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| ALA Notable Books for Children |  | | Hey, Water!
by Antoinette Portis
Publishers Weekly Portis narrates in a conversational tone-"Hey, water! I know you! You're all around." But her story tackles a tricky cognitive task-recognizing an element that masquerades in different states. Clean graphic spreads mimic a map, with aerial views of water on the surface of the Earth in the matte palette that Portis (Not a Box) fans know. Each watery object-"stream," "river," "ocean"-is captioned in block letters with running text that conveys the actions of liquid water: "You trickle... and gurgle... and rush toward the sea." But water is more complicated than this: "Water, even when you try to fool me, I know you." It can hang suspended in midair as vapor ("You hide in the air and drift") or be solid as "a rock that floats," or "soft as a feather and fancier than lace. But water, I know it's you!" The same element can exist in several different forms, the words imply-our senses don't always tell us the truth about identity. Notes at the end with additional illustrations provide more information about states of matter, the water cycle, and conservation. Ages 4-8. Agent: Deborah Warren, East West Literary. (Mar.) © Copyright PWxyz, LLC. All rights reserved. (c) Copyright PWxyz, LLC. All rights reserved Book list A girl talks to water about its varied qualities. First, she acknowledges its liquid form, pouring from faucets, spraying from showers and sprinklers, and flowing into stream, river, and ocean. There are quiet lakes and noisy pools, sliding teardrops and pouring rain. She also recognizes water vapor in steam, clouds, and fog. Frozen water can be hard as rock (ice cube, iceberg, ice rink) or soft as a feather (snow). But in any form, Hey, water, thank you! The text creates an easy-going, conversational tone while maintaining a good balance of scientific knowledge, everyday observation, and a child's perspective. In the book's artwork, sumi ink brush drawings delineate forms, while color is added digitally. The brushstrokes bring a sense of spontaneity and energy to the scenes, which show up beautifully from a distance. A large, labeled picture illustrates the water cycle. Appended pages include more detailed discussions of water's different forms as well as the importance of conservation. A handsome picture book that's well suited to reading aloud, especially for classroom units on water.--Carolyn Phelan Copyright 2019 Booklist From Booklist, Copyright © American Library Association. Used with permission. School Library Journal PreS-Gr 2-This simple introduction to water is an ideal read-aloud for the youngest scientists. Bold, beautiful, and equally simple illustrations are rendered with brush, sumi ink, and digital color. In addition to the brief running narrative, each page or spread features a word that refers to a different form of water ("tear") and descriptive text ("sometimes you slide down my cheek without a sound"). The book makes for a fun guessing game-children will enjoy figuring out, for instance, that "I stomp in you and scatter droplets everywhere" refers to a puddle. The book explores ways water can be found in homes, yards, and neighborhoods (in faucets, hoses, sprinklers) but also describes streams, rivers, oceans, dewdrops, clouds, fog, and icebergs. The final page shows a girl in the bath and her toy whale spouting sprays of water. Appended are accessible explanations about water forms, the water cycle, and conservation. The endpapers sport thick brushstroke waves in grays and blues. VERDICT Both school and public libraries will want this striking first science book on their shelves.-Barbara Auerbach, Cairo Public Library, NY © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. (c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. Kirkus Portis' latest picture book is a joyful, lyrical celebration of water.In it, protagonist Zoe (the name is revealed only at the end of the book) realizes that water is "all around" and discovers it everywhere: in her home, in nature, in her community, and in herself ("sometimes you slide down my cheek without a sound"). From page to page and, subtly, through the seasons, she engages in a game of hide-and-seek with water's many statesfrom ice ("Sometimes you freeze hard as a rocka rock that floats, / or a rock we can skate on") to steam ("Water, even when you try to fool me, I know you. You blast and huff. You whistle and puff"). Through it all, as she declares at the end, "water, I know it's you!" Done with brush and sumi ink and then digitally colored, Portis' bold illustrations undulate on the pageraindrops roar and pour; dwarfing a whale, oceans surge (even on the endpapers). Words describing the different types of water celebrated ("shower"; "puddle"; "fog") are printed in a large font that harmonizes with the illustrations' brushy look. The picture book also includes informative backmatter: an illustration of the water cycle, a manifesto to conserve water, and a list of additional resources about water and water experiments. Zoe has brown skin and straight, black hair.An energetic and literary introduction to water science by the author/illustrator of the award-winning Not a Box (2006). (Picture book. 3-7) Copyright Kirkus Reviews, used with permission. Copyright © Kirkus Reviews, used with permission. Horn Book In this playful and informative book, a girl named Zoe speaks directly to water while considering its role inside and outside a home as well as its different forms. Portis's spare and accessible main text makes effective use of figurative language. Water's many permutations are the focus of the crisp, uncluttered, primarily aqua-colored illustrations. Back matter includes notes on conservation and water forms and a simple water cycle diagram. Reading list. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. (c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. |
| Caldecott Medal Winners |  | | The Man Who Walked Between the Towers
by Mordicai Gerstein
Publishers Weekly
