Horn Book
(c) Copyright The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

The unnamed black protagonist tells of his barbershop haircut from start to finish, narrating most of it in the second person. James's color-saturated illustrations capture the boy's bravado, swagger, and even his humility, which he needs in accepting a post-cut kiss from his admiring mother. Alternately precise, metaphorical, and culturally specific, Barnes's descriptions make each page a serendipity. A not-to-be-missed portrayal of the beauty of black boyhood. (c) Copyright 2018. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

School Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

K-Gr 3-Rhythmic text describes the feeling of a young African American boy as he gets a "fresh cut" and how a trip to the barbershop changes the way he feels about the world and in turn how the world perceives him. He might just "smash that geography exam" or "rearrange the principal's honor roll" and, of course, the cute girl in class won't be able to keep her eyes off of him. The protagonist spends time looking at black men in chairs next to him and creating vivid stories about their lives: "the dude to the left of you with a faux-hawk.looks presidential.maybe he's the CEO of a tech company." Oil paintings illustrate the intricacies of the haircuts, details in the characters' faces, along with the sense of well-being that is conveyed along the way. While a trip the barbershop is the main story line, the themes of confidence-building, self-esteem, and joy of young black boys are the important takeaways, and the illustrations jump off the page and invite readers to share in the experience. VERDICT A super fun read-aloud, this title is a recommended purchase for all picture book collections.-Kristen Todd-Wurm, Middle Country Public Library, NY © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Book list
From Booklist, Copyright © American Library Association. Used with permission.

Barnes (Ruby and the Booker Boys, 2008) playfully tells the story of a black boy getting a haircut at a barbershop. The boy comes in as a blank canvas, but as the haircut starts, Barnes leads the reader into all the things that might happen because of the cut, from passing a geography test, to becoming a star, and even impressing a girl. The other men in the barbershop look important and full of swagger because of their hair, and the barber knows what he's doing and doles out shape-ups and a faux hawk with skill. Colorful images illustrate all of the patrons, including a woman. Barnes mixes fresh and sharp lines with an integral part of the African American experience: maintaining one's hair. Illustrator James deftly uses bright colors including teal and fuchsia, and a colorful galaxy complements Barnes' words well. The strong voice will resonate with readers, soothe any young child scared of their first cut, and give a boost of confidence to the seasoned pros.--Gilfillian, Courtney Copyright 2017 Booklist

School Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

PreS-G 2-Smooth jazz and a strong narration blend together to tell this story of the fresh cut, the experience of sitting in the barber's chair and the feelings that come with it. Gordon C. James's Caldecott Honor-winning illustrations are full of life as they shift and move, and pull viewers into the barbershop as they wait in anticipation to see the final results. An author's note from Derrick Barnes explains his own experience getting a haircut and the confidence that accompanies it. © Copyright 2019. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

Publishers Weekly
(c) Copyright PWxyz, LLC. All rights reserved

How good can a haircut make a person feel? "Magnificent. Flawless. Like royalty." In a powerfully moving tribute to barbershop culture, Barnes (We Could Be Brothers) addresses readers directly-and it's safe to say his audience is primarily boys of color-using hyperbole to boost their confidence and help them recognize their own value. "You came in as a lump of clay," he writes, "a blank canvas, a slab of marble./ But when my man is done with you,/ they'll want to post you up in a museum." Created with thick, forceful daubs of paint, James's luminous portraits reinforce the idea that, when a person looks this good, not even the sky is the limit. Of a man admiring the curving designs newly shaved into his head, the narrator remarks, "Maybe there's a river named after him on Mars. He looks that important." Pride, confidence, and joy radiate from the pages, both in the black and brown faces of men, women, boys, and girls featured in Barnes's majestic paintings, and in writing that celebrates human worth with every syllable. Barbers included: "Tip that man! Tip that man!" Ages 3-8. (Oct.) © Copyright PWxyz, LLC. All rights reserved.

Kirkus
Copyright © Kirkus Reviews, used with permission.

Safe to say, there's nothing like the feeling of the fresh cut. You feel so extra visible with a fresh new cut, and this book built from that experience translates it in a way never before brought to the children's bookshelf. Basquiat-inspired king insignias and a bit of Kehinde Wiley flair shape portraits of all the various ways men (and women too!) come into the black barbershop to restore their cool, leaving the chair with high self-esteem, self-pride, and confidenceif only for as long as their hairlines remain crisp. It's sacred. The all-important line and the diverse styles take center stage here. The Big Daddy Kane-homage flat-top. The part. The light shape-up surrounded by cornrows and locs. The taper. The classic wavy dark Caesar. Barnes' imaginative prose mirrors the hyperbole and swagger of the barbershop. No cut is just good. It will have you looking "presidential," "majestic." Like you own "a couple of acres of land on Saturn." The swagger is on a million. The sauce is drippin'. James' oil-based portraiture will send many readers reminiscing. This book oozes black cool and timely, much-needed black joy, using the unique and expansive experience of the barbershop to remind young boys that their inner lives have always mattered there. One of the best reads for young black boys in years, it should be in every library, media center, and, yes, barbershop. (Picture book. 5-12) Copyright Kirkus Reviews, used with permission.

School Library Journal
(c) Copyright Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

PreS-Gr 3—Is a haircut just the snip of the scissors and the buzz of the razor? No, Barnes insists that a visit to the barbershop is a rite of passage that renews the recipient again and again. In pulsing, pounding prose, he describes the experience of getting a "fresh cut" from the eyes of a young African American boy. It allows him to view the world differently and gives him the confidence to know the world is looking at him in a new light. Possibilities open up that seemed closed before. The world is new, and so is he. Corey Allen reads the book with a smile in his rich and rhythmic voice. VERDICT This is an exceptional production, beautifully performed. It certainly merits a place in library collections, and homes with young African American boys should especially appreciate this paean to self-esteem and confidence. It will be most effective when combined with the book, as Gordon C. James's gorgeous oil illustrations deepen the experience.—Teresa Bateman, Brigadoon Elementary School, Federal Way, WA