Kirkus This honest and unflinching story of toil, tears, and triumph is a musical love letter that proves literary lightning does indeed strike twiceThomas' (The Hate U Give, 2017) sophomore novel returns to Garden Heights, but while Brianna may live in Starr's old neighborhood, their experiences couldn't differ more. Raised by a widowed mother, a recovering drug addict, Bri attends an arts school while dreaming of becoming a famous rapper, as her father was before gang violence ended his life. Her struggles within the music industry and in school highlight the humiliations and injustices that remain an indelible part of the African-American story while also showcasing rap's undeniable lyrical power as a language through which to find strength. Bri's journey is deeply personal: small in scope and edgy in tone. When Bri raps, the prose sings on the page as she uses it to voice her frustration at being stigmatized as "hood" at school, her humiliation at being unable to pay the bills, and her yearning to succeed in the music world on her own merit. Most importantly, the novel gives voice to teens whose lives diverge from middle-class Americana. Bri wrestles with parent relationships and boy dramaand a trip to the food bank so they don't starve during Christmas. The rawness of Bri's narrative demonstrates Thomas' undeniable storytelling prowess as she tells truths that are neither pretty nor necessarily universally relatable.A joyous experience awaits. Read it. Learn it. Love it. (Fiction. 13-adult) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal Gr 8 Up-Aspiring rapper Bri records "On the Come Up" to protest the racial profiling and assault she endured at the hands of white security guards at her high school. The song goes viral, and Bri seizes the opportunity to follow in the footsteps of her late father and lift her family out of poverty, but her loved ones worry, especially when some listeners paint her as an angry black girl inciting violence. Tension mounts as Bri's mother loses her job, Bri's relationship with her beloved aunt and musical mentor splinters, and a new manager dangles the prospect of fame and wealth-at a price. Set in the same neighborhood as Thomas's electrifying The Hate U Give, this visceral novel makes cogent observations about the cycle of poverty and the inescapable effects of systemic racism. Though the book never sands over the rough realities of Garden Heights, such as gang warfare, it imbues its many characters with warmth and depth. While acknowledging that society is quick to slap labels onto black teens, the author allows her heroine to stumble and fall before finding her footing and her voice. VERDICT Thomas once again fearlessly speaks truth to power; a compelling coming-of-age story for all teens.-Mahnaz Dar, School Library Journal © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Horn Book Sixteen-year-old Bri attends a public arts high school and dreams of being a rapper like her late father. After winning a rap battle in her neighborhood, doors start to open--but at a price Bri isn't sure she's willing to pay. Thomas's sharp, even piercing, characterization includes a remarkably well-rounded cast. A richly woven love letter to hip-hop, with Bri's lyrics and her thought process behind them included throughout. (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly Thomas's highly anticipated follow up to The Hate U Give returns to Garden Heights, but her new protagonist, 16-year-old Brianna Jackson, faces different challenges than the previous novel's Starr Carter. Bri's mother, Jayda, a recovering crack addict, has lost her job. The rent is late, the heat has been shut off, and Jayda must choose between staying in college and feeding her kids, because welfare benefits don't include food stamps for unemployed students. Bri attends an arts high school, and she dreams of making it big rapping-a talent she inherited from her father, a neighborhood legend who was shot to death when Bri was four. She begins to gain notice in the local music scene, but her success draws the unwanted attention of the gang suspected of killing her father. At the same time, an incident at school connects her with activists. Bri's artful rhymes convey her fears, frustrations, determination to challenge societal stereotypes, and growing awareness of her own talents. As in The Hate U Give, Thomas introduces readers to an unforgettable cast of characters who seek to thrive in close-knit neighborhoods that are also shaped by violence and systemic racism. Bri is a fully realized character who is both sympathetic and, occasionally, maddeningly impulsive, and the well-crafted dialogue, with some laugh-out-loud shade throwing, propels the dramatic plot. Ages 14-up. (Feb.) © Copyright PWxyz, LLC. All rights reserved.