: This effectively spare, lyrical account chronicles Philippe Petit's tightrope walk between Manhattan's World Trade Center towers in 1974. Gerstein (What Charlie Heard) begins the book like a fairy tale, "Once there were two towers side by side. They were each a quarter of a mile high... The tallest buildings in New York City." The author casts the French aerialist and street performer as the hero: "A young man saw them rise into the sky.... He loved to walk and dance on a rope he tied between two trees." As the man makes his way across the rope from one tree to the other, the towers loom in the background. When Philippe gazes at the twin buildings, he looks "not at the towers but at the space between them.... What a wonderful place to stretch a rope; a wire on which to walk." Disguised as construction workers, he and a friend haul a 440-pound reel of cable and other materials onto the roof of the south tower. How Philippe and his pals hang the cable over the 140-feet distance is in itself a fascinating-and harrowing-story, charted in a series of vertical and horizontal ink and oil panels. An inventive foldout tracking Philippe's progress across the wire offers dizzying views of the city below; a turn of the page transforms readers' vantage point into a vertical view of the feat from street level. When police race to the top of one tower's roof, threatening arrest, Philippe moves back and forth between the towers ("As long as he stayed on the wire he was free"). Gerstein's dramatic paintings include some perspectives bound to take any reader's breath away. Truly affecting is the book's final painting of the imagined imprint of the towers, now existing "in memory"-linked by Philippe and his high wire. Ages 5-8. Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: K-Gr 6-As this story opens, French funambulist Philippe Petit is dancing across a tightrope tied between two trees to the delight of the passersby in Lower Manhattan. Gerstein places him in the middle of a balancing act, framed by the two unfinished World Trade Center towers when the idea hits: "He looked not at the towers, but at the space between them and thought, what a wonderful place to stretch a rope-." On August 7, 1974, Petit and three friends, posing as construction workers, began their evening ascent from the elevators to the remaining stairs with a 440-pound cable and equipment, prepared to carry out their clever but dangerous scheme to secure the wire. The pacing of the narrative is as masterful as the placement and quality of the oil-and-ink paintings. The interplay of a single sentence or view with a sequence of thoughts or panels builds to a riveting climax. A small, framed close-up of Petit's foot on the wire yields to two three-page foldouts of the walk. One captures his progress from above, the other from the perspective of a pedestrian. The vertiginous views paint the New York skyline in twinkling starlight and at breathtaking sunrise. Gerstein captures his subject's incredible determination, profound skill, and sheer joy. The final scene depicts transparent, cloud-filled skyscrapers, a man in their midst. With its graceful majesty and mythic overtones, this unique and uplifting book is at once a portrait of a larger-than-life individual and a memorial to the towers and the lives associated with them.-Wendy Lukehart, Washington DC Public Library Copyright 2003 Reed Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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| Newbery Medal Winners |  | | The Graveyard Book
by Neil Gaiman
Publishers Weekly
: Starred Review. A lavish middle-grade novel, Gaiman's first since Coraline, this gothic fantasy almost lives up to its extravagant advance billing. The opening is enthralling: There was a hand in the darkness, and it held a knife. Evading the murderer who kills the rest of his family, a child roughly 18 months old climbs out of his crib, bumps his bottom down a steep stairway, walks out the open door and crosses the street into the cemetery opposite, where ghosts take him in. What mystery/horror/suspense reader could stop here, especially with Gaiman's talent for storytelling? The author riffs on the Jungle Book, folklore, nursery rhymes and history; he tosses in werewolves and hints at vampires—and he makes these figures seem like metaphors for transitions in childhood and youth. As the boy, called Nobody or Bod, grows up, the killer still stalking him, there are slack moments and some repetition—not enough to spoil a reader's pleasure, but noticeable all the same. When the chilling moments do come, they are as genuinely frightening as only Gaiman can make them, and redeem any shortcomings. Ages 10–up. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
School Library Journal
: Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Distributed by Syndetic Solutions Inc. Terms
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| Oprah's Book Club |  | | Stolen Lives: Twenty Years in a Desert Jail
by Malika Oufkir
Publishers Weekly: While accounts of the unjust arrest and torture of political prisoners are by now common, we expect such victims to come with a just cause. Here, Oufkir tells of the 20-year imprisonment of her upper-class Moroccan family following a 1972 coup attempt against King Hassan II by her father, a close military aide. After her father's execution, Oufkir, her mother and five siblings were carted off to a series of desert barracks, along with their books, toys and French designer clothes in the family's Vuitton luggage. At their first posting, they complained that they were short on butter and sweets. Over the years, subsequent placements brought isolation cells and inadequate, vermin-infested rations. Finally, starving and suicidal, the innocents realized they had been left to die. They dug a tunnel and escaped. Recapture led to another five years of various forms of imprisonment before the family was finally granted freedom. Oufkir's experience does not fit easily into current perceptions of political prisoners victimized for their beliefs or actions. In fact, she was the adopted daughter of King Muhammad V, Hassan II's father, sent by her parents at age five to be raised in the court with the king's daughter as her companion and equal. Beyond horrifying images such as mice nibbling at a rich girl's face, this erstwhile princess's memoir will fascinate readers with its singular tale of two kindly fathers, political struggles in a strict monarchy and a family's survival of cruel, prolonged deprivation. (Apr.)Forecast: A bestseller in France, where Morocco is always a hot issue, this oddly gripping book should also do well here thanks to Oufkir's appearance soon on 60 Minutes and a five-city tour. Film adaptation is a distinct possibility, especially given the book's publisher. Copyright 2001 Cahners Business Information, Inc. Distributed by Syndetic Solutions Inc. Terms
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