Horn Book Sefia, in possession of a strange object called a "book," learns that writing and reading are the keys to powerful magic. Interspersed and eventually converging with Sefia's story are episodic tales of Captain Reed and his pirate crew. This complex series-opener introduces a richly built fantasy world and a courageous female protagonist. A coded message to readers and visual effects amplify the metafictional elements. (c) Copyright 2017. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 8 Up-"Two curves for her parents. A curve for Nin. The straight line for herself. The circle for what she had to do." This is the seal branded onto the book that was passed down to Sefia by her parents right before they were murdered by an assassin whose blade reeked of copper. Under the guidance of Aunt Nin, who is a thief, the teen learns to hide and hunt before her mentor is brutally torn away. In solitude, Sefia vows to rescue Nin. She is eventually joined by a strange, mute, and brutalized boy she saves. In a world where books and the very act of reading are limited to a select, powerful few, Sefia begins to understand the weight of her heirloom and what might transpire should it fall into the wrong hands. Sefia digs deep within herself and slowly begins to unlock the power of the written word. This work is deftly rendered in beautiful prose, narrated through three shifting time lines woven into an interconnected history of duty, honor, and magic. Chee provokes some resounding questions: What is there left to be remembered of us after death, and what must we do to be worthy of remembrance? This is a must-have for all those who value a good read with genuine character growth, mystery, unique world-building, adventure, unyielding bonds of loyalty, and pirates. Savvy teens will notice a message scattered through the page numbers. VERDICT A fresh, diverse fantasy; highly recommended for fans of Cornelia Funke's Inkheart and female-powered adventures.-Zeying Wang, School Library Journal © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Gr 8 Up-When Sefia's father is brutally murdered, she and Aunt Nin are forced into hiding in the wilderness, hunting and stealing to survive. But when Aunt Nin is captured, Sefia is left alone and bewildered about her family's past, the book her father left behind, and what she should do next. In Sefia's world, reading is forbidden. Yet Sefia manages to teach herself to read and write all while on a dangerous journey to save Nin, find out who killed her father, and keep the treasured tome safe within her clutches. Kim Mai Guest expertly narrates for the sometimes obstinate, sometimes contemplative Sefia and a whole host of other characters, including swashbuckling pirates, ignorant townspeople, stone-cold assassins, and a sage librarian. Any confusion readers may have as to which character did what is certainly no fault of Guest; rather, it can be attributed to the sheer number of characters and subplots within subplots. After all, this is a book within a book within a book. Readers will be required to suspend belief on more than one occasion (especially in the case of rapid self-taught reading), but, of course, this is a fantasy. A few stagnant points in the narrative detract from the novel's strong start, but fantasy fans will be captivated by the magical world Chee has created and will genuinely care about Sefia's self-actualizing journey. VERDICT This best-selling debut is sure to keep readers clamoring for the second installment in the "Sea of Ink and Gold" series.-April Everett, Rowan County Information Systems, NC © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list *Starred Review* Sefia's father drilled her on what to do if they were ever in danger, but she never expected to return home one day and find him brutally murdered. She escapes with one vital thing: a heavy square wrapped in cloth, containing bound pages with intricate symbols. It's a book, but reading in Sefia's kingdom is a skill limited to an elite few, and now that this precious volume is in her possession, she's in grave danger. Sefia spends years on the run with her aunt, Nin, until the day when the murderer catches up to them and violently steals Nin away. With the help of a mute boy she saves from a slave ring and the magic she finds in the words of the book, she seeks out her parents' killer. Chee's debut, the first in a projected series, is a stunning piece of storytelling. She deftly weaves together disparate elements, such as magic, fighting rings, swashbuckling pirates, assassins, and a kingdom beset by war, where books are illegal. Additionally, she seamlessly integrates a book within a book, as Sefia learns to read and discovers the powers of her precious cargo, and astute readers will notice hidden messages in the novel's clever design. With evocative language, fascinating world building, multifaceted characters, and a compelling plot, this is a series fantasy lovers will want to sink their teeth into.--Tomsu, Lindsey Copyright 2016 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly After 15-year-old orphan Sefia is separated from her aunt, she sets out on a rescue mission. Determined to learn the truth about her past and the rectangular object she's spent her life hiding, Sefia eventually discovers that the item-bound paper covered in symbols-is a book. Books, reading, and writing are unheard of in the land of Kelanna, but Sefia is certain that this book holds the answers she seeks. She is joined in her quest by a mute, nameless boy, whom she rescues from a life of forced cage fighting. The book Sefia carries, which initially seems to be filled with stories and myths, becomes increasingly mysterious when she learns that the people and accounts detailed within are true. Chee's debut is an intricate, multilayered reading experience, but the author avoids leading readers along too transparently, trusting them to puzzle together the pieces surrounding the mystery of Sefia's past. An exploration of self-determination and the magic of the written word, Sefia's story is an absorbing introduction to the Sea of Ink and Gold series. Ages 12-up. Agent: Barbara Poelle, Irene Goodman Agency. (Sept.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

School Library Journal Gr 8 Up-Sefia, who lives in a world without books and reading, is on the run for her life, desperate to avenge the murder of her father and rescue her aunt. The only clue she has is a strange rectangular object-a book-whose secrets she's slowly learning to uncover. With layers upon layers of tales woven throughout the narrative, Chee's debut novel establishes a fantastically populated world with a diverse cast of characters. Meticulous storytelling and a memorable adventure. © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly As they did in Baby Goes to Market, Atinuke and Brooksbank include readers in the book's antics while leaving out the characters who surround Baby. Pictures tell the story alongside minimal text that introduces B words (baby, beads, basket). After Baby tumbles into a basket of bananas bound for Baba's bungalow, Brother, plugged into his headphones, replaces the basket's cover and loads it onto his bicycle, oblivious to its additional cargo. Subtle visual foreshadowing gives kids a peek at upcoming words as the boy pedals along: one of the birds seen perched in a baobab tree appears at close range on the following spread ("B is for Beautiful"), which also displays a baboon-filled tree in the background ("B is for Baboon"). A page later, one of the monkeys snags the top off the basket, exposing its stowaway passenger and paving the way for the big reveal to a shocked Brother and thrilled Baba. Featuring loose lines and an earth-toned backdrop, Brooksbank's energetic mixed-media art showcases the brilliant colors of African vegetation and clothing, and infuses Atinuke's sweet phrases with warmth and humor. Ages 3-7. (Mar.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list This clever story puts the focus on the letter B. In fact, it's the key element that moves the text. In an unspecified African village, we meet a baby whose mother is putting beads in her hair. B is also for basket; this woven one is to be brought to Baba by Brother, filled with bananas for this grandfather's breakfast. But what readers see, and Brother does not, thanks to his headphones blocking out any sounds as he rides to Baba's, is that Baby has crawled into the basket secured on the rear of his bike. Along the way, Baby spies birds and butterflies and gets a biscuit when finally discovered by a surprised grandfather. A miniature panorama on the final page shows the trip home. The children's mom doesn't seem pleased by the adventure. Each page displays one terse sentence, such as "B is for beautiful." The colorful mixed-media art, however, is expansive, whether showing a single image of a curious baby playing with her toe, or detailing the lush surroundings. This one's a charmer.--Ilene Cooper Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Horn Book From Atinuke and Brooksbank (Baby Goes to Market), another tenderly funny story set in an unspecified African village and starring a winsome baby girl. B is not only for baby but also for an intriguing basket with a lid; when the little girl peeks inside, a sequence of pictures shows her overbalancing into the basket and then settling in happily. Brooksbank's mixed-media illustrations use warm colors on spacious off-white pages. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal Toddler-PreS-"B is for Baby" is the first and last line of this entertaining story of a baby girl, her brother, a bicycle, some bananas, and a big surprise. Highlighting words that begin with the letter "B," and with only four words per page-except for one spread-a simple story emerges that will engage small children and be accessible, with a little help, to early readers. In an unspecified African village, a mother gets her very young daughter dressed and ready for the day. She sends her son off with a basket filled with bananas to share with his grandfather. Unbeknownst to the boy, his little sister has fallen into the basket and is along for the ride to Baba's bungalow. The tale takes readers forward and then reverses the steps as the boy returns to his mother with his sister in tow. Illustrations in mixed media are large and bright with a white background. Animals, trees, flowers, and the inhabitants' dress reveal a bit of village life. VERDICT This tale offers eye-catching colors and a clever and fun way to introduce the "B" sound while telling a story.