(c) Copyright PWxyz, LLC. All rights reserved

Book list Thomas follows up her blockbuster, The Hate U Give (2017), with a sophomore novel that's just as explosive. On the Come Up tells the story of talented Bri, daughter of a deceased underground rapper, who's pursuing her own rap career. Bri is more than her dreams of making it out of the hood and reaching rap stardom; she is a girl who loves her family and friends fiercely. Bri's chance at fame comes after a rap battle in which the song she pens garners massive attention. When Bri's mother loses her job, Bri's rap ambitions become more crucial than ever. They could be her and her family's ticket to a better life unthreatened by poverty. Bri is a refreshingly realistic character with trials and triumphs, strengths and flaws. She's also a teen with a traumatic past who is still going through things in the present. She still, however, manages to find the beauty and joy in life despite her tribulations, and this is where On the Come Up truly shines in its exploration of Bri's resilience, determination, and pursuit of her dreams. In this splendid novel, showing many facets of the Black identity and the Black experience, including both the highs and the lows of middle-class and poor Black families, Thomas gives readers another dynamic protagonist to root for. High-Demand Backstory: Thomas' debut, The Hate U Give, might ring a bell? She had a long-term stay on the New York Times best-seller list for her first novel, and the hype for her second is damn near deafening.--Enishia Davenport Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Publishers Weekly The girl who stars in this nearly wordless tale by Castrillón (If I Had a Little Dream) has rosy cheeks and short dark hair and lives blissfully in the countryside. Castrillón’s lush spreads of her house and its surroundings recall early modern woodcuts and traditional folk art. Movement is everywhere: curtains sway, smoke curls. Then the girl’s parents tell her that her mother has gotten a new job and they must move to the city (“Goodbye,” hand-lettered text reads). Their new brick walk-up has a balcony, and from it the girl stares forlornly at the hills where she used to play. But she’s brought a pot with her, in which she plants seeds (“Hope,” the letters read). A large, artichokelike plant soon springs forth, growing by leaps and bounds, and slowly, the girl transforms her balcony into a wild garden. Tendrils and flowers reach the balcony below; neighbors rejoice. She spots a child with dark skin and curly hair across the way, and their families become friends. Castrillón offers riotous sprouting life through soft forms, stylized shapes, and bright colors. “Bloom where you’re planted,” the adage goes, and that’s just what this girl does. Ages 4–8. (Sept.)

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Book list Using only seven words, Castrillón tells a rich story of a girl's adjustment after moving from a house in the country to an apartment in the city. It is with a tearful goodbye that the girl, rosy cheeked with a short black bob, presses her face against the rear window of her parents' car as it drives away. Castrillón's distinctive, whimsical illustrations an arresting combination of pencil and digital color show the pangs of leaving a beloved place behind and highlight the girl's affinity for nature. The sun-kissed yellows and greens of the country give way to darker blues and pinks in the city. On her first night in the apartment, she finds comfort in planting seeds in a pot, which quickly grow in the balcony's sunlight. Brighter colors return, as does the girl's cheerful disposition, creating a lovely study in making a place your own. Castrillón creatively uses the page, clustering spot art alongside full- and double-page spreads of swirling lines and kaleidoscopic tones. The upbeat message of this tender tale blooms as beautifully as the plants in the little girl's care.--Julia Smith Copyright 2019 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus A child gardener makes a new place feel like home.The young protagonist, whose skin is the pale cream of the book's paper, enjoys the lush garden of their country home, serenely having tea with animal friends. Then a job change for their parents means goodbye. Saddened, they move to an apartment in the city, from which they gaze longingly at the distant country from their third-story balcony. They plant seeds in a pot, and, seemingly overnight, an asparagus-looking bloom sprouts. It grows steadily, eventually becoming even taller than the child's parents. With more plants, the balcony soon becomes an overflowing oasis of flora, attracting friendly animals, until the whole neighborhood is teeming with vegetation. The plants form connections among the community, including the protagonist's friendship with a next-door-neighbor child who has dark skin and wears their hair in braided knots. The occasional text provides some plot developments (a posted letter inviting the mother to take a job in the city) and conveys strong moods ("Hope" appears next to the child as they pot their initial plant). Digitally colored pencil illustrations are classically styled, with hatchings, strong lines, playful spatial distortions reminiscent of Wanda Gg, and a vintage-feeling tricolor palette. The organic elements have especially enchanting forms. Elegant drawings and sparse, emotive text make this story accessible to readers of a wide age range.A charmingly verdant tale in classic style. (Picture book. 4-8) Copyright Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

School Library Journal PreS-Gr 2—A young girl brings along her love of the outdoors as she makes the adjustment of moving from a country home to a city apartment in this mostly wordless attestation to the possibilities of change and the meaning of home. When her mother receives a great job offer in the city, a girl is heartbroken to leave her home's lush garden where she has found solace with the flora and fauna, only to move to an apartment where the main access to the outdoors is a small, barren balcony. Soon, with some seeds she brought with her, she starts a balcony garden that quickly flourishes, spilling over to the balconies below hers. While enjoying her garden, she meets a friend, which leads to a satisfying realization that home can be a lot of things. With only a few elegantly hand lettered words, Castrillón's richly hued digital and pencil Ottoman-style illustrations carry the story. Making use of the book's narrow shape, she moves back and forth between spreads and vignettes that add pacing and offer moments to pause and bask in the splendor of the magical world the girl is creating. Centered on the child's story, other story lines unfold in the background, reinforcing the book's theme of hope in change. VERDICT A book to assuage the fear of moving to a new home, this lovely illustrated tale will be a delightful addition to most collections.—Danielle Jones, Multnomah County Library, OR

