School Library Journal Gr 8 Up-Sefia, who lives in a world without books and reading, is on the run for her life, desperate to avenge the murder of her father and rescue her aunt. The only clue she has is a strange rectangular object-a book-whose secrets she's slowly learning to uncover. With layers upon layers of tales woven throughout the narrative, Chee's debut novel establishes a fantastically populated world with a diverse cast of characters. Meticulous storytelling and a memorable adventure. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Book list *Starred Review* Sefia's father drilled her on what to do if they were ever in danger, but she never expected to return home one day and find him brutally murdered. She escapes with one vital thing: a heavy square wrapped in cloth, containing bound pages with intricate symbols. It's a book, but reading in Sefia's kingdom is a skill limited to an elite few, and now that this precious volume is in her possession, she's in grave danger. Sefia spends years on the run with her aunt, Nin, until the day when the murderer catches up to them and violently steals Nin away. With the help of a mute boy she saves from a slave ring and the magic she finds in the words of the book, she seeks out her parents' killer. Chee's debut, the first in a projected series, is a stunning piece of storytelling. She deftly weaves together disparate elements, such as magic, fighting rings, swashbuckling pirates, assassins, and a kingdom beset by war, where books are illegal. Additionally, she seamlessly integrates a book within a book, as Sefia learns to read and discovers the powers of her precious cargo, and astute readers will notice hidden messages in the novel's clever design. With evocative language, fascinating world building, multifaceted characters, and a compelling plot, this is a series fantasy lovers will want to sink their teeth into.--Tomsu, Lindsey Copyright 2016 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal Gr 8 Up-"Two curves for her parents. A curve for Nin. The straight line for herself. The circle for what she had to do." This is the seal branded onto the book that was passed down to Sefia by her parents right before they were murdered by an assassin whose blade reeked of copper. Under the guidance of Aunt Nin, who is a thief, the teen learns to hide and hunt before her mentor is brutally torn away. In solitude, Sefia vows to rescue Nin. She is eventually joined by a strange, mute, and brutalized boy she saves. In a world where books and the very act of reading are limited to a select, powerful few, Sefia begins to understand the weight of her heirloom and what might transpire should it fall into the wrong hands. Sefia digs deep within herself and slowly begins to unlock the power of the written word. This work is deftly rendered in beautiful prose, narrated through three shifting time lines woven into an interconnected history of duty, honor, and magic. Chee provokes some resounding questions: What is there left to be remembered of us after death, and what must we do to be worthy of remembrance? This is a must-have for all those who value a good read with genuine character growth, mystery, unique world-building, adventure, unyielding bonds of loyalty, and pirates. Savvy teens will notice a message scattered through the page numbers. VERDICT A fresh, diverse fantasy; highly recommended for fans of Cornelia Funke's Inkheart and female-powered adventures.-Zeying Wang, School Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Publishers Weekly After 15-year-old orphan Sefia is separated from her aunt, she sets out on a rescue mission. Determined to learn the truth about her past and the rectangular object she's spent her life hiding, Sefia eventually discovers that the item-bound paper covered in symbols-is a book. Books, reading, and writing are unheard of in the land of Kelanna, but Sefia is certain that this book holds the answers she seeks. She is joined in her quest by a mute, nameless boy, whom she rescues from a life of forced cage fighting. The book Sefia carries, which initially seems to be filled with stories and myths, becomes increasingly mysterious when she learns that the people and accounts detailed within are true. Chee's debut is an intricate, multilayered reading experience, but the author avoids leading readers along too transparently, trusting them to puzzle together the pieces surrounding the mystery of Sefia's past. An exploration of self-determination and the magic of the written word, Sefia's story is an absorbing introduction to the Sea of Ink and Gold series. Ages 12-up. Agent: Barbara Poelle, Irene Goodman Agency. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

