever Violet grows stronger, discovering that riding dragons may be her destiny after all. Yarros’s worldbuilding is intricate without being overbearing, setting the stage for Violet’s satisfying growth into a force to be reckoned with. Readers will be spellbound and eager for more. Agent: Louise Fury, Bent Agency. (May)

(c) Copyright PWxyz, LLC. All rights reserved

Publishers Weekly Ten influential black men-including Frederick Douglass, W.E.B. Du Bois, Thurgood Marshall, Jackie Robinson, and Martin Luther King Jr.-are profiled in this husband-and-wife team's vibrant collaboration. Andrea Davis Pinkney introduces her subjects with powerful poems, before moving into image-rich, introspective, and candid descriptions of each man's influence on civil rights, culture, art, or politics: "[Malcolm X] thought carefully about some of the beliefs he'd held in the past, and how they supported the idea that he'd been brainwashed by whites. For example, straightening his hair was Malcolm's attempt to deny his black heritage by trying to look 'more white.' " Brian Pinkney's portraits of each man echo the multidimensional prose with their bold strokes and dynamic swirls of color. An examination of Barack Obama's life and presidential election carries readers into the present day, placing the achievements of those who came before him into perspective. Though the text-heavy format may initially daunt some readers, the inviting narrative voice and eloquent portrayal of these iconic men and the times in which they lived make for memorable reading. Ages 9-12. Agent: Rebecca Sherman, Writers House. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 5-8-This book is similar in scope to the author's Let It Shine: Stories of Black Women Freedom Fighters (Harcourt, 2000. The subjects here include Benjamin Banneker, Frederick Douglass, Booker T. Washington, W.E.B. DuBois, A. Philip Randolph, Thurgood Marshall, Jackie Robinson, Malcolm X, Martin Luther King, Jr., and Barack Obama, all introduced in the author's characteristically lively prose ("Black students kept on keeping on with dog-eared textbooks and dog-tired feet"; Malcolm Little's hair was transformed from "pretty-boy cotton-kink to slick-daddy bone-straight"). The distinct experiences that shaped each man are ably delineated-the childhood events, the hardships faced, the richly deserved victories won-and the results are, without exception, compelling. The large font size is perfect for the middle-grade audience, but too many blocks of unbroken text may turn away less-confident readers. Thankfully, Brian Pinkney's magnificent portraits and spot art throughout each profile help to amplify each man's story. A must-have for all libraries serving young people.-Sam Bloom, Blue Ash Library, Cincinnati, OH (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list In her extensive introduction, Pinkney explains how a visit to a creative-writing program made up of young black teens Brother Authors inspired her to write a testament to positive African American role models. She has chosen 10 men, and though each appears in his own extensive chapter, their accomplishments weave them together like a chain. Some are well known, like Martin Luther King Jr., Jackie Robinson, and Malcolm X. Others, such as Benjamin Banneker, W. E. B. Du Bois, and Thurgood Marshall, may be less familiar to today's young people. Pinkney uses an upbeat, sometimes colloquial writing style that kids will appreciate, and with chapters sometimes as long as 20 pages, there is often more information about a subject than might be found in a slim series title. Each chapter begins with an original poem and a Brian Pinkney portrait. Another two or three small pictures break up the long pages of text. Surprisingly, Pinkney provides no notes, even though she references both feelings and words in her biographies. For instance, she quotes Barack Obama's Kenyan grandfather and his unhappiness over his son's marriage to Ann Dunham without any sourcing. While this is problematic, the book is still a handsome piece of bookmaking that does Pinkney's premise proud.--Cooper, Ilene Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Ten influential black men-including Frederick Douglass, W.E.B. Du Bois, Thurgood Marshall, Jackie Robinson, and Martin Luther King Jr.-are profiled in this husband-and-wife team's vibrant collaboration. Andrea Davis Pinkney introduces her subjects with powerful poems, before moving into image-rich, introspective, and candid descriptions of each man's influence on civil rights, culture, art, or politics: "[Malcolm X] thought carefully about some of the beliefs he'd held in the past, and how they supported the idea that he'd been brainwashed by whites. For example, straightening his hair was Malcolm's attempt to deny his black heritage by trying to look 'more white.' " Brian Pinkney's portraits of each man echo the multidimensional prose with their bold strokes and dynamic swirls of color. An examination of Barack Obama's life and presidential election carries readers into the present day, placing the achievements of those who came before him into perspective. Though the text-heavy format may initially daunt some readers, the inviting narrative voice and eloquent portrayal of these iconic men and the times in which they lived make for memorable reading. Ages 9-12. Agent: Rebecca Sherman, Writers House. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 5-8-This book is similar in scope to the author's Let It Shine: Stories of Black Women Freedom Fighters (Harcourt, 2000. The subjects here include Benjamin Banneker, Frederick Douglass, Booker T. Washington, W.E.B. DuBois, A. Philip Randolph, Thurgood Marshall, Jackie Robinson, Malcolm X, Martin Luther King, Jr., and Barack Obama, all introduced in the author's characteristically lively prose ("Black students kept on keeping on with dog-eared textbooks and dog-tired feet"; Malcolm Little's hair was transformed from "pretty-boy cotton-kink to slick-daddy bone-straight"). The distinct experiences that shaped each man are ably delineated-the childhood events, the hardships faced, the richly deserved victories won-and the results are, without exception, compelling. The large font size is perfect for the middle-grade audience, but too many blocks of unbroken text may turn away less-confident readers. Thankfully, Brian Pinkney's magnificent portraits and spot art throughout each profile help to amplify each man's story. A must-have for all libraries serving young people.-Sam Bloom, Blue Ash Library, Cincinnati, OH (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Addressing the appetites of readers "hungry for role models," this presents compellingly oratorical pictures of the lives and characters of 10 African-American men who exemplify a "birthright of excellence." Each of the chronologically arranged chapters opens with a tone-setting praise song and a commanding close-up portrait. From Benjamin Banneker, whose accusatory letter to slaveholder Thomas Jefferson "socked it straight / to the secretary of state," to Barack Obama, who "turned Yes, we can! into a celebration call," the gallery is composed of familiar names. Instead of rehashing well-chewed biographical fodder, though, the author dishes up incidents that shaped and tested her subjects' moral and intellectual fiber along with achievements that make her chosen few worth knowing and emulating. Carping critics may quibble about the occasional arguable fact and an implication that Rosa Parks' protest was spontaneous, but like Malcolm X, Pinkney has such "a hot-buttered way with words" that her arguments are as convincing as they are forceful, and her prose, rich as it is in rolling cadences and internal rhymes, never waxes mannered or preachy. A feast for readers whose eyes are (or should be) on the prize, in a volume as well-turned-out as the dapper W.E.B. Dubois, who was "more handsome than a fresh-cut paycheck." (timeline, index, lists of recommended reading and viewing) (Collective biography. 10-15)]] Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list In her extensive introduction, Pinkney explains how a visit to a creative-writing program made up of young black teens Brother Authors inspired her to write a testament to positive African American role models. She has chosen 10 men, and though each appears in his own extensive chapter, their accomplishments weave them together like a chain. Some are well known, like Martin Luther King Jr., Jackie Robinson, and Malcolm X. Others, such as Benjamin Banneker, W. E. B. Du Bois, and Thurgood Marshall, may be less familiar to today's young people. Pinkney uses an upbeat, sometimes colloquial writing style that kids will appreciate, and with chapters sometimes as long as 20 pages, there is often more information about a subject than might be found in a slim series title. Each chapter begins with an original poem and a Brian Pinkney portrait. Another two or three small pictures break up the long pages of text. Surprisingly, Pinkney provides no notes, even though she references both feelings and words in her biographies. For instance, she quotes Barack Obama's Kenyan grandfather and his unhappiness over his son's marriage to Ann Dunham without any sourcing. While this is problematic, the book is still a handsome piece of bookmaking that does Pinkney's premise proud.--Cooper, Ilene Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Ten influential black men-including Frederick Douglass, W.E.B. Du Bois, Thurgood Marshall, Jackie Robinson, and Martin Luther King Jr.-are profiled in this husband-and-wife team's vibrant collaboration. Andrea Davis Pinkney introduces her subjects with powerful poems, before moving into image-rich, introspective, and candid descriptions of each man's influence on civil rights, culture, art, or politics: "[Malcolm X] thought carefully about some of the beliefs he'd held in the past, and how they supported the idea that he'd been brainwashed by whites. For example, straightening his hair was Malcolm's attempt to deny his black heritage by trying to look 'more white.' " Brian Pinkney's portraits of each man echo the multidimensional prose with their bold strokes and dynamic swirls of color. An examination of Barack Obama's life and presidential election carries readers into the present day, placing the achievements of those who came before him into perspective. Though the text-heavy format may initially daunt some readers, the inviting narrative voice and eloquent portrayal of these iconic men and the times in which they lived make for memorable reading. Ages 9-12. Agent: Rebecca Sherman, Writers House. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 5-8-This book is similar in scope to the author's Let It Shine: Stories of Black Women Freedom Fighters (Harcourt, 2000. The subjects here include Benjamin Banneker, Frederick Douglass, Booker T. Washington, W.E.B. DuBois, A. Philip Randolph, Thurgood Marshall, Jackie Robinson, Malcolm X, Martin Luther King, Jr., and Barack Obama, all introduced in the author's characteristically lively prose ("Black students kept on keeping on with dog-eared textbooks and dog-tired feet"; Malcolm Little's hair was transformed from "pretty-boy cotton-kink to slick-daddy bone-straight"). The distinct experiences that shaped each man are ably delineated-the childhood events, the hardships faced, the richly deserved victories won-and the results are, without exception, compelling. The large font size is perfect for the middle-grade audience, but too many blocks of unbroken text may turn away less-confident readers. Thankfully, Brian Pinkney's magnificent portraits and spot art throughout each profile help to amplify each man's story. A must-have for all libraries serving young people.-Sam Bloom, Blue Ash Library, Cincinnati, OH (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Addressing the appetites of readers "hungry for role models," this presents compellingly oratorical pictures of the lives and characters of 10 African-American men who exemplify a "birthright of excellence." Each of the chronologically arranged chapters opens with a tone-setting praise song and a commanding close-up portrait. From Benjamin Banneker, whose accusatory letter to slaveholder Thomas Jefferson "socked it straight / to the secretary of state," to Barack Obama, who "turned Yes, we can! into a celebration call," the gallery is composed of familiar names. Instead of rehashing well-chewed biographical fodder, though, the author dishes up incidents that shaped and tested her subjects' moral and intellectual fiber along with achievements that make her chosen few worth knowing and emulating. Carping critics may quibble about the occasional arguable fact and an implication that Rosa Parks' protest was spontaneous, but like Malcolm X, Pinkney has such "a hot-buttered way with words" that her arguments are as convincing as they are forceful, and her prose, rich as it is in rolling cadences and internal rhymes, never waxes mannered or preachy. A feast for readers whose eyes are (or should be) on the prize, in a volume as well-turned-out as the dapper W.E.B. Dubois, who was "more handsome than a fresh-cut paycheck." (timeline, index, lists of recommended reading and viewing) (Collective biography. 10-15)]] Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list In her extensive introduction, Pinkney explains how a visit to a creative-writing program made up of young black teens Brother Authors inspired her to write a testament to positive African American role models. She has chosen 10 men, and though each appears in his own extensive chapter, their accomplishments weave them together like a chain. Some are well known, like Martin Luther King Jr., Jackie Robinson, and Malcolm X. Others, such as Benjamin Banneker, W. E. B. Du Bois, and Thurgood Marshall, may be less familiar to today's young people. Pinkney uses an upbeat, sometimes colloquial writing style that kids will appreciate, and with chapters sometimes as long as 20 pages, there is often more information about a subject than might be found in a slim series title. Each chapter begins with an original poem and a Brian Pinkney portrait. Another two or three small pictures break up the long pages of text. Surprisingly, Pinkney provides no notes, even though she references both feelings and words in her biographies. For instance, she quotes Barack Obama's Kenyan grandfather and his unhappiness over his son's marriage to Ann Dunham without any sourcing. While this is problematic, the book is still a handsome piece of bookmaking that does Pinkney's premise proud.--Cooper, Ilene Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Ten influential black men-including Frederick Douglass, W.E.B. Du Bois, Thurgood Marshall, Jackie Robinson, and Martin Luther King Jr.-are profiled in this husband-and-wife team's vibrant collaboration. Andrea Davis Pinkney introduces her subjects with powerful poems, before moving into image-rich, introspective, and candid descriptions of each man's influence on civil rights, culture, art, or politics: "[Malcolm X] thought carefully about some of the beliefs he'd held in the past, and how they supported the idea that he'd been brainwashed by whites. For example, straightening his hair was Malcolm's attempt to deny his black heritage by trying to look 'more white.' " Brian Pinkney's portraits of each man echo the multidimensional prose with their bold strokes and dynamic swirls of color. An examination of Barack Obama's life and presidential election carries readers into the present day, placing the achievements of those who came before him into perspective. Though the text-heavy format may initially daunt some readers, the inviting narrative voice and eloquent portrayal of these iconic men and the times in which they lived make for memorable reading. Ages 9-12. Agent: Rebecca Sherman, Writers House. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 5-8-This book is similar in scope to the author's Let It Shine: Stories of Black Women Freedom Fighters (Harcourt, 2000. The subjects here include Benjamin Banneker, Frederick Douglass, Booker T. Washington, W.E.B. DuBois, A. Philip Randolph, Thurgood Marshall, Jackie Robinson, Malcolm X, Martin Luther King, Jr., and Barack Obama, all introduced in the author's characteristically lively prose ("Black students kept on keeping on with dog-eared textbooks and dog-tired feet"; Malcolm Little's hair was transformed from "pretty-boy cotton-kink to slick-daddy bone-straight"). The distinct experiences that shaped each man are ably delineated-the childhood events, the hardships faced, the richly deserved victories won-and the results are, without exception, compelling. The large font size is perfect for the middle-grade audience, but too many blocks of unbroken text may turn away less-confident readers. Thankfully, Brian Pinkney's magnificent portraits and spot art throughout each profile help to amplify each man's story. A must-have for all libraries serving young people.-Sam Bloom, Blue Ash Library, Cincinnati, OH (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus Addressing the appetites of readers "hungry for role models," this presents compellingly oratorical pictures of the lives and characters of 10 African-American men who exemplify a "birthright of excellence." Each of the chronologically arranged chapters opens with a tone-setting praise song and a commanding close-up portrait. From Benjamin Banneker, whose accusatory letter to slaveholder Thomas Jefferson "socked it straight / to the secretary of state," to Barack Obama, who "turned Yes, we can! into a celebration call," the gallery is composed of familiar names. Instead of rehashing well-chewed biographical fodder, though, the author dishes up incidents that shaped and tested her subjects' moral and intellectual fiber along with achievements that make her chosen few worth knowing and emulating. Carping critics may quibble about the occasional arguable fact and an implication that Rosa Parks' protest was spontaneous, but like Malcolm X, Pinkney has such "a hot-buttered way with words" that her arguments are as convincing as they are forceful, and her prose, rich as it is in rolling cadences and internal rhymes, never waxes mannered or preachy. A feast for readers whose eyes are (or should be) on the prize, in a volume as well-turned-out as the dapper W.E.B. Dubois, who was "more handsome than a fresh-cut paycheck." (timeline, index, lists of recommended reading and viewing) (Collective biography. 10-15)]] Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list In her extensive introduction, Pinkney explains how a visit to a creative-writing program made up of young black teens Brother Authors inspired her to write a testament to positive African American role models. She has chosen 10 men, and though each appears in his own extensive chapter, their accomplishments weave them together like a chain. Some are well known, like Martin Luther King Jr., Jackie Robinson, and Malcolm X. Others, such as Benjamin Banneker, W. E. B. Du Bois, and Thurgood Marshall, may be less familiar to today's young people. Pinkney uses an upbeat, sometimes colloquial writing style that kids will appreciate, and with chapters sometimes as long as 20 pages, there is often more information about a subject than might be found in a slim series title. Each chapter begins with an original poem and a Brian Pinkney portrait. Another two or three small pictures break up the long pages of text. Surprisingly, Pinkney provides no notes, even though she references both feelings and words in her biographies. For instance, she quotes Barack Obama's Kenyan grandfather and his unhappiness over his son's marriage to Ann Dunham without any sourcing. While this is problematic, the book is still a handsome piece of bookmaking that does Pinkney's premise proud.--Cooper, Ilene Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms

School Library Journal : Adult/High School-Frey's high school and college years are a blur of alcohol and drugs, culminating in a full-fledged crack addiction at age 23. As the book begins, his fed-up friends have convinced an airline to let him on the plane and shipped him off to his parents, who promptly put him in Hazelden, the rehabilitation clinic with the greatest success rate, 20 percent. Frey doesn't shy away from the gory details of addiction and recovery; all of the bodily fluids make major appearances here. What really separates this title from other rehab memoirs, apart from the author's young age, is his literary prowess. He doesn't rely on traditional indentation, punctuation, or capitalization, which adds to the nearly poetic, impressionistic detail of parts of the story. Readers cannot help but feel his sickness, pain, and anger, which is evident through his language. Ken Kesey's One Flew over the Cuckoo's Nest (Viking, 1962) seems an apt comparison for this work-Frey maintains his principles and does not respect authority at all if it doesn't follow his beliefs. And fellow addicts are as much, if not more, help to him than the clinicians who are trying to preach the 12 steps, which he does not intend to follow in his path to sobriety. This book is highly recommended for teens interested in the darker side of human existence.-Jamie Watson, Enoch Pratt Free Library, Baltimore

Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms