Publishers Weekly National Book Award winner McBride (Deacon King Kong) tells a vibrant tale of Chicken Hill, a working-class neighborhood of Jewish, Black, and European immigrant families in Pottstown, Pa., where the 1972 discovery of a human skeleton unearths events that took place several decades earlier. In 1925, Moshe Ludlow owns the town’s first integrated dance hall and theater with his wife, Chona, a beautiful woman who’s undeterred by her polio-related disability and driven by her deep Jewish faith. Chona also runs the Heaven & Earth Grocery Store, where she extends kindness and indefinite credit to her Jewish and Black customers alike. When Nate and Addie Tamblin, friends and employees of the Ludlows who are Black, approach the couple for help keeping their nephew, Dodo, from becoming a ward of the state, Chona doesn’t hesitate to open her home to hide the boy from the authorities. As the racist white “good Christians” from down the hill begin to interfere, claiming to be worried about Dodo’s welfare, a two-fold tragedy occurs that brings the community together to exact justice, which leads to the dead body discovered years later. McBride’s pages burst with life, whether in descriptions of Moshe’s dance hall, where folks get down to Chick Webb’s “gorgeous, stomping, low-down, rip-roaring, heart-racing jazz,” or a fortune teller who dances and cries out to God before registering her premonitions on a typewriter. This endlessly rich saga highlights the different ways in which people look out for one another. (Aug.)

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Library Journal Chicken Hill, a pre—World War II Pennsylvania community, doesn't seem like much: it's poor, with no running water and a population consisting of multiple marginalized groups—Jewish, Black, Italian—all struggling, scheming, and hoping for the best while writhing in seemingly intractable disappointment. But in this latest from McBride (Deacon King Kong), their defeats evolve into triumphs. In this complex novel, McBride takes a mash-up of plots and over a dozen main characters, each with his or her own history, and weaves them together seamlessly with humor, empathy, and a determined sense of justice. The final third of the book focuses on a conspiracy by the people of Chicken Hill to rescue one of their own, a Deaf, Black, 12-year-old orphan named Dodo, from a nightmarish state asylum like something out of Dickens. Dodo was committed to this house of horrors through the treachery of a local doctor and KKK leader, Doc Roberts. But fortune has a way of flipping things around, sometimes in the right direction, and McBride ends the novel with so much poignancy and heartfelt sympathy for his characters that readers will be hard-pressed not to be moved. VERDICT A compelling novel, compellingly written, and not to be missed.—Michael F. Russo

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Book list McBride is the maestro of the neighborhood saga, following the Carnegie-winning, Brooklyn-set Deacon King Kong (2020) with a tale of strife and love set in Chicken Hill, a hardscrabble section of Pottstown, Pennsylvania, that is home to African Americans who fled racial violence in the Deep South and Jews who escaped the pogroms of Eastern Europe. Lovely and righteous Chona, left disabled after a bout with polio, takes over Chicken Hill’s sole grocery store after the death of her rabbi father, while Moshe, her adoring, jazz-fan husband, runs a theater, becoming the first manager around to welcome both whites and Blacks. Nate, an African American, is his trusted assistant; Addie, Nate’s wife, is close to Chona, and their neighbors are vibrant, complicated individuals, each improvising ways to get by, ultimately joining forces to try to keep the authorities from taking Dodo, a smart, sweet, Black, orphaned deaf boy, to the hellish state asylum. McBride incisively and prismatically evokes the timbre of Jewish and Black lives of the times, while spinning intriguing backstories and choreographing telling struggles over running water, class divides, and prejudice of all kinds. Funny, tender, knockabout, gritty, and suspenseful, McBride’s microcosmic, socially critiquing, and empathic novel dynamically celebrates difference, kindness, ingenuity, and the force that compels us to move heaven and earth to help each other.HIGH-DEMAND BACKSTORY: Much-awarded, Oprah-anointed, and best-selling McBride is a must-read writer for an immense audience.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus McBride follows up his hit novel Deacon King Kong (2020) with another boisterous hymn to community, mercy, and karmic justice. It's June 1972, and the Pennsylvania State Police have some questions concerning a skeleton found at the bottom of an old well in the ramshackle Chicken Hill section of Pottstown that’s been marked for redevelopment. But Hurricane Agnes intervenes by washing away the skeleton and all other physical evidence of a series of extraordinary events that began more than 40 years earlier, when Jewish and African American citizens shared lives, hopes, and heartbreak in that same neighborhood. At the literal and figurative heart of these events is Chona Ludlow, the forbearing, compassionate Jewish proprietor of the novel’s eponymous grocery store, whose instinctive kindness and fairness toward the Black families of Chicken Hill exceed even that of her husband, Moshe, who, with Chona’s encouragement, desegregates his theater to allow his Black neighbors to fully enjoy acts like Chick Webb’s swing orchestra. Many local White Christians frown upon the easygoing relationship between Jews and Blacks, especially Doc Roberts, Pottstown’s leading physician, who marches every year in the local Ku Klux Klan parade. The ties binding the Ludlows to their Black neighbors become even stronger over the years, but that bond is tested most stringently and perilously when Chona helps Nate Timblin, a taciturn Black janitor at Moshe’s theater and the unofficial leader of his community, conceal and protect a young orphan named Dodo who lost his hearing in an explosion. He isn’t at all “feeble-minded,” but the government wants to put him in an institution promising little care and much abuse. The interlocking destinies of these and other characters make for tense, absorbing drama and, at times, warm, humane comedy. McBride’s well-established skill with narrative tactics may sometimes spill toward the melodramatic here. But as in McBride’s previous works, you barely notice such relatively minor contrivances because of the depth of characterizations and the pitch-perfect dialogue of his Black and Jewish characters. It’s possible to draw a clear, straight line from McBride’s breakthrough memoir, The Color of Water (1996), to the themes of this latest work. If it’s possible for America to have a poet laureate, why can’t James McBride be its storyteller-in-chief? Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list In 1900, a girl learned a hymn written by her school principal, James Weldon Johnson, and she sang it as part of a 500-member choir: Lift Every Voice and Sing. She later sang it to her husband as they moved from Florida to Pennsylvania, since it was a part of her she wanted to pass on. Later, she shared it with her son through the years. Growing up, he sang it in choirs, when facing discrimination as a soldier returning from WWII, and after becoming a father. Tracing the history of Black Americans since 1900 through five generations of one family, this creative book also connects events and cultural shifts with particular lines in the song, underscoring their relevance during certain times, ending with the opening of the National Museum of African American History and Culture. With clarity and warmth, the illustrations sensitively capture the changing characters, emotions, and eras as time passes. This well-structured, original story will resonate most intensely with readers and listeners who are familiar with this stirring hymn, but others will sense its power as well. Dovetailing nicely with the books that introduce the song itself, this moving picture book celebrates it as a symbol of faith, brilliance, resistance, and resilience. --Carolyn Phelan Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Through the lens of a family handing “Lift Every Voice and Sing” down through several generations, Lyons (Hope’s Gift) delivers the history of a song that has inspired generations of African-Americans to persist and resist in the face of racism and systemic oppression. The creators start with the song’s beginnings in 1900, when it was penned by siblings James Weldon Johnson and John Rosamund Johnson to commemorate President Lincoln’s birthday. In vibrant, realistic illustrations and painstaking facial detail, Mallett portrays a girl practicing, then singing—“back straight, head high,/ heart and mouth open”—at the song’s first choir performance before eventually teaching it to her son (“It was a part of her she wanted to pass on”). Bold colors lend emotion to scenes of hope and adversity as one child becomes a WWII veteran facing discrimination and subsequent generations witness other moments in history: the killing of Martin Luther King Jr., civil rights protests, and, in 2016, the opening of the National Museum of African American History and Culture. All the while, each generation passes the lyrics along, and a final page urges readers to “keep singing... keep on keeping on.” A heartfelt history of a historic anthem. Ages 5–8. (Aug.)