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Book list Over Egnéus' truly engrossing collage illustrations, Thomas takes the complicated concept of evolution and distills it for young readers, using the ongoing story of the peppered moth. There are two variations of this moth one charcoal dark, the other paler and lightly speckled. Once, the speckled moths were more common; it was more difficult for the charcoal moths to camouflage themselves against the light-colored trees, and they were eaten by birds more frequently and did not survive to pass along their genes. But as the world became more industrial, pollution began to darken trees; now the charcoal moths blended in, and the speckled moths stood out. Charcoal moths grew in number, and the speckled moths almost disappeared. But the story continues, ending on a hopeful note: slowly, cities began to burn less coal, and the air grew cleaner. Trees grew less sooty. And the speckled moth population rebounded. Today, both kinds of moth can be found, and their species continues to adapt. From its striking silver-plated cover on, this is a stunner. The text, both poetic and informational, tells an evolution story while transmitting a gentle environmental message, and the artwork is detailed, at times alarming, and always captivating. Back matter provides further information on the moths and natural selection. A gorgeous blend of text and illustrations and a wonderfully successful introduction to nonfiction for younger readers.--Maggie Reagan Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Silvery, incandescent cover art will entice readers to this story of adaptation and the peppered moths of England. Thomas (the Little Guides to Great Lives series) introduces natural selection through a lyrical telling of the moth's history from the early 19th century on. The narrative recounts how the population of light peppered moths thrived, able to rest "on lichen-covered branches" until the Industrial Revolution, when dark peppered moths increased, owing to their ability to camouflage against polluted landscapes. ("A bird went hunting for a snack./ Now the world was darker./ Which moths were disguised?/ Which moths would survive?") Today, thanks to cleaner forms of energy, both variations "find places to hide and survive." Mixed media and digital illustrations by Egnéus (These Are Animals) show the mottled, wispy figures-the wing patterns resemble intricate tree silhouettes-against bold splashes of color and patterns. The elegant moth images can seem slightly at odds with the cartoonlike depictions of people and environs, but an evolving color palette (from light to dark and back to light) and dynamic juxtaposing of hues create a sophisticated effect. Back matter further defines the concepts presented in this eye-catching introduction to Darwinian evolution. Ages 6-10. (June) © Copyright PWxyz, LLC. All rights reserved.

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Horn Book In a shadowy (pre-industrial) wood, a peppered moth--its "speckled, freckled" patterns wonderfully detailed in Egnius's gorgeous mixed-media illustrations--attempts to survive; all-black moths stand out and are quickly eaten. But things change: with soot from nineteenth-century industrialization, the black moths are now hidden. Thomas deftly builds an easily understandable explanation of natural selection into the well-paced narrative. Back matter shows both variations of the peppered moth. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Kirkus Thomas presents the peppered moth as an emblem of natural selection, tracking its adaptations during the Industrial Revolution and beyond.The moth's striking salt-and-pepper scales, which enhanced its camouflage during daytime rests on lichen, became an impediment as late-19th-century industrial pollution prevailed. As lichens died and industrial soot blackened tree bark, the species' occasional dark moth's advantages resulted in an adaptation. With the light, speckled moths more easily spotted and eaten by prey, surviving dark moths procreated, dominating the species within a 50-year time span. In turn, the answering trend toward pollution mitigation swung the pendulum back. Lichens reappeared, soot-stained bark fell away, and the light moths' camouflage value reasserted itself, with both dark and light moths seen today. Thomas narrates this biological success story in past tense and simple, declarative prose. Egnus' lovely illustrationsin traditional mixed media and Photoshopprovide a stylized overview of the moth's adaptive journey. The bilateral symmetry of the peppered moth's wing coloration is ignored in favor of exquisite, dark umber-and-gray montages evoking dry-brushed ink blots and sun-dappled botanical silhouettes. Forest tableaux yield to industrialization's coal-powered factories and locomotives, Egnus' palette morphs from natural hues to rust-red and soot-blackand back, to today's tentative, hopeful blues. (Depicted humans are light-skinned and red-nosed.) An inspired choice for text type (Tom's New Roman) and a gorgeous, silver-embellished cover enhance the package. A fascinating story with striking visuals. (author's note) (Informational picture book. 5-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal PreS-Gr 1—Thomas and Egnéus show how adaptation and natural selection work in the evolutionary process in order to change a species. In Great Britain, when industry heavily relied on coal, environmental factors affected the survival rates of the peppered moth, because predators could now see what was once camouflaged. The text and illustrations are clear and move at a steady pace with a summary in the back matter, which solidifies the content. Despite the lack of source material, the value of this text is high. Children will understand how the environment can change an animal's survival rate and the passing of its genetic information. Moths as a subject do not usually garner high circulation rates, but if this book is placed in a display, the cover will attract attention. The illustrations throughout are mixed media, but the cover literally shines: silvery moths against a night sky is an attention grabber. Originally published in Great Britain in 2018, this text will enhance any juvenile nonfiction collection. VERDICT Buy this title for its clear presentation.—Nancy Call, formerly at Santa Cruz Public Libraries, Aptos, CA

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Kirkus Outdoors is part of people all the time, even when they're indoors."Once we were part of Outside and Outside was part of us," opens the text. The premise that nowadays humans sometimes forget about Outside is belied so thoroughly and passionately by the illustrations that it barely registerswhich works just fine in this love letter to nature. From opening spread to closing, nature is all-encompassing. Derby uses watercolors, powdered graphite, and thread or flower stems soaked in ink to paint full-bleed scenes bursting with dampness and leaves, branches and sticks, and qualities of light so various that they evoke different seasons and different weathers all at once. Outdoors, watery paint describes hanging branches or rain; leaves look liquid; large orange patches are treetops but evoke flower petals. Indoors, sunlight beams through glass panes to set a watery, purple-black hallway quietly aglow. Bits of dense color saturation and keen, crisp, sometimes prickly edges pierce, delineate, and offset the bountiful, wet, organic swaths. Outside "sings to us with chirps and rustles and tap-taps on the roof"; it "beckons with smells: sunbaked, fresh, and mysterious"; we feel it "in the warm weight of our cats and the rough fur of our dogs." The child character embraced by Outside (when both outdoors and in) has peach skin and long, straight, dark hair.Lushness without sweetnesswild, darkly romantic, and exquisite. (Picture book. 3-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly “Once/ we were part of Outside/ and Outside was part of us/ There was nothing between us,” begins Underwood (Ducks!) in plainspoken lines. “Now/ sometimes even when/ we’re outside.../ we’re inside.” Derby (How to Walk an Ant) portrays this tension in a gentle series of illustrations that mix gauzy, muted tones and textures with punctuations of color. The pictures follow a small child and family, visualizing moments, indoors and out, when “outside reminds us” of its abiding presence. Inside, “flashes at the window” illuminate a hallway, a window-side transformation exemplifies nature’s “slow magic tricks,” a tiny snail sneaks in on a bunch of kale, and rooftop serenades include “chirps/ and rustles/ and tap-taps on the roof.” Even when the girl sits (“in wooden chairs,/ once trees”) or stands at the bathroom sink (“rivers come inside”), the outdoors communicates its presence, requesting attention. In the final pages, the child and a cat step outside into a feathery, vibrant landscape—a moving reminder that nature’s beckoning need not go unrequited. Ages 4–7. Author’s agent: Erin Murphy, Erin Murphy Literary. Illustrator’s agent: Jennifer Laughran, Andrea Brown Literary. (Apr.)

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Book list Lovely, expressionistic art and poetic prose invite readers to contemplate nature’s mystique and its role in everyday life, which is often taken for granted or goes unnoticed. The opening scenes set the pensive tone—“Sometimes even when we’re outside . . . / we’re inside. / We forget Outside is there”—while Derby’s illustrations show a road surrounded by trees, followed by a girl in close-up, inside a car. In her home, the girl’s experiences highlight how Outside makes itself known, such as when birds are silhouetted against a window, or is interwoven into daily indoor life, from the food we eat to what we wear (“Outside cuddles us / in clothes, / once puffs of cotton”). Ultimately, the girl heads outdoors, drawn to explore what’s there. Through an evocative mix of aqueous washes and richer, more saturated tones, the color-washed, loose-brushed illustrations capture a sense of nature’s intrigue, delights, and influence. While the lyrical text and concepts may be a bit too abstract or esoteric for younger children, the presentation and approach may still inspire reflection about interconnectedness in the natural world.

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book The intersection of outside and inside is creatively explored in this reflection on nature and its gentle persistence and ever-presence. The story begins in nature, as a young girl explores an impressionistic forest. "Once we were part of Outside and Outside was part of us. There was nothing between us." After a few page-turns, the girl is riding in a car, with contemplative text observing, "Now sometimes even when we're outside...we're inside. We forget Outside is there." But the outside always makes itself known in subtle and miraculous ways. Airy and translucent jewel-hued watercolors create a luminous canvas for powdered graphite details that delineate how the Outside sneaks In. From the sunlight that "flashes through the window" to the "warm bread and berries" on the kitchen table to the "wooden chairs, once trees," the natural world organically weaves its way into the girl's home, creating daily rhythms ("Outside shows us there is a time to rest and a time to start fresh") and routines ("a spider seeking shelter, a boxelder bug in the bath"). Visible brushstrokes and splashes create texture, reflecting the outside's raw, sensory, and uninhibited beauty -- a beauty that (on the last spread) summons the girl out of her house and into the golden outdoors, reminding readers of the majesty that is always there, waiting just outside. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal K-Gr 3—In this exquisite tale, the wonders of nature are revealed to be all around us if we just take the time to notice and appreciate them. Spare, lyrical text offers a fable-like depth of insight: "Once we were part of Outside and Outside was part of us. There was nothing between us. Now, sometimes even when we're outside… we're inside." Derby's luminous watercolor illustrations evocatively show this disconnection: A little girl, buckled into a car seat, seems unaware of the scenery passing by her. "Outside" is an ebullient character, and tries to capture the child's attention by singing to her with "chirps and rustles and tap-taps on the roof," and with "slow magic tricks" like a butterfly emerging from its chrysalis. Outside also makes its way inside, as seen in the nourishing berries on the kitchen counter, on the cotton T-shirt the child wears, and as a morning sunlight–streaming natural alarm clock. Ever patient, Outside waits and whispers, "I miss you," until the little girl rediscovers the world outside her window. VERDICT This gorgeous celebration of nature is a stirring invitation to play.—Linda Ludke, London Public Library, Ont.

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Publishers Weekly This rigorous debut by physician Attia dispenses guidance on living longer while staying healthier. “The odds are overwhelming that you will die as a result of... heart disease, cancer, neurodegenerative disease, or type 2 diabetes,” he writes, outlining strategies to stave off these four “chronic diseases of aging.” The author’s medical philosophy emphasizes prevention over treatment, recognizes that what works for one person might not work for the next, evaluates “risk versus reward versus cost” on a case-by-case basis, and prioritizes maintaining one’s “healthspan.” He strikes the delicate balance between providing scientific background and keeping his explanations accessible, as when he relates that long-distance running and biking help fend off neurodegenerative disease because they cause the body to generate a molecule that bolsters the health of brain structures implicated in storing memories. Attia’s acknowledgement that diets aren’t one-size-fits-all is a welcome departure from the overgeneralizations of similar volumes, and he provides recommendations on modulating protein, fat, and carbohydrate intake depending on one’s age, sex, and activity levels. The familiar suggestions to reduce stress, eat healthier, and exercise are elevated by the depth of detail and lucid prose that Attia brings to the table. This stands a notch above other fare aimed at boosting health and longevity. (Mar.)

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Kirkus A data- and anecdote-rich invitation to live better, and perhaps a little longer, by making scientifically smart choices. Trained as an oncological surgeon, Attia became interested in longevity because he saw that the “Four Horsemen” worked against it: diabetes, heart disease, cancer, and Alzheimer’s disease. All play a role in an unhealthy system, and all interrelate. If you have Type 2 diabetes, then your chances of developing heart disease, cancer, and neurological disorders increases, and if your goal is to live well in old age, then it behooves you to change your ways in order to keep your insulin reception levels in the clear. How to do so? Attia avoids toss-off recommendations, instead examining categories of self-care. One powerful component of healthful living is the sort of exercise that burns body fats and sugar most efficiently. This, too, interrelates with diet. “The best science out there,” he writes, “says that what you eat matters, but the first-order term is how you eat: how many calories you take into your body.” Accordingly, caloric reduction strategies play a role, combating the effects of what he calls the Standard American Diet, “our default food environment.” Attia, a lucid and careful writer, eschews easy recipes for what to eat and how to exercise, for his conception of what he calls Medicine 3.0 tailors self-care to self, as in “know thyself.” Therein lies a key point: His book abounds in science and not pat prescriptions precisely because biology doesn’t have the same axiomatic certainties as mathematics and because, in order to participate in Medicine 3.0, readers must be truly active and not reactive. “You must be well informed, medically literate to a reasonable degree, clear-eyed about your goals, and cognizant of the true nature of risk,” he writes. It may not produce a new Methuselah, but Attia’s welcome book deserves the attention of anyone seeking a healthier life. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly Like still waters, de la Peña (A Nation's Hope) and Robinson's (Gaston) story runs deep. It finds beauty in unexpected places, explores the difference between what's fleeting and what lasts, acknowledges inequality, and testifies to the love shared by an African-American boy and his grandmother. On Sunday, CJ and Nana don't go home after church like everybody else. Instead, they wait for the Market Street bus. "How come we don't got a car?" CJ complains. Like many children his age, CJ is caught up in noticing what other people have and don't have; de la Peña handles these conversations with grace. "Boy, what do we need a car for?" she responds. "We got a bus that breathes fire, and old Mr. Dennis, who always has a trick for you." (The driver obliges by pulling a coin out of CJ's ear.) When CJ wishes for a fancy mobile music device like the one that two boys at the back of the bus share, Nana points out a passenger with a guitar. "You got the real live thing sitting across from you." The man begins to play, and CJ closes his eyes. "He was lost in the sound and the sound gave him the feeling of magic." When the song's over, the whole bus applauds, "even the boys in the back." Nana, readers begin to sense, brings people together wherever she goes. Robinson's paintings contribute to the story's embrace of simplicity. His folk-style figures come in a rainbow of shapes and sizes, his urban landscape accented with flying pigeons and the tracery of security gates and fire escapes. At last, CJ and Nana reach their destination-the neighborhood soup kitchen. Nana's ability to find "beautiful where he never even thought to look" begins to work on CJ as the two spot people they've come to know. "I'm glad we came," he tells her. Earlier, Nana says that life in the deteriorated neighborhood makes people "a better witness for what's beautiful." This story has the same effect. Ages 3-5. Agent: Steven Malk, Writers House. (Jan.) © Copyright PWxyz, LLC. All rights reserved.

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Book list CJ and his nana depart church and make it to the bus stop just in time to avoid an oncoming rain shower. They board the bus, and while CJ is full of questions and complaints (why don't they have a car? why must they make this trip every week? and so forth), Nana's resolute responses articulate the glories of their rich, vibrant life in the city, as presented by the bus' passengers and passages. A tattooed man checks his cell phone. An older woman keeps butterflies in a jar. A musician tunes and plays his guitar. At last the pair arrive at the titular destination and proceed to the soup kitchen where, upon recognizing friendly faces, CJ is glad they came to help. Robinson's bright, simple, multicultural figures, with their rounded heads, boxy bodies, and friendly expressions, contrast nicely with de la Peña's lyrical language, establishing a unique tone that reflects both CJ's wonder and his nana's wisdom. The celebratory warmth is irresistible, offering a picture of community that resonates with harmony and diversity.--Barthelmess, Thom Copyright 2015 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

School Library Journal K-Gr 2-After church on Sundays, CJ and his nana wait for the bus. It's a familiar routine, but this week CJ is feeling dissatisfied. As they travel to their destination, the boy asks a series of questions: "How come we gotta wait for the bus in all this wet?" "Nana, how come we don't got a car?" "How come we always gotta go here after church?" CJ is envious of kids with cars, iPods, and more freedom than he has. With each question, Nana points out something for CJ to appreciate about his life: "Boy, what do we need a car for? We got a bus that breathes fire." These gentle admonishments are phrased as questions or observations rather than direct answers so that CJ is able to take ownership of his feelings. After they exit the bus, CJ wonders why this part of town is so run-down, prompting Nana to reply, "Sometimes when you're surrounded by dirt, CJ, you're a better witness for what's beautiful." The urban setting is truly reflective, showing people with different skin colors, body types, abilities, ages, and classes in a natural and authentic manner. Robinson's flat, blocky illustrations are simple and well composed, seemingly spare but peppered with tiny, interesting details. Ultimately, their destination is a soup kitchen, and CJ is glad to be there. This is an excellent book that highlights less popular topics such as urban life, volunteerism, and thankfulness, with people of color as the main characters. A lovely title.-Anna Haase Krueger, Ramsey County Library, MN (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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Dina Sherman, Brooklyn Children's Museum, NY Distributed by Syndetic Solutions Inc. Terms