Publishers Weekly English writer Hall serves up twist after twist in her canny U.S. debut, a story of grief, love, and murder set in the Dorset countryside. The year is 1968 and Beth Johnson, wife of gentle sheep farmer Frank, remains shattered by the death of her nine-year-old son, Bobby, in an accident two years earlier. Her first love, Gabriel, a bestselling novelist who grew up wealthy on a nearby estate, returns with his young son, Leo, after separating from his American wife. Beth reconnects with Gabriel, fantasizing about rewinding her life to a simpler time, and she forges a bond with Leo, who reminds her of Bobby. An unreliable narrator, Beth provides a blinkered view of the action, mentioning early on that a farmer has been murdered and someone close to her is on trial for the crime, but neglecting to reveal the identities of these two characters until more than halfway through the narrative. As a result, readers are kept guessing about the precise consequences of Gabriel’s return and the circumstances behind Bobby’s death. Hall makes Beth a fascinatingly complex lead who vacillates between restlessness and contentment, and the other characters’ motivations prove to be different than they seem at first glance. This sharp morality tale will stay with readers. Agent: Hattie Grunewald, Blair Partnership. (Mar.)

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Book list Hall’s American debut is a beautiful book set in the wilds of the English countryside. One day on the farm, Beth and Frank are working with their sheep when a dog comes out of nowhere, killing three ewes in minutes. Desperate to stop the carnage, Frank shoots the dog, and minutes later, a little boy named Leo arrives, horrified at the death of his pet. Beth is even more horrified, however, because the boy’s father is an old flame from her teenage years, and she never stopped loving him. Thus begins a terrifying chain of events that ends with Frank on trial for murder and the verdict impending. Broken Country is at its heart a novel about love and loss, about selfishness and selflessness, and about the consequences of decisions made for these reasons. Each decision is driven by the one before it, and Beth, especially, is stretched to her breaking point. Both aching and thrilling, Broken Country is a masterful book by an accomplished author.

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus Unchecked passion gives rise to tragedy in a small English farming community in the late 1960s. In 1968, bookish Beth Johnson adores being a farmer’s wife. Though she is not a poet, as she once dreamed, her life laboring in commune with nature is one “where every single day is a different kind of education.” She feels satisfied, especially as she gets to share her moments of rest with her husband, Frank, a reliable and compassionate man, and their close-knit network of family and friends. And yet, there is a seeping wound in their busy life: the loss of their 9-year-old son, Bobby, who died in an accident two years before. When Beth’s first love, Gabriel, unexpectedly moves back to town with his son, Leo, a boy just a bit older than Bobby who is desperately seeking a mother figure, Beth and the reader are blown back to “before”: 1955, before Beth knew what it was to love or to grieve. In addition, Hall intersperses scenes set at a 1969 murder trial so that, though she intentionally obscures the identities of the victim and the suspect until the climax, death crouches over the entire novel. As we watch Beth and Gabriel fall toward one another in two timelines, we are painfully aware that heartbreak is imminent in each. One would think it would be hard to shake this feeling of doom, especially since Hall also makes it clear that Beth will break her commitment to Frank early on, but her prose is so transportive that it’s impossible not to hang on and hold out hope for Beth, Frank, Gabriel, and the people they love. There are several standout scenes, but an especially stunning one comes when Frank’s brother, Jimmy, helps Beth deliver Bobby on the kitchen floor during a violent storm. Indeed, every scene that includes Bobby is touching, especially those that highlight his connection with the land—the characteristic Beth most prizes in Frank and is proud to have found within herself. Crystallized in Beth’s memory as a “boy reaching back to his ancestors through these lumpy green fields, to the sounds and sights, the taste, the touch of a thousand years,” he is without time, like love and loss. An elegantly written historical novel with a compelling love triangle and a couple of clever twists. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

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Kirkus Leah Burke is perched on the precipice of change in the final months of senior year, before everyone in her diverse friend group scatters off to become their college selves. Leah, Simon Spier's best friend in Simon vs. the Homo Sapiens Agenda (2015), takes center stage in this sequel. She knows she's bisexual, but she's only out to her mom, not her friends, not even to Simon, who is gay. Leah's cynical and socially awkward but also confident in herself. She's unapologetically fat. She's a talented artist and a ripper on the drums. She's also fierce when called for. When a white friend implies that their classmate Abby Suso only got accepted to her college because she is black, Leah, also white, calls out her bias directly (Abby is not present for this conversation), sparking a nuanced subplot on racism and white allyship. Mostly, though, senior year is characterized by Leah's aching crush on Abby, the oh-so-beautiful and oh-so-straight girlfriend of Leah's good friend Nick. When the prom-scene ending finally arrives, even the most Leah-worthy cynics will be rooting for her. With complex characters, authentic dialogue, and messy-but-beautiful friendships, this sequel is more than capable of standing on its own. A subversive take on the coming-of-age romance that will leave readers feeling like witnesses to a very special moment in Leah's life and filled with gratitude for sharing it. (Fiction. 14-18) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list *Starred Review* Leah Burke takes center stage in this sequel to Albertalli's Morris Award-winning Simon vs. the Homo Sapiens Agenda (2015). It's senior year, and Leah's friends can't stop talking about college, prom, and long-distance relationships. Simon and Bram are as cute as ever, Leah's got college lined up, and goofy Garrett obviously has a crush on her. But Leah can't quite get into it. She feels like a third wheel (even at home, now that her mom is dating someone new); she doesn't really care about prom; and when her friend and bandmate says something racist, Leah's content to just break up the band and get on with her life. Plus, she's nursing a wicked crush on her friend Abby, and she's worried that if she does anything about it, she'll blow up their whole friend group let alone the fact that no one knows she's bi. Albertalli has a fantastic ear for voice, and it's beautifully on display in Leah's funny, wry, and vulnerable first-person narrative. She gets to the core of Leah's hang-ups about money, her body, her place among her friends, her reluctance to let anyone get too close, and her perfectionism without a trace of heavy-handedness, and she leavens the poignant emotional growth with snarky teen banter, hilarious mishaps, and swoonworthy (but never saccharine) romance. Everything Albertalli already did so well in Simon, she's improved upon here, and fans of the first book will be utterly smitten with Leah. HIGH-DEMAND BACKSTORY: Perhaps you've heard of a little movie called Love, Simon? Your patrons certainly have. You'll probably want extra copies of this.--Hunter, Sarah Copyright 2018 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book Leah, Simon's friend from Simon vs. the Homo Sapiens Agenda, stars in a story of their friend group's last few months of high school. Leah, who hasn't told others she's bisexual, slowly falls for her once-estranged friend Abby but worries about a variety of repercussions. Frequently funny, this novel is also socially aware, addressing issues of race, class, and body image in addition to sexuality. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.