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Kirkus "Before you were born, a girl learned a song"so begins the story of how "Lift Every Voice" takes root in a young African American girl's heart and becomes a source of fortitude for her and her descendants, who continue learning, singing, and passing the song along. Readers learn that the hymn was written by the fictional protagonist's principal, James Weldon Johnson, and his brother, John Rosamond Johnson, to be sung during a celebration of Abraham Lincoln's birthday in 1900. As she grows and passes the song down through generations, significant events in the lives of African Americans unspool, including the Great Migration and the assassination of Dr. Martin Luther King Jr. and culminating with the ringing of "the freedom bell" at the opening ceremony of the National Museum of African American History and Culture in Washington, D.C. Lyons writes with rhythmic warmth, weaving the lyrics into her story. Full of faith and hope, they were the foundation of the civil rights movement and continue to be a source of encouragement and pride. Mallett's artwork charmingly illumines the faces of the singers in the book, revealing their passion and often joy in singing what's become cherished as the African American national anthem. An author's note reveals that the story spread after Johnson's students took it for their own and shared it.A beautiful celebration of a song that continues to give life to African Americans. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list In 1900, a girl learned a hymn written by her school principal, James Weldon Johnson, and she sang it as part of a 500-member choir: Lift Every Voice and Sing. She later sang it to her husband as they moved from Florida to Pennsylvania, since it was a part of her she wanted to pass on. Later, she shared it with her son through the years. Growing up, he sang it in choirs, when facing discrimination as a soldier returning from WWII, and after becoming a father. Tracing the history of Black Americans since 1900 through five generations of one family, this creative book also connects events and cultural shifts with particular lines in the song, underscoring their relevance during certain times, ending with the opening of the National Museum of African American History and Culture. With clarity and warmth, the illustrations sensitively capture the changing characters, emotions, and eras as time passes. This well-structured, original story will resonate most intensely with readers and listeners who are familiar with this stirring hymn, but others will sense its power as well. Dovetailing nicely with the books that introduce the song itself, this moving picture book celebrates it as a symbol of faith, brilliance, resistance, and resilience. --Carolyn Phelan Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly Through the lens of a family handing “Lift Every Voice and Sing” down through several generations, Lyons (Hope’s Gift) delivers the history of a song that has inspired generations of African-Americans to persist and resist in the face of racism and systemic oppression. The creators start with the song’s beginnings in 1900, when it was penned by siblings James Weldon Johnson and John Rosamund Johnson to commemorate President Lincoln’s birthday. In vibrant, realistic illustrations and painstaking facial detail, Mallett portrays a girl practicing, then singing—“back straight, head high,/ heart and mouth open”—at the song’s first choir performance before eventually teaching it to her son (“It was a part of her she wanted to pass on”). Bold colors lend emotion to scenes of hope and adversity as one child becomes a WWII veteran facing discrimination and subsequent generations witness other moments in history: the killing of Martin Luther King Jr., civil rights protests, and, in 2016, the opening of the National Museum of African American History and Culture. All the while, each generation passes the lyrics along, and a final page urges readers to “keep singing... keep on keeping on.” A heartfelt history of a historic anthem. Ages 5–8. (Aug.)

(c) Copyright PWxyz, LLC. All rights reserved

Kirkus "Before you were born, a girl learned a song"so begins the story of how "Lift Every Voice" takes root in a young African American girl's heart and becomes a source of fortitude for her and her descendants, who continue learning, singing, and passing the song along. Readers learn that the hymn was written by the fictional protagonist's principal, James Weldon Johnson, and his brother, John Rosamond Johnson, to be sung during a celebration of Abraham Lincoln's birthday in 1900. As she grows and passes the song down through generations, significant events in the lives of African Americans unspool, including the Great Migration and the assassination of Dr. Martin Luther King Jr. and culminating with the ringing of "the freedom bell" at the opening ceremony of the National Museum of African American History and Culture in Washington, D.C. Lyons writes with rhythmic warmth, weaving the lyrics into her story. Full of faith and hope, they were the foundation of the civil rights movement and continue to be a source of encouragement and pride. Mallett's artwork charmingly illumines the faces of the singers in the book, revealing their passion and often joy in singing what's become cherished as the African American national anthem. An author's note reveals that the story spread after Johnson's students took it for their own and shared it.A beautiful celebration of a song that continues to give life to African Americans. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list Young Nic plays an epic bass solo with his school orchestra and then travels across town to jam with a band made up of older musicians in this briefly worded tale of a boy who loves making music. A growling dog, a couple of teasing kids, a crowded bus, a cloudburst, and a broken elevator are not enough to discourage the boy from reaching his destination. Onomatopoeia and dialogue make up the few words used in the text. Gutierrez's acrylic paintings in rich colors exude movement and energy while delineating the sounds of the child's day, which he plays on his bass. Musical notes and measures decorate some pictures, while others show Nic in the background as he trudges along the street, carrying his huge bass. One intriguing double spread reveals an M. C. Escher-like staircase that seems endless to Nic as he lugs his instrument to his destination. The dreamy look on Nic's face clearly reveals the ""zone"" he enters when playing music, and readers will understand that Nic's talent brings him great joy.--Maryann Owen Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus A young musician is inspired by the beat and rhythm of his commute.Nic's journey begins with an enthusiastic "Ziiiiiiiiiiip!" and a contemplative "Hummmmm" as he's applauded in orchestra. Then, with his double bass strapped to his back, he trades the trees and space of his suburban school for towering buildings and city buses. He dodges dogs, bullies, and rain, hustling home to warm hugs and a jazz jam session replete with onomatopoeic improvisations taken from his commute. The, "whoosh" of the bus's windshield wipers pairs with the "plunk" of rain and the "clap" of his classmates as Nic releases the sounds and sights of the afternoon through his music. Acrylic-paint illustrations include geometric squiggles and swirls that outline and emphasize musical vibrations and the spare, expressive text. Defined shapes are rendered in a vibrant palette that brings out the range of colors present in the characters' skin tones. Nic, who presents black, is a blend of blues, blacks, golds, and reds, with his boxy, spiked hair a muted mixture of oranges, browns, pinks, and greens. One exceptional double-page spread uses interlocking triangles to separate scenes that capture Nic's movement from the suburbs to the city. This journey is also expressed in the stenciled endpapers, the front showing Nic in his orchestra and the back, at home, jamming.Simple language complements complex paintings to create the perfect literary melody. (Picture book. 4-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 1–3—In an explosion of vibrant color (thanks to Rudy Gutierrez's liquid acrylics), young Nic wins kudos for his double bass solo with the school orchestra, but faces a tough journey home. Lugging his beloved (but bulky) bull fiddle, the boy is harassed and taunted on his long trip, and is finally faced with an out-of-service elevator and multiple flights of stairs. Happily, he finds not only his loving grandfather waiting for him, but some of granddaddy's jazz-playing buddies sitting with their instruments at the ready, sorely in need of that boy and his bull fiddle. Colorful, full of movement, limited in text but loaded with emotion, this is an ode to the diversity of music and the determination of a talented kid. VERDICT A dramatic and emotional selection for older readers than the usual picture book audience, particularly kids who love music and have had their own tough journeys home. —Patricia Manning, formerly at Eastchester Public Library, NY