-Maryann H. Owen, Oak Creek Public Library WI © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Kirkus A circular tale of family love with visual rewards for sharp-eyed listeners. In this story that looks like an alphabet book but focuses exclusively on the letter B, a smiling woman, probably mama, stands in a yard, holding Baby cheek-to-cheek, as another woman chats with four children under the awning of a small tin-roofed house in the background. Many visual details hint at this book's African (probably Nigerian) setting. After Mama Beads Baby's hair, Brother loads a Basket of Bananas onto his Bicycle while bopping to the beat of what's playing through his headphones, oblivious to everything elseespecially the fact that Baby climbed into the Basket to have a Banana for Breakfast. On the road, he passes a Baobab tree, Birds, a Butterfly, Baboons, a Bus brimming over with brown-skinned riders crossing a Bridge, and more sightsfew of which Brother notices. Nothing, however, escapes the keen eyes of Baby. Only when Brother lifts the Bananas from the Bicycle rack does anyone discover the stowaway. A surprised Baba happily welcomes both grandchildren, who join him for Biscuits and bottles of something bubbly. Brooksbank effectively avoids stereotypes while adding humor and cultural specificity to the story with her detailed and lively, colorful, mixed-media images. Safety-conscious caregivers may suck their teeth, but there's no denying the joy in this book.Atinuke has bottled the delightful energy of the Anna Hibiscus books and poured it into this treat for younger readers. (Picture book. 3-6) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Kirkus A tradwife influencer wakes up to find herself living the old-style life she’s been peddling. To her millions of followers, Natalie Heller Mills’ life appears perfect: Married to the handsome son of a wealthy, family-values-touting U.S. senator, she spends her days posting content of herself churning butter, baking, and crafting in her impeccable farmhouse kitchen; tending to the chickens and other livestock; and posing with her ever-expanding brood against the picturesque barn and rolling fields of her newly acquired Idaho farm, catchily dubbed “Yesteryear.” But the women who follow her don’t know about the nannies and other modern-day cheats that make the farm and family run. They don’t know Natalie’s husband is soft, shiftless, and perhaps not the sharpest tool in the shed. And they certainly don’t know that Natalie is not even close to being the “flawless Christian woman” she projects. “The mother every woman wanted to be, and the wife every man wanted to come home to”? Yeah, that’s just for Instagram. When Shannon, the producer Natalie hires to broaden her reach, exposes the disconnect between Online Natalie and Offline Natalie, the influencer’s perfect facade begins to crumble and her dream life becomes a nightmare. After an indeterminate amount of time—“Was it a day, a week, a month?”—Natalie wakes up to find herself in a hardscrabble, early-19th-century version of Yesteryear, with children she doesn’t recognize though they insist they’re hers and a husband who looks, but doesn’t act, like her spouse. How did Natalie get here? Is it a prank, a reality show, time travel? In Natalie, Burke has given us an absolutely riveting character—bitchy, narcissistic, and uncaring, yet also incongruously relatable and wickedly entertaining. As it sends up both MAGA and online culture, this deliciously funny, topical, and fiercely intelligent debut also probes deeper questions about authenticity, ambition, kindness, celebrity, consumerism, and what it means to be a woman in America today. It’s also a propulsive page turner, impossible to put down. A remarkable debut—both a book for the moment and one that will endure. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Publishers Weekly A tradwife influencer gets trapped inside the harsh life of an early-19th-century homesteader in Burke’s crafty and cutting debut. To her millions of Instagram followers, Natalie Heller Mills is a “flawless Christian woman” leading an idyllic life on the self-sustaining Yesteryear Ranch with her hardworking husband, Caleb, and their five kids. In reality, the family’s remote Idaho farm is a money pit, Caleb is an internet-addicted conspiracist, and nannies raise the children while a live-in producer curates Natalie’s content, which pays the bills. When Natalie wakes one morning in a rustic facsimile of her home with a family that resembles hers but isn’t, it appears that she has traveled back in time to 1805. Is she a kidnapping victim, an unconsenting reality show contestant, or something more bizarre? All she knows for sure is that the bear traps and boredom of the early 19th century might kill her before she finds out (“Tomorrow, I will not have to shit in a rickety old shed outside”). Burke’s scathing satire of the conservative media complex unfolds from Natalie’s increasingly delusional first-person perspective as the action ping-pongs back and forth in time. Though the big reveal undercuts some of the book’s bite, the narrative is plenty riveting. Burke is off to an auspicious start. Agent: Lisa Grubka, UTA. (Apr.)

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