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Horn Book Castrillón presents an almost-wordless story of a child uprooted by a family move from the countryside to the city and the growth in self, surroundings, and community that results. Lonely but hopeful, the protagonist tends seeds on the apartment balcony. Eventually, the neighborhood turns into an urban gardener's paradise, community members connect, and a flower shop opens downstairs. Circle motifs throughout support the themes of beginnings and endings, cycles and growth. (c) Copyright 2021. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal PreS-Gr 1-The window in Nanna and Poppy's kitchen is no ordinary window-it is the place where love and magic happens. It's where the girl and her doting grandparents watch stars, play games, and, most importantly, say hello and goodbye. The first-person text is both simple and sophisticated, conjuring a perfectly child-centered world. Sentences such as "When I get tired I come in and take my nap and nothing happens until I get up" typify the girl's happy, imaginative world. While the language is bouncy and fun, it is the visual interpretation of this sweet story that sings. Using a bright rainbow palette of saturated color, Raschka's impressionistic, mixed-media illustrations portray a loving, mixed-race family. The artwork is at once lively and energetic, without crowding the story or the words on the page; the simple lines and squiggles of color suggest a child's own drawings, but this is the art of a masterful hand. Perfect for lap-sharing, this book will find favor with children and adults alike.-Angela J. Reynolds, Washington County Cooperative Library Services, Hillsboro, OR Copyright 2005 Reed Business Information.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Publishers Weekly Juster (The Phantom Tollbooth) crafts a cozy portrait of a grandchild and her grandparents in this endearing book, illustrated in paintbox colors by Raschka (Be Boy Buzz). A curly haired girl-who dances with wiggly energy in Raschka's lush paintings-describes playful visits to her Nanna and Poppy, whose kitchen window provides the perfect venue to say hello and goodbye. "You can climb up on the flower barrel and tap," she says, "then duck down and they won't know who did it." Her grandparents welcome her into a sunlit, spacious kitchen filled with plants, where she doodles and listens to Poppy play "Oh, Susannah" on the harmonica. At night, the "Hello, Goodbye Window" functions as a mirror, and the girl jokes about being outside looking in: "Poppy says, `What are you doing out there? You come right in and have your dinner.' And I say, `But I'm here with you, Poppy,' and then he looks at me in his funny way." Juster departs from the over-the-top punning of his earlier works to create a gently humorous account of a family's conversations and games, all centered on the special window. Raschka warms the pages with glowing yellow, emerald, sapphire and golden brown, and he pictures the garden and trees in emphatic midsummer greens. The characters smile at one another with a doting twinkle in their eyes, and grandparents especially will be charmed by this relaxed account of how a child's visit occasions everyday magic. Ages 2-up. (Apr.) Copyright 2005 Reed Business Information.

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Book list PreS-Gr. 2. Two well-known names come together in a book that speaks to the real lives of children and their experiences. The young narrator visits her grandparents, Nanna and Poppy, in their big house. They explore Nanna's garden, and Poppy plays his harmonica. The narrator rides her bike and takes a nap, and nothing happens till I get up. Looking out the picture window, the hello, goodbye window, she sees the pizza guy, and, more fancifully, a dinosaur. She also spots her parents coming to pick her up. The curly-haired girl is happy to see them, but sad because it means the end of the visit. The window imagery is less important than the title would make it seem. More intrinsic is Juster's honest portrayal of a child's perceptions (a striped cat in the yard is a tiger) and emotions (being happy and sad at the same time just happens that way sometimes ). Raschka's swirling lines, swaths, and dabs of fruity colors seem especially vibrant, particularly in the double-page spreads, which have ample room to capture both the tender moments between members of the interracial family and the exuberance of spending time in the pulsating outdoors, all flowers, grass, and sky. --Ilene Cooper Copyright 2005 Booklist

From Booklist, Copyright © American Library Association. Used with permission.

Kirkus An author is targeted by a fan who just can’t let her go. Arden Bowie has had plenty of tragedy in her life, but now she’s finally on top. After her parents died when she was a teenager, she moved from Brooklyn to Ohio to live with her aunt, uncle, and cousins. She soon became part of their loving family and grew up to become a writer and bookseller. When her debut novel is published, she meets Dustin Dubecki at her first event. He showers her with praise, asks for writing advice, and wants to take her out for coffee. Arden tells herself he’s just a little awkward, but then he keeps showing up at her local events—and, even stranger, she’s sure she sees him lurking at her event in New York City. When he bursts into her apartment one night and assaults her, Arden’s calm life is shattered. Dustin gets a five-year sentence at a psychiatric facility; Arden spends most of that time rebuilding her sense of stability. Eventually, she moves to Oregon to start a new life where Dustin can never find her. But even though she has a beautiful home, a thriving career, a doting family, new friends, and even a potential love interest in a former cop named Gideon Riley, Arden can’t escape Dustin’s rage when his sentence is finally up. Roberts toggles between Arden’s point of view and Dustin’s, giving the reader occasional glimpses into his extremely twisted mindset. Although Arden’s attempts to escape Dustin are engrossing, the story stalls in the middle when far too many pages are dedicated to Arden purchasing and decorating a house. But the excitement picks back up when Dustin, a truly odious villain, re-enters the story. It’s also satisfying to see Arden grow into someone who refuses to be a victim, even as she deals with horrifying circumstances. A particularly nasty villain heightens the stakes in this thriller about a woman learning how to be her own hero. Copyright © Kirkus Reviews, used with permission.