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly A young double bass player faces obstacles en route to his grandfather’s house in this visual ode to the blues. Resting his cheek alongside melodic vibrations emanating from the instrument, Nic, who is black, seems harmoniously connected to his music. After a teacher applauds the performance, the diverse band packs up (“Epic solo, Nic!”) and heads out (“Catch you later!”). But Nic faces quite a commute outside the band room’s peace. With silent determination, he scales a suburban fence (“Ooof!”), faces a growling dog (“Grrrrrrrr!”), and navigates a bustling cityscape that drips with inclement weather (“Plunk, plunk, plunk”) and public commentary (“It’s bigger than him!” two children laugh, pointing at the bass). Persisting through storm and ridicule, Nic finally arrives at his grandfather’s city building—only to find the elevator out. But his celebrated arrival, at a loving, musical oasis not dissimilar from the practice room, offers him the space to make music based on his journey’s travails. Sparse, onomatopoeic text by Loney (Bunnybear) and vibrant, cubist-style art by Gutierrez (Mama and Me) combine to create a harmony of sound and emotion through a child’s journey, his family’s warmth, and music’s restorative powers. Ages 4–8. (Oct.)

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Book list Young Nic plays an epic bass solo with his school orchestra and then travels across town to jam with a band made up of older musicians in this briefly worded tale of a boy who loves making music. A growling dog, a couple of teasing kids, a crowded bus, a cloudburst, and a broken elevator are not enough to discourage the boy from reaching his destination. Onomatopoeia and dialogue make up the few words used in the text. Gutierrez's acrylic paintings in rich colors exude movement and energy while delineating the sounds of the child's day, which he plays on his bass. Musical notes and measures decorate some pictures, while others show Nic in the background as he trudges along the street, carrying his huge bass. One intriguing double spread reveals an M. C. Escher-like staircase that seems endless to Nic as he lugs his instrument to his destination. The dreamy look on Nic's face clearly reveals the ""zone"" he enters when playing music, and readers will understand that Nic's talent brings him great joy.--Maryann Owen Copyright 2010 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus A young musician is inspired by the beat and rhythm of his commute.Nic's journey begins with an enthusiastic "Ziiiiiiiiiiip!" and a contemplative "Hummmmm" as he's applauded in orchestra. Then, with his double bass strapped to his back, he trades the trees and space of his suburban school for towering buildings and city buses. He dodges dogs, bullies, and rain, hustling home to warm hugs and a jazz jam session replete with onomatopoeic improvisations taken from his commute. The, "whoosh" of the bus's windshield wipers pairs with the "plunk" of rain and the "clap" of his classmates as Nic releases the sounds and sights of the afternoon through his music. Acrylic-paint illustrations include geometric squiggles and swirls that outline and emphasize musical vibrations and the spare, expressive text. Defined shapes are rendered in a vibrant palette that brings out the range of colors present in the characters' skin tones. Nic, who presents black, is a blend of blues, blacks, golds, and reds, with his boxy, spiked hair a muted mixture of oranges, browns, pinks, and greens. One exceptional double-page spread uses interlocking triangles to separate scenes that capture Nic's movement from the suburbs to the city. This journey is also expressed in the stenciled endpapers, the front showing Nic in his orchestra and the back, at home, jamming.Simple language complements complex paintings to create the perfect literary melody. (Picture book. 4-9) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 1–3—In an explosion of vibrant color (thanks to Rudy Gutierrez's liquid acrylics), young Nic wins kudos for his double bass solo with the school orchestra, but faces a tough journey home. Lugging his beloved (but bulky) bull fiddle, the boy is harassed and taunted on his long trip, and is finally faced with an out-of-service elevator and multiple flights of stairs. Happily, he finds not only his loving grandfather waiting for him, but some of granddaddy's jazz-playing buddies sitting with their instruments at the ready, sorely in need of that boy and his bull fiddle. Colorful, full of movement, limited in text but loaded with emotion, this is an ode to the diversity of music and the determination of a talented kid. VERDICT A dramatic and emotional selection for older readers than the usual picture book audience, particularly kids who love music and have had their own tough journeys home. —Patricia Manning, formerly at Eastchester Public Library, NY

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly A young double bass player faces obstacles en route to his grandfather’s house in this visual ode to the blues. Resting his cheek alongside melodic vibrations emanating from the instrument, Nic, who is black, seems harmoniously connected to his music. After a teacher applauds the performance, the diverse band packs up (“Epic solo, Nic!”) and heads out (“Catch you later!”). But Nic faces quite a commute outside the band room’s peace. With silent determination, he scales a suburban fence (“Ooof!”), faces a growling dog (“Grrrrrrrr!”), and navigates a bustling cityscape that drips with inclement weather (“Plunk, plunk, plunk”) and public commentary (“It’s bigger than him!” two children laugh, pointing at the bass). Persisting through storm and ridicule, Nic finally arrives at his grandfather’s city building—only to find the elevator out. But his celebrated arrival, at a loving, musical oasis not dissimilar from the practice room, offers him the space to make music based on his journey’s travails. Sparse, onomatopoeic text by Loney (Bunnybear) and vibrant, cubist-style art by Gutierrez (Mama and Me) combine to create a harmony of sound and emotion through a child’s journey, his family’s warmth, and music’s restorative powers. Ages 4–8. (Oct.)

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 7 Up-Fourteen-year-old Sparrow Cooke is believed to have nearly taken her own life on her school's roof. She begins to see a therapist. The teen refuses to open up during her initial sessions with Dr. Katz, but the therapist slowly gets through to Sparrow by introducing her to rock music. However, Sparrow wants to fly away from dealing with issues, such as the death of her favorite school librarian Mrs. Wexler, the loss of her kindergarten best friend Chocolate, popular mean girls like Monique, nearly flunking the eighth grade, her inability to socialize with other kids, and her distance from her mom. Their relationship becomes more strained after a parent-teacher conference with Sparrow's teachers. With Dr. Katz's help, the girl's world is opened up and she gets the opportunity to attend the Gertrude Nix Rock Camp for Girls for the summer. She reluctantly leaves her comfort zone and befriends three unlikely dorm mates. Readers will quickly identify with this protagonist; Sparrow speaks to those who may have difficulty dealing with loss, making friends, and feeling alienated. Librarians will appreciate the nod to the Brooklyn Public Library and the significant role Mrs. Wexler played in Sparrow's life. Moon brilliantly weaves the intersections of race, class, sexual orientation, body image and women's contributions to rock and pop music histories into the narrative. Rock music fans will love the homage to the diverse artists, musicians, and bands within the genre. VERDICT This novel will inspire readers to find their own voices through literary and musical expression. A good choice for most YA collections.-Donald Peebles, Brooklyn Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list When eighth-grader Sparrow wakes up in the hospital, she can't convince the doctors or her mother that she wasn't attempting suicide on the roof of her school. Once she starts seeing her therapist, she reveals that when she experiences anxiety, she becomes a real sparrow and flies with other birds. Moon's debut novel deftly normalizes therapy and prioritizing one's mental health. In lyrical, minimalist prose that resounds with authenticity, Moon tracks Sparrow's relatable experience with trauma and anxiety. The recurring therapy sessions never come across as manufactured or heavy-handed, nor do they present a singular, correct way to cope with anxiety. After opening up to her therapist, Sparrow takes a brave step and enrolls in a month-long music camp. There she finds unexpected validation and a community of women who build her up. An elegantly told and important novel about learning to cope, live, and be happy with depression and anxiety.--Kling, Caitlin Copyright 2017 Booklist

From Booklist, Copyright © American Library Association. Used with permission.