Copyright © Kirkus Reviews, used with permission.

Book list The first time is kind of sweet. That is what Arden Bowie thinks when Dustin Dubecki turns up at the launch event for her debut book, Whispers. Claiming to be an aspiring author, Dustin seems harmless if a bit socially clueless. However, when Dustin keeps turning up at events where Arden is speaking, it begins to get creepy. Clearly her efforts to brush Dustin off without hurting his feelings are not working. He shows up at her apartment one evening and forces his way in. While Dustin’s assault of Arden puts him behind bars, Arden still doesn’t feel safe. Moving from her home in Ohio to Oregon seems to be a good step in reclaiming her life. But Dustin has a deadly score to settle with everyone he believes is responsible for putting him in a psychiatric prison, and the last person on that list is Arden. Roberts (The Seven Rings, 2025) masterfully delivers another of her infectiously readable mixes of sinisterly startling suspense and chemistry-rich romance layered into a meticulously crafted plot and enhanced with a realistically relatable cast of family and friends.HIGH-DEMAND BACKSTORY: Since so many of perennially best-selling Roberts' books run in series, readers will be excited about this writer-centric stand-alone thriller.

From Booklist, Copyright © American Library Association. Used with permission.

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School Library Journal : Gr 5–8—Somewhere in contemporary Britain, "the man Jack" uses his razor-sharp knife to murder a family, but the youngest, a toddler, slips away. The boy ends up in a graveyard, where the ghostly inhabitants adopt him to keep him safe. Nobody Owens, so named because he "looks like nobody but himself," grows up among a multigenerational cast of characters from different historical periods that includes matronly Mistress Owens; ancient Roman Caius Pompeius; an opinionated young witch; a melodramatic hack poet; and Bod's beloved mentor and guardian, Silas, who is neither living nor dead and has secrets of his own. As he grows up, Bod has a series of adventures, both in and out of the graveyard, and the threat of the man Jack who continues to hunt for him is ever present. Bod's love for his graveyard family and vice versa provide the emotional center, amid suspense, spot-on humor, and delightful scene-setting. The child Bod's behavior is occasionally too precocious to be believed, and a series of puns on the name Jack render the villain a bit less frightening than he should be, though only momentarily. Aside from these small flaws, however, Gaiman has created a rich, surprising, and sometimes disturbing tale of dreams, ghouls, murderers, trickery, and family.—Megan Honig, New York Public Library

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Reba Leiding, James Madison Univ., Harrisonburg, VA Distributed by Syndetic Solutions Inc. Terms

Publishers Weekly: This powerfully written but bleak narrative is a mesmerizing tale of the American Dream gone terribly awry. Massoud Amir Behrani, a former colonel in the Iranian Air Force under the Shah, now lives in exile with his wife and teenage son near San Francisco. Working on a road crew as a "garbage soldier" by day and as a deli clerk by night, Behrani is obsessed with restoring his family to the position of glittering wealth and prestige it once enjoyed. At a county auction, he sinks his savings into a bungalow seized for non-payment of taxes, and quickly moves his family into it, planning to resell the house at a sizable profit. But when the house's previous occupant, recovering coke addict Kathy Lazaro, resurfaces with valid claims for repossession, Behrani's plan begins to unravel, and with it his tightly controlled facade of composure. Tensions between Lazaro and Behrani quickly escalate into violence, as Lazaro's lover, a married police officer with a weak spot for lost causes, decides to take matters into his own hands. The book's horrifying denouement offers readers a searing study in the wages of pride. Dubus (Bluesman) writes with an authority regarding the American lower middle class that is reminiscent of Russell Banks and Richard Ford, and his limber imagination is capable of drawing the inner lives of three very different main characters with such compassion that readers will find their sympathies hopelessly divided. If the tragedy that he so skillfully orchestrates cries out to be leavened with a little less desperation and some quiet glimpse of hope, the keenly perceptive and moving narrative is proof that the son and namesake of one of our most talented writers has embarked on a dazzling career in his own right.

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